Ellsworth Kelly

Publications

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Time Period

2020 2010 2000 1990 1980 1970 1960 1950 1940

Publication Type

Solo exhibition catalogue Group exhibition catalogue(17) Catalogue raisonné Monograph(3) Book Interview

Subject

Paintings Sculpture Drawings Plant Drawings Photographs Prints

Language

English French German Italian Spanish Japanese

Authors

Lawrence Alloway H.H. Arnason Dore Ashton Richard Axsom Elizabeth Baker Stephanie Barron John Baur John Berggruen Roberta Bernstein Gottfried Boehm Yve-Alain Bois Markus Brüderlin Harry Cooper John Coplans Holland Cotter Paul Cummings Éric de Chassey Edy de Wilde Isabelle Dervaux John Elderfield Carter Foster Rudi Fuchs Gary Garrels Henry Geldzahler Siegfried Gohr Eugene Goossen Dave Hickey Ann Hindry Sam Hunter Ellsworth Kelly Serge Lemoine Lucy Lippard Kynaston McShine Tricia Paik Sarah Rich Sarah Roberts Barbara Rose Mark Rosenthal Michel Seuphor Richard Shiff Patterson Sims Robert Storr Ann Temkin Calvin Tomkins Diane Waldman

1947

Adlow, Dorothy. “Recent Art School Students Show Varied Types of Work.” The Christian Science Monitor (October 13, 1947).

Adlow 1947

Wight, Frederick. “Interview with Ellsworth Kelly.” Boston: WBMS, May 9, 1947. Audiofile transcript.

WBMS 1947

1950

Premier Salon des Jeunes Peintres. Exh. cat. Paris: Galerie Beaux-Arts, 1950. [Preface by Pierre Descargues]

Beaux-Arts 1950

Boston Museum School 1948-1950. Boston: School of the Museum of Fine Arts, 1950.

Boston Museum School 1950

Réalités Nouvelles 5ème Salon. Exh. cat. Paris: Palais des Beaux-Arts de la Ville de Paris, 1950.

Réalités Nouvelles 1950

1951

Alvard, Julien. “Quelques Jeunes Américains de Paris.” Art d’Aujourd’hui 6 (June 1951): 24-25.

Alvard 1951

Estienne, Charles. “Tendance. Germain, Kelly, Palazuelo, Pallut, S. Poliakoff.” Derrière le miroir (October, 1951).

Estienne 1951

Kelly, Ellsworth. [Unpublished statement for ‘Line, Form and Color,’ November 1951.] in Ellsworth Kelly, Line Form Color. Cambridge: Harvard University Art Museums, 1999.

Kelly 1951

Réalités nouvelles 1951, Numéro 5. Exh. cat. Paris, France: Salon des Réalités Nouvelles, 1951. [Preface by Frédo Sidès]

Réalités Nouvelles 1951

1952

Briceño, Jose Hernan. Cuatro Muros. Exh. brochure. Primera Muestra Internacional de Arte Abstracto, 1952.

Briceño 1952

Chene, Jean. “Nantes.” Journal de l’Amateur d’Art (February 1, 1952).

Chene 1952

Seuphor, Michel. “Tendance.” Derrière le miroir (October, 1952).

Seuphor 1952

1953

Exposicion Arte Abstracto 1953 Santander. Exh. brochure. Santander, Spain: Museo de Arte Contemporáneo, 1953.

Santander 1953

1956

Butler, Barbara. “Ellsworth Kelly.” Arts Magazine (June, 1956).

Butler 1956

“Ripe for Fashion: Tomato Tweed.” Harper’s Bazaar (September 1956).

Harper’s Bazaar 1956

Lieberman, William S. and Elizabeth A. Straus. Recent Drawings U.S.A. Exh. cat. New York: The Museum of Modern Art, 1956.

Lieberman 1956

Tyler, Parker. “Ellsworth Kelly [Parsons; to June 9].” Artnews (Summer, 1956).

Tyler 1956

1957

Baur, John I. H. “New Talent in the U.S.” Art in America (March, 1957).

Baur 1957

Baur, John I.H. and Rosalind Irvine, eds. Young America 1957: American Painters and Sculptors under thirty-five. Exh. cat. New York: Whitney Museum of American Art, 1957. [Foreword by Lloyd Goodrich]

Baur 1957a

B.[urrey], S.[uzanne]. “In the Galleries: Ellsworth Kelly.” Arts Magazine (October, 1957).

Burrey 1957

Kelly, Ellsworth. [Unpublished statement (1957).] in Meyer, James. “Art for the City: Sculpture for a Large Wall, 1957.” Ellsworth Kelly Sculpture for a Large Wall, 1957. Exh. cat. New York: Matthew Marks Gallery, 1998.

Kelly 1957

11 Works by 11 Painters. Exh. announcement. New York: Mills College of Education, 1957. [curated by Ad Reinhardt]

Reinhardt 1957

T.[yler], P.[arker]. “Ellsworth Kelly: Reviews and Previews.” Artnews (October, 1957).

Tyler 1957

1958

Goossen, Eugene C. “Ellsworth Kelly.” Derrière le miroir no. 110 (October, 1958).

Goossen 1958

Hagen, Yvonne. “Galleries in Paris Full.” The (Paris) Herald Tribune (October 28, 1958).

Hagen 1958

McCann Morley, Grace L. “Seventeen Contemporary American Painters.” American Art – Four Exhibitions. Exh. cat. New York: The American Federation of Arts, 1957. [Foreword by Harris K. Prior] [Reprinted by USIS Library, London as Seventeen Contemporary American Artists + Eight Sculptors, 1958]

Morley 1958

Washburn, Gordon Bailey. The 1958 Pittsburgh International Exhibition of Contemporary Painting and Sculpture. Exh. cat. Pittsburgh: Department of Fine Arts, Carnegie Institute, 1958.

Washburn 1958

1959

Miller, Dorothy, ed. Sixteen Americans. Exh. cat. New York: The Museum of Modern Art, 1959.

Miller 1959

Tillim, Sidney. “Profile: Ellsworth Kelly.” Arts Yearbook 3 (1959).

Tillim 1959

Tillim, Sidney. “Month in Review.” Arts Magazine (October, 1959).

Tillim 1959a

1959 Annual Exhibition of Contemporary American Painting. Exh. cat. New York: Whitney Museum of American Art, 1959.

Whitney 1959

1960

Bill, Max and Margit Staber. konkrete kunst. Exh. cat. Zürich: Helmhaus, 1960.

Bill 1960

Butler, Barbara. Modern Classicism. Exh. cat. New York: David Herbert Gallery, 1960.

Butler 1960

Paintings, Sculpture & Drawings from the collection of Mr. and Mrs. Patrick B. McGinnis. Exh. cat. Lincoln, Massachusetts: DeCordova Museum, 1960.

De Cordova 1960

Seuphor, Michel. “Sens et Permanence de la Peinture Construite.” Quadrum 8 (1960): 37-58.

Seuphor 1960

Tapié, Michel. Jongekunst uit de Collectie Dotremont / Le Jeune Peinture de la Collection Dotremont. Eindhoven, Holland: Stedelijk van Abbemuseum, 1960.

Tapié 1960

Annual Exhibition 1960: Contemporary Sculpture and Drawings. Exh. cat. New York: Whitney Museum of American Art, 1960.

Whitney 1960

1961

Alloway, Lawrence. American Abstract Painters. Exh. cat. London: Arthur Tooth & Sons Ltd., 1961.

Alloway 1961a

Arnason, H.H. American Abstract Expressionists and Imagists. Exh. cat. New York: Solomon R. Guggenheim Foundation, 1961.

Arnason 1961

Baur, John I. H., The Face of the Fifties. Exh. cat. Ann Arbor: University of Michigan Museum of Art, 1961.

Baur 1961

Gordon, John. Annual Exhibition 1961 – Contemporary American Painting. Exh. cat. New York: Whitney Museum of American Art, 1961.

Gordon 1961

Hering, Karl-Heinz and Julien Alvard. Aktuelle Kunst: Bilder und Plastiken aus der Sammlung Dotremont. Exh. cat. Düsseldorf: Kunstverein für die Rheinlande und Westfalen, 1961. [translated by Jean Pierre Wilhelm]

Hering 1961

New New York Scene. Exh. brochure. London: Marlborough Fine Art, Ltd., 1961.

Marlborough 1961

S.[andler], I.[rving] H. “Ellsworth Kelly.” Artnews vol. 60, no. 7 (November 1961): 13.

Sandler 1961

Seitz, William C. VI Bienal do Museu de Arte Moderna, São Paulo 1961: Estado Unidos. New York: The Museum of Modern Art, 1961.

Seitz 1961

Seuphor, Michel. Art Abstrait Constructif International. Exh. cat. Paris: Galerie Denis René, 1961.

Seuphor 1961

T.[illim], S.[idney]. “New York Exhibitions: In the Galleries – Ellsworth Kelly.” Arts Magazine (December, 1961).

Tillim 1961

Washburn, Gordon Bailey. The 1961 Pittsburgh International Exhibition of Contemporary Painting and Sculpture. Exh. cat. Pittsburgh: Department of Fine Arts, Carnegie Institute, 1961.

Washburn 1961

Paintings & Sculpture from the Albright Art Gallery. New Haven, CT: Yale University School of Fine Arts, 1961.

Yale 1961

1962

Alloway, Lawrence. Ellsworth Kelly. Exh. cat. London: Arthur Tooth & Sons Ltd., 1962.

Alloway 1962

A.[rnason], H. H.[arvard] Vanguard American Painting. Exh. cat. London: American Embassy, 1962. [The text is also published in 1961 in a German edition for the Austria and Germany venues, and in a Croatian edition for the Yugoslavia venues.]

Arnason 1962

Christison, Muriel. “Evolution in Twentieth Century American Painting.” The James A. Michener Collection of Twentieth Century American Paintings. Little Rock, Arkansas: The Arkansas Arts Center, 1962.

Christison 1962

Gordon, John. Geometric Abstraction in America. Exh. cat. New York: Whitney Museum of American Art, 1962.

Gordon 1962

Grey, Arnold. “Ellsworth Kelly.” Art USA Now. Lucerne, Switzerland: C. J. Bucher Ltd., 1962. [Nordness, Lee, ed.; text by Allen S. Weller]

Grey 1962

Hunter, Sam. “American Art Since 1950.” Art Since 1950, American and International – Seattle World’s Fair 1962. Waltham & Boston, Massachusetts: Poses Institute of Fine Arts, Brandeis University & Institute of Contemporary Art, Boston. [Foreword by Norman Davis; Sam Hunter’s text is also published in a second English edition for the Boston venue.]

Hunter 1962

Kultermann, Udo. Konstruktivisten. Exh. cat. Leverkusen: Städtisches Museum Leverkusen, 1962.

Kultermann 1962

Seuphor, Michel. Abstract Painting: 50 Years of Accomplishment from Kandinsky to the Present. New York: Harry N. Abrams, 1962.

Seuphor 1962

Speyer, A. James. 65th American Exhibition – Some Directions in Contemporary Painting and Sculpture. Exh. cat. Chicago: The Art Institute of Chicago, 1962.

Speyer 1962

Wagstaff, Jr., Samuel. Continuity and Change – 45 American Abstract Painters and Sculptors. Exh. cat. Hartford: Wadsworth Atheneum, 1962.

Wagstaff 1962

Annual Exhibition 1962: Contemporary Sculpture and Drawings. New York: Whitney Museum of American Art, 1962.

Whitney 1962

1963

Barr, Jr., Alfred H. Paintings from the Museum of Modern Art, New York. Exh. cat. Washington, D.C.: National Gallery of Art, 1963. [Preface by John Walker and foreword by René d’Harnoncourt]

Barr 1963

Dunn International – An Exhibition of Contemporary Painting. Exh. cat. London: Arts Council, 1963. [Foreword by M. Beaverbrook]

Beaverbrook 1963

Recent Acquisitions – the Gevirtz-Mnuchin Collection and Related Gifts. Exh. brochure. Waltham, Massachusetts: Poses Institute of Fine Arts, Brandeis University, 1963. [Introduction by Sam Hunter]

Brandeis 1963

Breeskin, Adelyn D. Formalists. Exh. cat. Washington, D.C.: The Washington Gallery of Modern Art, 1963. [Foreword by Sir Herbert Read]

Breeskin 1963

Carroll, Richard S. and David H. Van Hook. Ascendancy of American Painting. Exh. cat. Columbia, South Carolina: Columbia Museum of Art, 1963.

Carroll 1963

The 28th Biennial Exhibition of Contemporary American Painting. Exh. cat. Washington, D.C.: The Corcoran Gallery of Art, 1963. [Introduction by Hermann Warner Williams, Jr.]

Corcoran 1963

Aspects of the Apollonian Ideal. Exh. brochure. University Park, Pennsylvania: Pennsylvania State University College of Arts and Architecture, 1963. [Introduction by Richard Fraenkel]

Fraenkel 1963

Geldzahler, Henry. Toward a New Abstraction. Exh. cat. New York: The Jewish Museum, 1963. [Preface by Alan R. Solomon and introduction by Ben Heller]

Geldzahler 1963

Geldzahler, Henry and Ellsworth Kelly. “Interview with Ellsworth Kelly.” Paintings, Sculpture and Drawings by Ellsworth Kelly. Exh. cat. Washington, D.C.: Gallery of Modern Art, 1963. [Foreword by Adelyn D. Breeskin and interview with the artist by Henry Geldzahler; reprinted in Geldzahler, Henry. “An Interview with Ellsworth Kelly.” Art International (February 15, 1964); excerpt in American Sculpture of the Sixties. Exh. cat. Los Angeles County Museum of Art, 1967; Ellsworth Kelly-The Paris Prints 1964-65. Exh. cat. New York: Susan Sheehan Gallery, 1992; and Geldzahler, Henry. Making It New: Essays, Interviews and Talks. New York: Turtle Point Press, 1994.]

Geldzahler 1963

Paintings, Sculpture and Drawings by Ellsworth Kelly. Exh. cat. Washington, D.C.: Gallery of Modern Art, 1963. [Foreword by Adelyn D. Breeskin and interview with the artist by Henry Geldzahler]

Geldzahler 1964

Heller, Ben. Black and White. Exh. cat. New York: The Jewish Museum, 1963. [Preface by Alan Solomon]

Heller 1963

Two Modern Collectors: Susan Morse Hilles Richard Brown Baker. Exh. cat. New Haven: Yale Art Gallery, 1963. [Introduction by Andrew Carnduff Ritchie; texts by Suzanne Morse Hilles and Richard Brown Baker]

Hilles 1963

Hirsch, Richard. Contemporary American Painting from the James A. Michener Collection, Allentown Art Museum, Pennsylvania: an exhibition organised by the Auckland City Art Gallery for the Queen Elizabeth II Arts Council. Exh. cat. Auckland: Wakefield Press, 1963.

Hirsch 1963

Hunter, Sam. New Directions in American Painting. Exh. cat. Waltham, Massachusetts: Poses Institute of Fine Arts, Brandeis University, 1963.

Hunter 1963

Selections from the James A. Michener Foundation Collection. Exh. cat. Rochester, New York: Memorial Art Gallery, 1963. [Foreword by James A. Michener]

Michener 1963

Esquisse D’Un Salon. Exh. cat. Paris: Galerie Denise René, 1963.

René 1963

Rubin, William. “Ellsworth Kelly: The Big Form.” Artnews (November, 1963).

Rubin 1963b

The Seventh Tokyo Bienniale 1963. Exh. cat. Tokyo: The Japan Art Association, 1963. [Introduction by Tsunetaka Ueda]

Tokyo 1963

Weller, Allen S. “Subject, Object and Content.” Contemporary American Painting and Sculpture. Exh. cat. Urbana, Illinois: Krannert Art Museum, University of Illinois, 1963. [Foreword by C. V. Donovan]

Weller 1963

Annual Exhibition 1963 – Contemporary American Painting. Exh. cat. New York: Whitney Museum of American Art, 1963.

Whitney 1963

1964

Alloway, Lawrence. American Drawings. Exh. cat. New York: Solomon R. Guggenheim Foundation, 1964. [Foreword by Thomas M. Messer]

Alloway

The 1964 Pittsburgh International Exhibition of Contemporary Painting and Sculpture. Exh. cat. Pittsburgh: Museum of Art, Carnegie Institute, 1964. [Foreword by Gustave von Groschwitz]

Carnegie 1964

Fried, Michael. “New York Letter.” Art International (January 16, 1964).

Fried 1964a

Greenberg, Clement. Post Painterly Abstraction. Exh. cat. Los Angeles: Los Angeles County Museum of Art, 1964. [Foreword by James Elliott]

Greenberg 1964

Griffin, Rachael. Collection of Mr. and Mrs. C. Bagley Wright – Twentieth Century American and European Paintings and Sculpture. Exh. cat. Portland, Oregon: Portland Art Museum, 1964.

Griffin 1964

Haftmann, Werner and Arnold Bode. Documenta III Kassel ’64 Malerei und Skulptur. Exh. cat. in German. Cologne: DuMont Schauberg, 1964. [Foreword by Karl Branner]

Haftmann 1964

The Classic Spirit in 20th Century Art. Exh. cat. New York: Sidney Janis Gallery, 1964.

Janis 1964

Kelly, Ellsworth. [Untitled statement.] The Painters Eye. Exh. cat. New York: Betty Parsons Gallery, 1964. [Text by Dale McConathy and Jock Truman]

Kelly 1964

McConathy, Dale. “Ellsworth Kelly.” Derrière le Miroir (November, 1964).

McConathy 1964

The Atmosphere of ‘64. Exh. cat. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1964.

Philadelphia 1964

Rose, Barbara. “New York Letter.” Art International vol. 8, no. 1(February 15, 1964.

Rose 1964

The Friends Collect. Exh. cat. New York: Whitney Museum of American Art, 1964. [Introduction by Armand G. Erpf; foreword by Hudson D. Walker]

Whitney 1964a

Wright, Edward and Robin Fior. Painting & Sculpture of a Decade 54 64. Revised, 2nd edition. Exh. cat. London: Calouste Gulbenkian Foundation and Tate Gallery, 1964.

Wright 1964

1965

Ashbery, John. “Art News from Paris: Kelly and Bishop.” Artnews (January, 1965).

Ashbery 1965

Ashton, Dore. “Kelly’s Unique Spatial Experiences.” Studio International (July, 1965).

Ashton 1965

B.[arnitz], J.[acqueline]. “In the Galleries: Ellsworth Kelly.” Arts Magazine (May-June, 1965).

Barnitz 1965

The Drawing Society National Exhibition. Exh. cat. New York: American Federation of Arts, 1965. [Introduction by James Biddle]

Biddle 1965

An Exhibition of Recent Paintings by Ellsworth Kelly. Exh. cat. New York: Sidney Janis Gallery, 1965.

Janis 1965

L.[evin], K.[im]. “Reviews and previews: Ellsworth Kelly.” Artnews (May, 1965).

Levin 1965

McConathy, Dale. Ellsworth Kelly: 27 Lithographs. Paris: Galerie Adrien Maeght, 1965.

McConathy 1965

Rose, Barbara. “ABC Art.” Art in America (October/November, 1965).

Rose 1965

Rüdlinger, A. “Signale.” Ausstellung Signale: Held, Kelly, Mattmüller, Noland, Olitski, Pfahler, Plumb, Turnbull. Exh. cat. Basel: Kunsthalle Basel, 1965.

Rüdlinger 1965

Seitz, William C. The Responsive Eye. Exh. cat. New York: The Museum of Modern Art, 1965.

Seitz 1965

A Decade of American Drawings 1955 – 1965. Exh. cat. New York: Whitney Museum of American Atr, 1965. [Introduction by Robert W. Sarnoff and foreword by Donald M. Blinken]

Whitney 1965a

1965 Annual Exhibition: Contemporary American Painting. Exh. cat. New York: Whitney Museum of American Art, 1965.

Whitney 1965b

Petlin, Irving B. “Ellsworth Kelly, Ferus Gallery.” Artforum (May, 1965).

1966

Alloway, Lawrence. Systemic Painting. Exh. cat. New York: Solomon R. Guggenheim Foundation, 1966. [Preface by Thomas M. Messer]

Alloway 1966

Beeren, W. A. L. and E. de Wilde. Vormen van de Kleur / New Shapes of Color. Exh. cat. Amsterdam: Stedelijk Museum, 1966.

Beeren and Wilde

D.[anieli], F.[idel] A. “Ellsworth Kelly, Ferus Gallery.” Artforum (May, 1966).

Danieli 1966

A Selection of Abstract Art 1917-1965: The Lillian H. Florsheim Collection. Exh. cat. Northampton: Smith College of Art, 1966. [Introduction by A.J.S.]

Florsheim 1966

Geldzahler, Henry. XXXIII Esposizione Biennale Internazionale d’Arte, Venezia 1966, Stati Uniti d’America. Exh. cat. Washington, D.C.: National Collection of Fine Arts, The Smithsonian Institution, 1966.

Geldzahler 1966b

Art of the United Sates: 1670-1966. Exh. cat. Whitney Museum of American Art, 1966. [Text by Lloyd Goodrich]

Goodrich 1966

Sculpture and Painting Today Selections from the Collection of Susan Morse Hilles. Exh. cat. Boston: Museum of Fine Arts, 1966. [Preface by Perry T Rathbone; foreword by Susan Morse Hilles]

Hilles 1966

Leavitt, Dr. Thomas W. American Masters 1800-1966. Exh. cat. Los Angeles: Terry De Lapp Gallery, ACA American Masters Gallery, Feigen Palmer Gallery, 1966.

Leavitt 1966

Mayhall, Dorothy. Brandeis University Creative Arts Award, 1957-1966: Tenth Anniversary Exhibition. Exh. cat. Ridgefield: The Aldrich Museum of Contemporary Art, 1966. [Introduction by Louis Kronenberger and Milton Steinberg]

Mayhall 1983

Primary Structures: Younger American and British Sculptors. Exh. cat. New York: The Jewish Museum, 1966. [Introduction by Kynaston McShine]

McShine 1966

Menna, Filiberto. “Ellsworth Kelly.” Marcatrè (Milan) (December, 1966).

Menna 1966

The Permanent Collection – Washington Gallery of Modern Art. Exh. cat. Washington, D.C.: Washington Gallery of Art, 1966. [Introduction by Gerald Nordland]

Nordland 1966

Russell, John. “Maeght Editeur.” Maeght Editeur Paris – Lithographies et Eaux-fortes Originales. London: The Redfern Gallery and Maeght Éditeur, 1966.

Russell 1966

Sculpture from the Collection of Mr. and Mrs. Max Wasserman Class of 1935. Exh. cat. Cambridge: Massachusetts Institute of Technology, 1966. [Foreword by William C. Seitz]

Seitz 1966

Selz, Peter. Seven Decades Crosscurrents in Modern Art 1895-1965. New York: Public Education Association, 1966.

Selz 1966

68th American Exhibition. Exh. cat. Chicago: The Art Institute of Chicago, 1966. [Introduction by A. James Speyer]

Speyer 1966

Annual Exhibition, 1966: Contemporary Sculpture and Prints. Exh. cat. New York: Whitney Museum of American Art, 1966.

Whitney 1966

1967

Color, Image, Form: An Exhibition of Painting and Sculpture Presented by the Friends of Modern Art of the Founders Society. Exh. cat. Detroit: The Detroit Institute of Arts, 1967. [Preface by W. Hawkins Ferry and Introduction by Gene Baro]

Baro 1967

Irving Blum Works of Art – Paintings and Sculpture from the Gallery Collection. Exh. cat. Los Angeles: Irving Blum Gallery, 1967.

Blum 1967

Guggenheim International Exhibition, 1967: Sculpture from Twenty Nations. Exh. cat. New York: The Solomon R. Guggenheim Museum, 1967. [Preface by Thomas M. Messer and introduction by Edward F. Fry]

Fry 1967

The Helen W. and Robert M. Benjamin Collection. Exh. cat. New Haven: Yale University Art Gallery, 1967. [Introduction by Andrew Carnduff Ritchie and Lloyd Goodrich]

Goodrich 1967

The 1967 Pittsburgh International Exhibition of Contemporary Painting and Sculpture. Exh. cat. Pittsburgh: Museum of Art, Carnegie Institute, 1967. [Foreword by Gustave von Groschwitz.]

Groschwitz 1967

Hunter, Sam. The 180 Beacon Collection of Contemporary Art. Exh. cat. Boston: 180 Beacon Street Tenants, 1967.

Hunter 1967

An Exhibition of New Work by Ellsworth Kelly. Exh. cat. New York: Sidney Janis Gallery, 1967.

Janis 1967

Leering, Jean. Kompass New York – Paintings after 1945 in New York. Exh. cat. Frankfurt, Germany: Frankfurter Kunstverein, 1967.

Leering 1967

Kelly, Ellsworth. [Statement.] in Lippard, Lucy R. “Homage to the Square.” Art in America vol. 55, no. 4 (July/August, 1967).

Lippard 1967

Rickey, George. Constructivism: Origins and Evolution. New York: George Braziller, 1967.

Rickey 1967

Robbins, Daniel. “The Living Museum.” Exchange Exhibition/Exhibition Exchange. Exh. cat. Providence: Rhode Island School of Design, 1967.

Robbins 1967

Rose, Barbara. “The Sculpture of Ellsworth Kelly.” Artforum (Summer, 1967).

Rose 1967

Sandler, Irving. “The Will to Renewal.” Two Decades of American Painting. Exh. cat. Melbourne: National Gallery of Victoria and Sydney: Art Gallery of South Wales, 1967. [Preface by Waldo Rasmussen; essays by Lucy R. Lippard, G. R. Swenson, ] [The text is also published in a second catalogue in English for the New Delhi venue and in Japanese in catalogues for the Kyoto and Tokyo venues.]

Sandler 1967

Seuphor, Michel. Von Konstruktivismus zur Kinetik 1917-1967. Exh. cat. Krefeld: Galerie Denise René Hans Mayer, 1967: [in German; translated from French by Lily Greenham]

Seuphor 1967

Solomon, Alan. “The Americans at Expo 67.” American Painting Now. Exh. cat. Boston: Institute of Contemporary Art, 1967.

Solomon 1967

Tuchman, Maurice, ed. American Sculpture of the Sixties. Exh. cat. Los Angeles: Los Angeles County Museum of Art, 1967: 55, 129-130. [Essays by Lawrence Alloway, Wayne V. Anderson, Dore Ashton, John Coplans, Clement Greenberg, Max Kozloff, Lucy R. Lippard, James Monte, Barbara Rose, and Irving Sandler]

Tuchman 1967

Dix Ans d’Art Vivant 1955-1965. Exh. cat. Saint-Paul de Vence: Fondation Maeght, 1967. [Preface by François Wehrlin]

Wehrlin 1967

1967 Annual Exhibition of Contemporary Painting. Exh. cat. New York: Whitney Museum of American Art, 1967.

Whitney 1967

1968

Cool Art – 1967. Exh. cat. Ridgefield, Connecticut: The Aldrich Museum of Contemporary Art. 1968. [Text by Larry Aldrich]

Aldrich 1968

Graphics 69: Lithographs. Exh. cat. Lexington: University of Kentucky Art Gallery, 1968. Preface by Richard B. Freeman; introduction by Garo Z. Antreasian]

Antreasian 1968

Atkinson, Tracy. The Collection of Mrs. Harry Lynde Bradley. Exh. cat. Milwaukee, Wisconsin: Milwaukee Art Center, 1968.

Atkinson 1968

Battcock, Gregory. “The Art of the Real: The Development of a Style 1948-1968.” Arts Magazine 42 (Summer, 1968).

Battcock 1968

Beeren, W. A. L. “collectie Martin, Mia en Geertjan Visser.” Three Blind Mice’ decollecties: Visser, Peeters, Becht. Exh. cat. Eindhoven: Stedelijk van Abbemuseum, 1968. [Introduction by J. Leering; additional texts by J. v.d. Walle, Dr. Hubert Peeters, Pierre Restany]

Beeren 1968

Bode, Arnold, Max Imdahl and Jean Leering. Documenta 4: Internationale Ausstellung – Kassel ’68 Katalog 1. Exh. cat. Kassel, Germany: Druck + Verlag GmBH, 1968: 148-151.

Bode Imdahl Leering 1968

Graphics 68: Recent American Prints. Exh. cat. Lexington: University of Kentucky Art Gallery, 1968. [Introduction by Edward Bryant]

Bryant 1968

Coplans, John. Serial Imagery. Exh. cat. Pasadena: The Pasadena Museum of Art and the New York Graphic Society Ltd., 1968.

Coplans 1968]

Goossen, Eugene. Betty Parsons’ Private Collection. New York: Finch College Museum of Art, 1968.

Goossen 1968a

Goossen, E. C. The Art of the Real: USA 1948-1968. Exh. cat. New York: The Museum of Modern Art, 1968. [The text is also published in a second English edition for the London venue, in German in the catalogue for the Zürich venue, and in French in the catalogue for the Paris venue of the exhibition.]

Goossen 1968b

Hoag, Jane. “Ellsworth Kelly.” Artnews (January, 1968).

Hoag 1968

An Exhibition of Paintings & Sculpture by Ellsworth Kelly. Exh. cat. New York: Sidney Janis Gallery, 1968.

Janis 1968

Suites: Recent Prints. Exh. cat. New York: The Jewish Museum, 1968.

Jewish Museum 1968

Livingston, Jane. “Los Angeles: Ellsworth Kelly, Irving Blum Gallery.” Artforum (January, 1968).

Livingston 1968

MacAgy, Douglas. Plus By Minus: Today’s Half Century. Exh. cat. Buffalo, New York: Buffalo Fine Arts Academy, 1968.

MacAgy 1968

Paintings from the Albright –Knox Art Gallery, Buffalo, New York. Exh. cat. Buffalo: Buffalo Fine Arts Academy, 1968. [Foreword by John Walker; introduction by Gordon Mackintosh Smith]

Smith 1968

Sweeney, James Johnson. Signals in the Sixties. Exh. cat. Honolulu Academy of Arts, 196.

Sweeney 1968

Waldman, Diane. “Kelly Color.” Artnews vol. 67, no. 6 (October, 1968): 40-41, 62-64.

Waldman 1968

Wasserman, Emily. “New York… Ellsworth Kelly, Sidney Janis Gallery.” Artforum vol. 7, no. 4 (December, 1968): 56-58.

Wasserman 1968

1968 Annual Exhibition: Contemporary American Sculpture. Exh. cat. New York: Whitney Museum of American Art, 1968.

Whitney 1968

1969

1969 Annual Exhibition Contemporary American Painting. Exh. cat. New York: Whitney Museum of American Art, 1969. [Foreword by John I.H. Baur]

Baur 1969

Buck, Jr., Robert. The Development of Modernist Painting: Jackson Pollock to the Present. Exh. cat. St. Louis: Washington University Gallery of Art-Steinberg Hall, 1969.

Buck 1969

Coplans, John. “The Earlier Work of Ellsworth Kelly.” Artforum vol. 7, no. 10 (Summer, 1969): 48-55.

Coplans 1969

Geldzahler, Henry, ed. New York Painting and Sculpture, 1940-1970. Exh. cat. New York: The Metropolitan Museum of Art, 1969: 31, 84, 199-208.

Geldzahler 1969

Honnef, Klaus. Heutige Kunst im Suermondt Museum Aachen. Exh. cat. Aachen: Museumsverein Aachen, 1969.

Honnef 1969

Kaufmann, Ruth and John W. McCoubrey. Disparitia si reaparitia imaginii: picture Americana de dupa 1945. Exh. cat. Washington, D.C.: The Smithsonian Institution International Art Program, 1969: 36, 48-49, 81.

Kaufmann and McCoubrey 1969

Kelly, Ellsworth. “Five Panels: Red Orange White Green Blue.” [Statement.] in Art Now: New York vol. 1, no. 9 (November, 1969).

Kelly 1969

Lieberman, William S. Twentieth-Century Art from the Nelson Aldrich Rockefeller Collection. Exh. cat. New York: The Museum of Modern Art, 1969.

Lieberman 1969

Lippard, Lucy R. New York 13. Exh. cat. Vancouver: The Vancouver Art Gallery, 1969. [Introduction by Doris Shadbolt]

Lippard 1969

A la Rencontre de Matisse. Exh. cat. Paris: Fondation Maeght, 1969.

Maeght 1969

American Drawings of the Sixties. Exh. cat. New York: New School Art Center, 1969. [Foreword by Paul Mocsanyi]

New School 1969

Oliver, Samuel F. 109 obras de Albright-Knox Art Gallery. Exh. cat. Buenes Aires: Museo Nacional de Bellas Artes, 1969.

Oliver 1969

The Rose Art Museum Collection, Brandeis University at New Hampshire. Exh. cat. Durham, New Hampshire: Paul Arts Center University of New Hampshire, 1969:

Paul Arts Center 1969

“The Albert Pilavin Collection: Twentieth-Century American Art.” Rhode Island School of Design Museum Bulletin vol. 55 no. 4 (May, 1969). [Introduction and text by Daniel Robbins]

Robbins 1969

Friedman, Martin. “Painting and the New Sculpture.” 14 Sculptors: The Industrial Edge. Exh. cat. Minneapolis: Walker Art Center, 1969. [Additional essays by Barbara Rose and Christopher Finch]

Friedman 1969

An Exhibition by 7 Artists. Exh. cat. New York: Sidney Janis Gallery, 1969.

Janis 1969

Solomon, Alan. Painting in New York: 1944 to 1969. Exh. cat. Pasadena: Pasadena Art Museum, 1969.

Solomon 1969

Recent Acquisitions 1969: Modern Painting, Sculpture, Drawings, Prints and Photography. Exh. cat. Califorina: Pasadena Art Museum, 1969. [Introduction by Thomas G. Terbell, Jr.]

Terbell 1969

Contemporary American Sculpture: Selection 2. Exh. cat. New York: Whitney Museum of American Art, 1969. [Foreword by John I. H. Baur].

Whitney 1969

1970

Arnason, H.H. American Artists of the Nineteen Sixties. Exh. cat. Boston: Boston University, 1970.

Arnason 1970

Ashton, Dore. L’art vivant aux Etats-Unis. Exh. cat. Paris: Fondation Maeght, 1970: 49-51.

Ashton 1970

Drawing – The Drawing Society National Exhibition 1970. Exh. cat. New York: The Drawing Society, 1970. [Text by James Biddle]

Biddle 1970

Burland, Jan, and Melinda Terbell. “Ellsworth Kelly.” Color. Exh. cat. Los Angeles: UCLA Art Galleries, 1970: 12-19.

Burland and Terbell 1970

Coplans, John. Ellsworth Kelly – Ten Lithographs. Los Angeles: Gemini G.E.L., 1970.

Coplans 1970

New Acquisitions: Dayton’s Gallery 12. Exh. cat. Minneapolis: Dayton’s Gallery, 1970.

Dayton 1970

The Protean Century 1870-1970. Exh. cat. New York: The Trustees of Dartmouth College and M. Knoedler & Company, Inc., 1970. [Introduction by Sam Hunter]

Hunter 1970

Katzive, David, ed. Ellsworth Kelly, Morris Louis, Kenneth Noland, Frank Stella. Exh. cat. Chicago: The Museum of Contemporary Art, 1970. [in cooperation with Dayton’s Gallery 12, Minneapolis]

Katzive 1970

Galerie Schmela. Exh. cat. Düsseldorf: Galerie Schmela, 1970.

Schmela 1970

String & Rope. Exh. cat. New York: Sidney Janis Gallery, 1970.

Janis 1970a

7 Artists. Exh. cat. New York: Sidney Janis Gallery, 1970.

Janis 1970b

1971

Agora I. Exh. cat. Strasbourg, France: Musée d’Art Moderne, 1971. [Essay by Victor Beyer]

Beyer 1971

Burnham, Jack. The Structure of Art. New York: George Braziller, Inc., 1971.

Burnham 1971

Castleman, Riva. Technics and Creativity: Gemini G.E.L. Exh. cat. New York: The Museum of Modern Art, 1971.

Castleman 1971

Coplans, John. Ellsworth Kelly. New York: Harry N. Abrams, Inc., 1971.

Coplans 1971

Wender, Felice. Ellsworth Kelly. Exh. cat. Minneapolis: Dayton’s Gallery 12, 1971.

Wender 1971

Domingo, Willis. “In the Galleries – Ellsworth Kelly (Sidney Janis).” Arts Magazine vol. 46, no. 3 (December, 1971-January, 1972): 60.

Domingo 1971

Elderfield, John. “Color and Area: New Paintings by Ellsworth Kelly.” Artforum vol. 10, no. 3 (November, 1971): 45-49.

Elderfield 1971

A New Consciousness: The CIBA-GEIGY Collection. Exh. cat. New York: The Hudson River Museum, 1971. [Text by Donald M. Halley, Jr.]

Halley 1971

Recent Paintings by Ellsworth Kelly. Exh. cat. New York: Sidney Janis Gallery, 1971.

Janis 1971

Experiment in Grafiek. Exh. cat. Eindhoven: Van Abbemuseum, 1971. [Foreword and essay by J. Leering]

Leering 1971

Maytham, Thomas N. Great American Paintings from the Boston and Metropolitan Museum. Exh. cat. New York: The Viking Press, 1971.

Maytham 1971

Reflections Thru a Collectors’s Eye. Exh. cat. Bloomington, Indiana: Indiana University Art Museum, 1971. [Text by Ellen Sharp]

Sharp 1971

Tucker, Marcia. The Structure of Color. Exh. cat. New York: Whitney Museum of American Art, 1971.

Tucker 1971

Versaci, Nancy R. Recent Painting and Sculpture From the Albert A. List Family Collection. Exh. cat. Providence, Rhode Island: Brown University, 1971.

Versaci 1971

Waldman, Diane. Ellsworth Kelly: Drawings, Collages, Prints. Greenwich, Connecticut: New York Graphic Society Ltd., 1971.

Waldman 1971

Welling, Dolf. Stedelijk ’60-’70 : verzameling 1960-1970. Exh. cat. Brussels: Paleis voor Schoene Kunsten-Brussels, 1971.

Welling 1971

1972

Debs, Barbara Knowles. “Ellsworth Kelly’s Drawings.” The Print Collector’s Newsletter vol. 3, no. 4 (September/October 1972): 73-77.

Debs 1972

Elderfield, John. “Ellsworth Kelly: Drawings, Collages, Prints by Diane Waldman.” Art in America vol. 60, no. 6 (November/December 1972): 37.

Elderfield 1972

Friedrichs, Yvonne. “Galerie Denise Rene/Hans Mayer, Düsseldorf Ausstellung.” Das Kunstwerk (September, 1972): 43.

Friedrichs 1972

Lippard, Lucy. “Top to Bottom, Left to Right.” Grids. Exh. cat. Philadelphia: Institute of Contemporary Art, 1972.

Lippard 1972

EATS – An Exhibition of Food in Art. Exh. cat. New York: The Emily Lowe Gallery, Hofstra University, 1972. [Text by Frances Field and Maxime McKendry]

Field 1972

Mladinov, Mary P. Untitled: 20th Century Prints. Exh. cat. Hanover, New Hampshire: Hopkins Center, Dartmouth College, 1972.

Mladinov 1972

Nabakowski, Gislind. “Kelly: Sources in Nature?” Flash Art (Milan) no. 35-36 (September-October, 1972): 22-23.

Nabakowski 1972

Ellsworth Kelly. Exh. cat. Düsseldorf: Galerie Denise René Hans Mayer, 1972.

René Mayer 1972

Wood, James N. Ellsworth Kelly – The Chatham Series. Buffalo: The Albright-Knox Art Gallery, 1972. [Unpublished statement]

Wood 1972

1973

Baker, Elizabeth C. “The Subtleties of Ellsworth Kelly.” Artnews 72 (November, 1973): 30-33.

Baker 1973

1973 Biennial Exhibition Contemporary American Art. Exh. cat. New York: Whitney Museum of American Art, 1973. [Foreword by John I.H. Baur]

Baur 1973

Contemporanea. Exh. cat. Rome: Incontri Internationali d’Arte, 1973. [Foreword by Graziella Lonardi and essay by Archille Bonito Oliva]

Bonito Oliva 1973

Cade, C. B. Color in Colorfield Painting: Color in the Painting of Ellsworth Kelly, Kenneth Noland and Frank Stella. Ed.D. Thesis, Columbia University, 1973.

Cade 1973

Crimp, Douglas. “New York Letter.” Art International vol. 17, no. 6 (Summer, 1973): 88-90.

Crimp 1973

Klüver, Billy. The New York Collection Portfolio. New York: Experiments in Art and Technology, 1973.

Klüver 1973

3D into 2D: Drawing for Sculpture. Exh cat. New York Cultural Center, New York., 1973. [Text by Susan Ginsburg]

Ginsburg 1973

Goossen, E. C. Ellsworth Kelly. New York: The Museum of Modern Art, 1973.

Goossen 1973

Gordon, Leah. “Kelly -‘My Work is Difficult’.” The New York Times (September 9, 1973): 29, 37.

Gordon 1973

Halasz, Piri. “He Brightens Up the Spectrum of Contemporary Art.” Smithsonian vol. 4, no. 8 (November, 1973): 42-49.

Halasz 1973

Hughes, Robert. “Classic Sleeper.” Time vol. 102, no. 12 (September 17, 1973): 72-73.

Hughes 1973

Kingsley, April. “New York [Museum of Modern Art Exhibition].” Art International (December 15, 1973): 34-36, 59-60.

Kingsley 1973

Kozloff, Max. Twenty-Five Years of American Painting, 1948-1973. Exh. cat. Des Moines Art Center, 1973.

Kozloff 1973

Masheck, Joseph. “Ellsworth Kelly at the Modern.” Artforum vol. 12, no. 3 (November, 1973): 54-57.

Masheck 1973

Miller, Jo. Eighteenth National Print Exhibition. Exh. cat. New York: The Brooklyn Museum, 1973.

Miller 1973

Millet, Catherine. “Kelly, Noland, Olitski, Poons, Stella: après l’expressionnisme abstrait.” Art Press (Paris) no. 5 (November/December 1973): 10-15.

Millet 1973

Castleman, Riva. Modern Art in Prints. Exh. cat. New York: The Museum of Modern Art, 1973.

Castleman 1973

Wolk Nachmani, Cynthia. “Taste in the English Garden: Nature, the Picturesque, and Ornament.” Say it with Flowers: An Exhibition of the Imagery of Flowers. Exh. cat. Hempstead, New York: Hofstra University Emily Lowe Gallery, 1973.

Nachmani 1973

Siegel, Jeanne. “Ellsworth Kelly: Castelli.” (New York) Artnews vol. 72, no. 6 (Summer 1973): 99.

Siegel 1973

Stitelmann, Paul. “Ellsworth Kelly: Castelli (uptown).” Arts Magazine vol. 48, no. 1 (September/ October, 1973): 59.

Stitelmann 1973

van der Marck, Jan. American Art Third Quarter Century. Exh. cat. Seattle: Seattle Art Museum, 1973: 64-65.

van der Marck 1973

1974

Barron, Stephanie. “Giving Art History the Slip.” Art in America vol. 62, no. 2 (March/April, 1974): 80-84.

Barron 1974

Castelli at Berggruen. Exh. cat. San Francisco: John Berggruen Gallery, 1974.

Berggruen 1974

Burden, Carter. Selected Works from the Collection of Carter Burden. Exh. cat. New York: Marlborough Gallery, 1974: 1-37.

Burden 1974

Dyer, Carlus. Tenth Anniversary The Aldrich Museum of Contemporary Art 1964-1974. Exh. cat. Ridgefield: The Aldrich Museum of Contemporary Art, 1974.

Dyer 1974

Frankenstein, Alfred V. “Ellsworth Kelly.” American Self-Portraits, 1670-1973. Exh. cat. Washington, D.C.: International Exhibitions Foundation, 1974: 184-185. [Preface by Annemarie H. Pope, introduction and essay by Ann C. Van Devanter and Alfred V. Frankenstein]

Frankenstein 1974

Ellsworth Kelly Leaves. Los Angeles: Gemini G.E.L., 1974.

Gemini 1974

Goossen, E. C. “Color and Light.” Arts Magazine vol. 48, no. 4 (January, 1974): 32-41.

Goossen 1974

The Greenberg Gallery. Exh. cat. St. Louis: The Greenberg Gallery, 1974.

Greenberg 1974

Larson, Philip. Johns Kelly Lichtenstein Motherwell Nauman Rauschenberg Serra Stella – Prints from Gemini GEL. Exh. cat. Minneapolis: Walker Art Center, 1974.

Larson 1974

Masheck, Joseph. “A Humanist Geometry.” Artforum vol. 12, no. 6 (March, 1974): 39-43.

Masheck 1974

Morris, Lynda. Strata: Paintings, Drawing and Prints at the Royal College of Art Galleries. Exh. cat. London, 1974. [also published in Studio International (February, 1974): 92.]

Morris 1974

25 Years of Janis. Exh. cat. New York: Sidney Janis Gallery, 1974.

Janis 1974

Seventy-First American Exhibition. Exh. cat. Chicago: The Art Institute of Chicago, 1974. [Preface by John Maxon and introduction by A. James Speyer]

Speyer 1974

Tuchman, Phyllis. “Ellsworth Kelly’s Photographs.” Art in America vol. 62, no. 1 (January/February, 1974): 55-61.

Tuchman 1974

Nine Artists/Coenties Slip. Exh. cat. New York: Whitney Museum of American Art, 1974.

Whitney Scholars 1974

Wortz, Melinda Terbell. “Ellsworth Kelly, Pasadena.” Artweek vol. 5, no. 5 (February 2, 1974): 1, 5.

Wortz 1974

1975

Barron, Stephanie. “Matisse and Contemporary Art.” Arts Magazine vol. 49, no. 9 (May, 1975): 66-67.

Barron 1975

Davies, Hugh Marlais. Artist & Fabricator. Exh. cat. Amherst: University of Massachusetts, Fine Arts Center Gallery, 1975.

Davies 1975

Derfner, Phyllis. “Reviews of Exhibitions: Ellsworth Kelly at Castelli Uptown.” Art in America vol. 63, no. 4 (July-August, 1975): 97-98.

Derfner 1975

Fuchs, Rudi H. Funktiesvantekenen \ Functions of Drawing. Exh. cat. Otterlo: Rijksmuseum Kröller-Müller, 1975.

Fuchs 1975a

Goodall, Donald B. Pintura americana do século xx: quadros escolhidos da coleção Michener. Exh. cat. Austin: University of Texas at Austin and the United States Information Service, 1975: 2-40.

Goodall 1975

Hoesterey, Ingeborg. “Kelly (Castelli).” Art International vol. 19, no. 6 (June 15, 1975): 77-78.

Hoesterey 1975

Judd, Donald. Complete Writings, 1959-1975. Halifax: The Press of Nova Scotia College of Art and Design, 1975 (reprint 2005).

Judd 1975

American Works on Paper 1945-1975. Exh. cat. New York: M. Knoedler and Co., Inc., 1975.

Knoedler 1975

Legg, Alicia. American Art Since 1945 From the Collection of The Museum of Modern Art. Exh. cat. New York: The Museum of Modern Art, 1975.

Legg 1975

McShine, Kynaston. El Lenguaje del Color. Exh. cat. in Spanish. Caracas: Museum de Bellas Artes, 1975.

McShine 1975

McShine, Kynaston and Fernando Gamboa. Color – El Color Como Lenguaje – Pinturas. Exh. cat. in Spanish. Mexico: Museo de Arte Moderno, Bosque de Chapultepec Instituto Nacional de Bellas Artes, 1975.

McShine and Gamboa 1975

McShine, Kynaston and Gloria Zea de Uribe. Color. Exh. brochure in Spanish. Bogotá, Colombia: Museo de Arte Moderno, 1975.

McShine and Zea de Uribe 1975

Miller-Keller, Andrea. Matrix I. Exh. brochure. Hartford, Connecticut: Wadsworth Atheneum, 1975.

Miller-Keller 1975

Fuchs, R.[udi] H. Ger van Elk en zijn keuze uit het Stedelijk Museum te Amsterdam. Amsterdam: Openbaar Kunstbezit, 1975: 34-35.

Ruchs 1975b

Smith, Roberta. “Ellsworth Kelly: Leo Castelli Gallery, uptown.” (New York) Artforum vol. 14, no. 1 (September, 1975): 69-71.

Smith 1975

Sculpture: American Directions, 1945-1975. Exh. cat. Washington, D.C.: National Collection of Fine Arts, The Smithsonian Institution, 1975.

Smithsonian 1975

Zimmer, William. “Arts Reviews: Ellsworth Kelly.” Arts Magazine vol. 49, no. 9 (May, 1975): 17-18.

Zimmer 1975

Zucker, Barbara. “New York Reviews: Ellsworth Kelly.” Artnews vol. 74, no. 5 (May, 1975): 96.

Zucker 1975a

Zucker, Barbara. “New York Reviews: Ellsworth Kelly.” Artnews vol. 74, no. 6 (Summer, 1975): 145.

Zucker 1975b

1976

Heritage and Horizon: American Paintings 1776-1976. Exh cat. Buffalo, New York: The Albright-Knox Art Gallery, 1976.

Albright-Knox 1976

Baker, Kenneth. “Ellsworth Kelly’s ‘Rebound’.” Arts Magazine vol. 51, no. 1 (September, 1976): 110-111.

Baker 1976

Baro, Gene. 30 Years of American Print Making: Including The 20th National Print Exhibition. New York: The Brooklyn Museum, 1976: 65-66, 137.

Baro 1976

Baur, John I.H. American Painting 1900-1976. Exh. cat. Katonah: Katonah Gallery, 1976.

Baur 1976

Modern Portraits: The Self & Others. Exh. cat. Columbia University: Wildenstein and the Dept of Art History and Archaeology, 1976.

Columbia 1976

Ellenzweig, Allen. A Selection of American Art: The Skowhegan School 1946-1976. Boston: Insitiute of Contemporary Art, 1976.

Ellenzweig 1976

Geometric Abstract Art from the Lillian H. Florsheim of Fine Arts. Exh. cat. Chicago: University of Chicago David and Alfred Smart Gallery, 1976.

Florsheim 1976

Haskell, Barbara. “Two Decades of American Sculpture.” 200 Years of American Sculpture. Exh. cat. New York: Whitney Museum of American Art, 1976: 187-213.

Haskell 1976

The Lyon Collection: Modern and Contemporary Works on Paper. Long Beach: California State University, 1976.

Lyon 1976

Menna, Filiberto. Cronaca – Percorso didattico attraverso la pittura americana degli ann 60 e la pittura europa degli anni 70. Exh. cat. Modena, Italy: Galleria Civica, 1976: 6-7, 17.

Menna 1976

Acquisition Priorities: Aspects of Postwar Painting in America. Exh. cat. New York: Solomon R. Guggenheim Museum, 1976: 81. [Foreword by Thomas M. Messer]

Messer 1976

Private Notations: Artists’ Sketchbooks II. Exh. cat. Philadelphia College of Art, 1976.

Philadelphia 1976

Rorimer, Anne. Seventy-Second American Exhibition. Exh. cat. Chicago: The Art Institute of Chicago, 1976: 6, 26.

Rorimer 1976

Seaberg, Libby W. “Artists’ Biographies and Bibliographies.” 200 Years of American Sculpture. Exh. cat. New York: Whitney Museum of American Art, 1976: 254-323.

Seaberg 1976

Stebbins, Jr., Theodore E. American Master Drawings and Watercolors: A History of Works on Paper from Colonial Times to the Present. New York: Harper & Row, 1976: 367-410.

Stebbins 1976

Die reine Forme. Exh. cat. Düsseldorf, Germany: Kunstmuseum, 1976. [Foreword by Wend von Kalnein and introduction by Willy Rotzler]

von Kalnein and Rotzler 1976

Waldman, Diane. Twentieth-Century American Drawing: Three Avant-Garde Generations. Exh. cat. New York: Solomon R. Guggenheim Foundation, 1976: 100-101, 118. [preface by Thomas M. Messer]

Waldman 1976

Surface, Edge and Color. Exh. cat. New York: Whitney Museum of American Art, 1976: 3-4, 10-11, 14, 17-18, 20-21.

Whitney 1976

1977

3 Villes, 3 Collections- l’Avant-Grarde 1960-1976. Marseille: Musée Cantini, 1977. [Preface by Pontus Hulten; texts by Jacques Beauffet and Bernard Ceysson]

Beauffet and Ceysson 1977

Bode, Arnold. Documenta 6. Exh. cat. Kassel: Documenta GmbH, 1977.

Bode 1977

Towards Abstract Art. Exh. checklist. Edinburgh: The Scottish National Gallery of Modern Art, 1977.

Edinburgh 1977

Ellenzweig, Allen. Artists Salute Skowhegan. Exh. cat. New York: Skowhegan School of Painting and Sculpture, 1977.

Ellenzweig 1977

Frackman, Noel. “Arts Reviews: Leo Castelli Gallery Exhibition.” Arts Magazine vol. 51, no. 7 (March 1977): 31.

Frackman 1977

Goldman, Judith. Art Off The Picture Press: Tyler Graphics LTD. Exh. cat. Hempstead, New York: Hofstra University Emily Lowe Gallery, 1977.

Goldman 1977

Halbreich, Kathy. Hemp. Cambridge: Hayden Gallery, Massachusetts Institute of Technology, 1977.

Halbreich 1977

Hess, Thomas B. New York: The State of Art. Exh. cat. Albany: New York State Museum, 1977.

Hess 1977

Paris-New York. Exh. cat. Paris: Centre National d’Art et de Culture Georges Pompidou, Musée National d’art Moderne, 1977. [Text by Pontus Hulten]

Hulten 1977

Krauss, Rosalind. Works on Paper: American Art 1945-1975. Exh. cat. Seattle: Washington Art Consortium, 1977: 58-59.

Krauss 1977

Perrone, Jeff. “Ellsworth Kelly, Castelli Graphics.” Artforum vol. 15, no. 8 (April 1977): 62-64.

Perrone 1977

Schwartz, Ellen. “Ellsworth Kelly: Castelli.” (New York) Artnews vol. 76, no. 4 (April 1977): 126.

Schwartz 1977

Shapiro, David. Drawings for Outdoor Sculpture. Exh. cat. New York: John Weber Gallery, 1977.

Shapiro 1977

Less is More. Exh. cat. New York: Sidney Janis Gallery, 1977. [Text by Sidney Janis]

Janis 1977

20th Century American Art from Friend’s Collection. Exh. cat. New York: Whitney Museum of American Art, 1977.

Whitney 1977

Zimmer, William. ” Ellsworth Kelly: Leo Castelli.” (New York) Arts Magazine vol. 51, no. 8 (April 1977): 34.

Zimmer 1977

1978

Castleman, Riva. Colored Paper Images. Exh. cat. New York: The Museum of Modern Art, 1978.

Castleman 1978

American Painting of the 1970’s. Exh. cat. Buffalo, New York: Albright-Knox Art Gallery, 1978: 35. [Foreword by Robert T. Buck, Jr. and essay by Linda L. Cathcart]

Cathcart 1978

Kraft, Barbara S. Paper as Medium. Exh. cat. Washington, D.C.: Smithsonian Institution, 1978.

Kraft 1978

Krauss, Rosalind. Grids: Format and Image in 20th Century Art. Exh. cat. New York: The Pace Gallery, 1978.

Krauss 1978

Masters of Modern Sculpture. Exh. cat. New York: Marlborough Gallery, 1978: 40.

Marlborough 1978

Masheck, Joseph. “Hard-core Painting.” Artforum vol. 16, no. 8 (April 1978): 46-55.

Masheck 1978

Wortz, Melinda. “New Editions: Twelve Leaves.” Artnews vol. 77, no.6 (September 1978): 106.

Wortz 1978

1979

Baker, Elizabeth C. Ellsworth Kelly: Recent Paintings and Sculptures. Exh. cat. New York: The Metropolitan Museum of Art, 1979. [Foreword by Philippe de Montebello]

Baker 1979

Arte en La Embajada. Exh. cat. Caracas: Embajada De Los Estados Unidos de América, 1979.

Caracas 1979

Cummings, Paul. Twentieth-Century Drawings from the Whitney Museum of American Art. Exh. cat. New York: Whitney Museum of American Art, 1979.

Cummings 1979

Findsen, Owen. “And It’s All in Living Color.” Cincinnati Enquirer (March 30, 1979): D12.

Findsen 1979

Goldman, Judith. Print Publishing in America. United States International Communications Agency, 1979.

Goldman 1979

Seven Artists at Tyler Graphics LTD. Exh. cat. Ohio: Trisolini Gallery, 1979. [Text by Donald Harvey]

Harvey 1979

Hynning Smith, Carol. Master Drawings and Watercolors of the Nineteenth and Twentieth Centuries. The Baltimore Museum of Art and the American Federation of the Arts, 1979: 164-165.

Hynning Smith 1979

American Paintings from Corporate Collections. Exh. cat. Montgomery: Montgomery Museum of Fine Arts, 1979: 224-225. [Introduction by Mitchell Douglas Kahan]

Kahan 1979

Kelly, Ellsworth. “Notes from 1969.” Ellsworth Kelly: Paintings and Sculptures, 1963-1979. Exh. cat. Amsterdam: Stedelijk Museum, 1979: 30-34. [Text is in Dutch and English. The text is also published in German in the catalogue of the Baden-Baden venue of this exhibition, and in French in the catalogue of the Paris venue.] [Also reprinted as “Aufzeichnungen von 1969.” Künstler – Kritisches Lexikon der Gegenwartskunst. Munich: Weltkunst und Bruckmann, 1991: 14-15; and in Ellsworth Kelly In-Between Spaces, Works 1956-2002. Exh. cat. Basel/Riehen: Fondation Beyeler, 2002: 46-49.]

Kelly 1969

Rose, Barbara and Ellsworth Kelly. Ellsworth Kelly: Paintings and Sculptures, 1963-1979. Exh. cat. Amsterdam: Stedelijk Museum, 1979. [Text is in Dutch and English.]

Kelly 1979

The 36th Biennial Exhibition of Contemporary American Painting. Exh. cat. Washington, D.C.: The Corcoran Gallery of Art, 1979. [Essay by Jane Livingston]

Livingston 1979

Rose, Barbara. “Ellsworth Kelly: The Focused Vision.” Ellsworth Kelly: Paintings and Sculptures, 1963-1979. Exh. cat. Amsterdam: Stedelijk Museum, 1979: 1-24. [The text is also published in German in the catalogue of the Baden-Baden venue of this exhibition, and in French in the catalogue of the Paris venue.]

Rose 1979

Constructivism and the Geometric Tradition. Exh. cat. New York: McCrory Corporation, 1979: 13, 65. [Foreword by Thomas N. Maytham; Preface by Celia Ascher and essay by Willy Rotzler]

Rotzler 1979

Black and White are Colors: Paintings of 1950’s -1970’s. Exh. cat. Claremont: Montgomery Art Gallery, 1979: 35. [Foreword by David W. Steadman and essay by David S. Rubin]

Rubin 1979

Schipper, Merle. Americans in Paris: The 50s. Exh. cat. Northridge: California State University, 1979.

Schipper 1979

Sims, Patterson. The Decade in Review: Selections from the 1970s. Exh. brochure. New York: Whitney Museum of American Art, 1979.

Sims 1979

Stringer, John. 25 Años Despues: Indiana, Kelly, Martin, Negret, Nevelson, Youngerman. Exh. cat. Bogota: Museo de Arte Moderno, 1979.

Stringer 1979

1979 Biennial Exhibition. Exh. cat. New York: Whitney Museum of American Art, 1979: 50. [ Preface by Tom Armstrong]

Whitney 1979

1980

Baro, Gene. American Drawing in Black & White: 1970- 1980. Exh. cat. Brooklyn: The Brooklyn Museum, 1980.

Baro 1980

Artist and Printer. Exh. cat. Minneapolis: Walker Art Center, 1980. [Graham W. J. Beal]

Beal 1980

Blistène, Bernard. “Ellsworth Kelly: La Peinture en Representation.” Artistes 3 (February-March 1980): 20-23.

Blistène 1980

Castleman, Riva. Printed Art: A View of Two Decades. New York: The Museum of Modern Art, 1980: 17, 61, 131.

Castleman 1980

Davies, Hugh Marlais. Sculpture on the Wall: Relief Sculpture of the Seventies. Exh. cat. Amherst: University of Massachusetts, Fine Arts Center Gallery, 1980.

Davies 1980

Hopkins, Henry T. Twenty American Artist. Exh. cat. San Francisco: San Francisco Musuem of Modern Art, 1980: 6.

Hopkins 1980

Kelly. Ellsworth, trans. Elisabeth Jappe. “Aufzeichnungen von 1969.” Ellsworth Kelly: Gemälde und Skulpturen 1966-1979. Exh. cat. Baden-Baden: Staatliche Kunsthalle Baden-Baden, 1980: 89-95.

Kelly 1980a

Kelly. Ellsworth, trans. Catherine Ferbos and Catherine Thiek. “Notes de 1969.” Ellsworth Kelly, peintures et sculptures 1968-1979. Exh. cat. Paris: Musée National d’Art Moderne, Centre Georges Pompidou, 1980: 30-34.

Kelly 1980b

Perreault, John. Selected 20th Century American Self Portraits. Exh. cat. New York: Harold Reed Gallery, 1980.

Perreault 1980

Arte Americana Contemporanea. Exh. cat. Udine: Istituto per L’Enciclopedia del Friuli Venezia Giulia, 1980: 97-98. [Text by Elettra Quargnal]

Quargnal 1980

Rose, Barbara [translated by Elisabeth Jappe]. “Ellsworth Kelly: Der scharf eingestellte Blick.” Ellsworth Kelly: Gemälde und Skulpturen 1966-1979. Exh. cat. Baden-Baden: Staatliche Kunsthalle Baden-Baden, 1980: 7-36.

Rose 1980a

Rose, Barbara and Ellsworth Kelly. Ellsworth Kelly, peintures et sculptures 1968-1979. Exh. cat. Paris: Musée National d’Art Moderne, Centre Georges Pompidou, 1980. [Introduction by Pontus Hulten; translated by Catherine Ferbos and Catherine Thiek]

Rose 1980b, Kelly 1980b

Rosenzweig, Phyllis. The Fifties, Aspects of Painting in New York. Exh. cat. Washington, D.C.: Smithsonian Institution, 1980: 24-26, 31 (n.38), 32 (n.75), 33 (n.75, n.84, n.85), 39-40, 42, 77 (no.34), 104 (no.61).

Rosenzweig 1980

Schmidt, Katharina, Ellsworth Kelly and Antje von Graevenitz. Ellsworth Kelly: Gemälde und Skulpturen 1966-1979. Exh. cat. in German. Baden-Baden: Staatliche Kunsthalle Baden-Baden, 1980.

Schmidt 1980, Kelly 1980a, Graevenitz 1980

Wasserman, Isabelle. Selections from the Michael Crichton Collection. Exh. cat. San Diego: San Diego State University Gallery, 1980: 12.

Wasserman 1980

American Sculpture: Gifts of Howard and Jean Lipman. Exh. cat. New York: Whitney Museum of American Art, 1980. [Texts by Tom Armstrong and Philip Johnson]

Whitney 1980

1981

Armstrong, Tom. Amerikanische Malerei: 1930 – 1980. Exh. cat. Munich: Haus der Kunst, 1981: 59-60, 69, 82-83, 96, 247.

Armstrong 1981

1981 Invitational Exhibition. Exh. cat. Pittsfield: The Berkshire Museum, 1981.

Berkshire 1981

Ellsworth Kelly. Exh. cat. New York: Leo Castelli Gallery and Blum Helman Gallery, 1981.

Castelli and Blum Helman 1981

Dückers, Alexander. Druckgraphik: Wandlungen eines Mediums seit 1945. Berlin: Nationalgalerie, 1981.

Dückers 1981

Glover, Laszlo. Westkunst: Zeitgenössische Kunst seit 1939. Exh. cat. Cologne: Die Museen der Stadt Köln, 1981.

Glover 1981

Hornyak, Mika. The Fine Art of Business. Exh. cat. Lincoln, Massachusetts: The De Cordova Museum, 1981.

Hornyak 1981

Myers, John Bernard. Tracking the Marvelous. Exh. cat. New York: The Grey Art Gallery and Study Center at New York University, 1981: 78.

Myers 1981

Tuchman, Maurice, Susan C. Larsen et al. “Los Angeles Painting in the Sixties: A Tradition in Transition.” Art in Los Angeles: Seventeen Artists in the Sixties. Los Angeles: Los Angeles County Museum of Art, 1981: 21,138, 143, 158.

Tuchman 1981

Paris-Paris/ Créations en France: 1937-1957. Exh. cat. Paris: Musée National d’Art Moderne, Centre Georges Pompidou, 1981: 2841. [Preface by Jean-Claude Groshens and Pontus Hulten, Essay by Dominique Viéville]

Viéville 1981

Contemporary American Prints & Drawings 1940-1980. Exh. guide. Washington, D.C.: National Gallery of Art, 1981.

Washington 1981

Cummings, Paul. Drawing Acquisitions 1978-1981. New York: The Whitney Musuem of American Art, 1981: 58.

Whitney 1981a

1981 Biennial Exhibition. Exh. cat. New York: Whitney Museum of American Art, 1981: 67. [Foreword by Tom Armstrong, preface John G. Hanhardt, Barbara Haskell, Richard Marshall and Patterson Sims]

Whitney 1981b

1982

A Private Vision: Contemporary Art from the Graham Gund Collection. Exh. cat. Boston: Museum of Fine Arts, 1982: 59. [Essays by Carl Belz, Kathy Halbreich, Kenworth Moffett, Elizabeth Sussman and Diane W. Upright]

Boston 1982

Brenson, Michael. “Sculpture, Too, He Is An Artist of Surprises.” The New York Times (December 12, 1982): 1, 38.

Brenson 1982

Cathcart, Linda L. The Americans: The Collage. Exh. cat. Houston Texas: Contemporary Arts Museum (1982).

Cathcart 1982

Cummings, Paul. Abstract Drawings 1911 – 1981. Exh. cat. New York: Whitney Museum of American Art, 1982.

Cummings 1982

American Artists Abroad 1900-1950. Exh. cat. New York: Washburn Gallery, 1982. [Passages by Stuart Davis]

Davis 1982

de Wilde, Edy. “Memories and Afterthoughts.” 60-’80: Attitudes/Concepts/Images – A Selection from Twenty Years of Visual Arts. Exh. cat. Amsterdam: Stedelijk Museum, 1982: 4-11, 142-143.

de Wilde 1982

Dennison, Lisa. The New York School: Four Decades, Guggenheim Museum Collection and Major Loans. Exh. cat. New York: Solomon R. Guggenheim Museum, 1982.

Dennison 1982

Pincus-Witten, Robert. Leo Castelli: Gentle Snapshots. Exh. cat. Zürich: Galerie Bruno Bischofberger, 1982: 8, 82-83. [Foreword by Bruno Bischofberger]

Pincus-Witten 1982

Salzillo, William. “Drawings, Watercolors and prints by Contemporary Masters.” Clinton, New York: Root Art Center, Hamilton College, 1982.

Salzillo 1982

Sims, Patterson and Emily Rauh Pulitzer. “The Sculpture of Ellsworth Kelly.” Ellsworth Kelly: Sculpture. Exh. cat. New York: Whitney Museum of American Art, 1982. [Foreword by Tom Armstrong]

Sims and Pulitzer 1982

Castelli and his Artist / Twenty-five Years. Exh. cat. Aspen: The Aspen Center for the Visual Arts, 1982. [Preface by Phillip Yena; essay by Calvin Tompkins]

Tompkins 1982

1983

Bellos, Alexandra. Ellsworth Kelly: Sculpture. Exh. brochure. St. Louis: The Saint Louis Art Museum, 1983.

Bellos 1983

Cummings. Paul. The Sculptor as Draftsman: Selections From the Permanent Collection. Exh. cat. New York: Whitney Museum of American Art, 1983.

Cummings 1983

Duffy, Robert W. “‘It was the Shape of Things That Came to Matter to Me’.” St. Louis Post Dispatch (March 27, 1983): 5H.

Duffy 1983

Geldzahler, Henry. American Accents. Exh. cat. Ottawa: Rothman of Pall Mall Canada Limited, 1983.

Geldzahler 1983

Kachur, Lewis. “The Bridge as Icon.” The Great East River Bridge 1883-1983. Exh. cat. New York: The Brooklyn Museum, 1983: 7-180.

Kachure 1983

Changes. Exh. cat. Ridgefield: The Aldrich Museum of Contemporary Art, 1983. [Introduction by Larry Aldrich, text by Dorothy Mayhall]

Mayhall 1983

Moriguchi, Akira. Homage to Leo Castelli. Exh. cat. New York: Seibu Gallery of Contemporary Art, 1983.

Moriguchi 1983

Parente, Janice. Sculpture: The Tradition in Steel. Exh. cat. Roslyn Harbor: The Nassau County Museum, 1983. [Essay by Janice Parente and Phyllis Stigliano]

Parente and Stigliano 1983

Peltola, Leena. ARS 83 Helsinki. Exh. cat. Helsinki: The Art Museum of the Ateneum, 1983: 130-131. [Foreword by Matti Ranki and Pauli Paaermaa; also essays by Yrjänä Levanto, Mats B., J.O. Mallander, Barbara J. London]

Peltola 1983

Raynor, Vivien. “Ellsworth Kelly Keeps His Edge.” Artnews vol. 82, no. 3 (March 1983): cover, 52-59.

Raynor 1983

Spies, Werner. “Reduction as Opposition: Ellsworth Kelly’s Response to Minimalism.” (Original as “Reduktion als Widerstand,” Frankfurter Allegemeine Zeitung, February 5, 1983). Reprinted in The Eye and the Word, vol. 8, Between Action Painting and Op Art. New York: Abrams, 2011: 101-108. There are also German and French editions of this volume.

Spies 1983/2011

Drawing in Air – An Exhibition of Sculptors’ Drawings 1882-1982. Exh. cat. Sunderland, England: Arts Centre Washington, 1983: 104-105, 179-180. [Text by Tony Knipe]

Sunderland 1983

Zakian, Micheal. “Ellsworth Kelly.” Beyond the Plane – American Constructions 1930-1965. Exh. cat. Trenton: New Jersey State Museum, 1983: 64-67. [Foreword by Leah P. Sloshberg; Introduction by Joan Marter]

Zakian 1983

1984

Ackley, Clifford S. 10 Painters and Sculptors Draw. Exh. cat. Boston: Museum of Fine Arts, 1984: 5.

Ackley 1984

Armstrong, Elizabeth. “Kenneth Tyler and the American Print Renaissance.” Prints from Tyler Graphics. Exh. cat. Minnesota: Walker Art Center, 1984: 8.

Armstrong 1984

Bellman, David. Drawings by Sculptors: Two Decades of Non-Objective Art in the Seagram Collection. Montreal: Museum of Fine Arts, 1984: 40-41. [Introduction by Phyllis Lambert]

Bellman 1984

Ellsworth Kelly: Works in Wood. Exh. cat. New York: Blum Helman Gallery, 1984.

Blum Helman 1984

Icons of the Sixties. Exh. cat. New York: Brooke Alexander, 1984.

Brooke Alexander 1984

Butera, Virginia F. and Michael Komanecky. “Ellsworth Kelly.” The Folding Image: Screens by Western Artists of the Nineteenth and Twentieth Centuries. Exh. cat. New Haven: Yale University Art Gallery and Washington, D.C.: National Gallery of Art, 1984: 259-263. [Introduction by Janet W. Adams]

Butera and Komanecky 1984

La Grande Parade – Highlights in Painting after 1940. Amsterdam: Stedelijk Museum, 1984: 170-177. [Introduction by Edy de Wilde]

de Wilde 1984

Fine, Ruth E. Gemini G.E.L. Art and Collaboration. Exh. cat. Washington, D.C.: National Gallery of Art, 1984: 127-143. [Foreword by J. Carter Brown; essay by Bruce Davis]

Fine 1984

Foshay, Ella M. Reflections of Nature: Flowers in American Art. Exh. cat. New York: Whitney Museum of American Art, 1984: 92-93, 171- 172, 174.

Foshay 1984

Goldman, Judith. Prints, Acquisitions 1974-1984. Exh. cat. New York: Whitney Museum of American Art, 1984.

Goldman 1984

Kelly, Ellsworth. [Statement.] in Ellsworth Kelly: Painted Aluminum Wall Sculpture / Weathering Steel Wall Scuplture. Exh. cat. Los Angeles: Margo Leavin Gallery and New York: Leo Castelli Gallery, 1984: np.

Kelly 1984

Kelly, Ellsworth. Ellsworth Kelly: Painted Aluminum Wall Sculpture / Weathering Steel Wall Scuplture. Exh. cat. Los Angeles: Margo Leavin Gallery and New York: Leo Castelli Gallery, 1984.

Kelly 1984

Lee, Janie C. Master Drawings 1928-1984. Exh. cat. Houston: Janie C. Lee Gallery, 1984.

Lee 1984

Masters of Modern and Contemporary Sculpture. Exh. cat. New York: Marlborough, 1984.

Marlborough 1984

Twentieth Century Works of Art. Exh. cat. New York: Stephen Mazoh & Co, Inc., 1984.

Mazoh 1984a

Nineteenth and Twentieth Century Works of Art. Exh. cat. New York: Stephen Mazoh, 1984.

Mazoh 1984b

Little Arena – Drawings and sculptures from the collection Adri, Martin and Geertjan Visser. Otterlo: Rijksmuseum Kröller-Müller, 1984.

Visser 1984

Vitz, Paul C. and Arnold B. Glimcher. Modern Art and Modern Science – The Parallel Analysis of Vision. New York: Praeger Publishers, 1984.

Vitz and Glimcher 1984

ROSC ’84. Exh. cat. Dublin: Arts Council, 1984: 19, 120-122. [Introduction by Patrick J. Murphy, Dr. Michael Scott, Ronald Tallon, William Packer; preface by Rosemarie Mulcahy; essay by Dorothy Walker]

Walker 1984

Cummings, Paul. Sculptors’ Drawings 1910-1980 – Selections from the Permanent Collection. New York: Whitney Museum of American Art, 1984.

Whitney 1984

Wight, Frederick S. Frederick R. Weisman Foundation: Volume One, 1984. Los Angeles: Frederick R. Weisman Foundation, 1984.

Wight 1984

Wolfe, Townsend. Twentieth-Century American Drawings. Exh. cat. Little Rock, Arkansas: Arkansas Arts Center, 1984: 54.

Wolfe 1984

1985

Dorothy Miller: With an Eye to American Art. Exh. cat. Northampton: Smith College Museum of Art, 1985. [Foreword by Charles Chetham]

Chetham 1985

Dabrowski, Magdalena. Contrasts of Form: Geometric Abstract Art 1910-1980. Exh. cat. New York: The Museum of Modern Art, 1985: 14, 205-206, 210-211, 226. [Also published in Spanish for theMadrid venue of the exhibtion; introduction by John Elderfield]

Dabrowski 1985

Selections from the William J. Hokin Collection. Exh. cat. Chicago: Museum of Contemporary Art, 1985: 58. [Foreword by Michael Danoff]

Danoff 1985

de Smecchia, Muni. “Ellsworth Kelly: In Contro con un Protagonista dell’astrattismo.” (Milan) Vogue Italia (January 1985): 274-279.

de Smecchia 1985

Painterly Visions, 1940-1984. Exh. cat. New York: Solomon R. Guggenheim Museum of Art, 1985: 13. [Essay by Susan B. Hirchfeld]

Hirchfeld 1985

Hunter, Sam. Masters of the Fifties: American Abstract Painting. Exh. cat. New York: Marisa del Re Gallery, 1985.

Hunter 1985

The Maximal Implications of the Minimal Line. Exh. cat. Annandale-on-Hudson: Bard College Center, 1985: 7, 9, 17, 20, 22. [Introduction by Linda Weitraub; essays by Donald Kuspit and Phillis Tuchman]

Kuspit and Tuchman 1985

1985 Carnegie International. Exh. cat. Pittsburgh: Carnegie Institute, 1985: 156-159. [Introduction by John R. Lane and John Caldwell; texts by Benjamin H.D. Buchloh, Germano Celant, Hal Foster, Rudi H. Fuchs, Per Kirkeby, Jannis Kounellis, Hilton Kramer, Donald B. Kuspit, Thomas McEvilley, Mark Rosenthal, Peter Schjeldahl, and Nicholas Serota]

Lane and Caldwell 1985

Twentieth Century Works of Art. Exh. cat. New York: Stephen Mazoh & Co, Inc., 1985.

Mazoh 1985

A Second Talent: Painters and Sculptors who are also Photographers. Exh. cat. Ridgefield: The Aldrich Museum of Contemporary Art, 1985. [Text by Robert Metzger]

Metzger 1985

Paperworks from Tyler Graphics. Exh. cat. Minneapolis: Walker Art Center, 1985. [Text by Amy Reigle Newland]

Newland 1985

À Propos de Dessin. Exh cat. Paris: Galerie Adrien Maeght, 1985. [Text by Philippe Piguet]

Piguet 1985

New York New Art Now ARCA Marseille. Exh. cat. Marseille: ARCA Centre d’Art Contemporain, 1985: 62-63. [Introduction by Roger Pailhas; essays by Marcelin Pleynet and Jean-Louis Marcos]

Pleynet and Marcos 1985

The House and Garden: Tenth Anniversary Exhibition. Exh cat. Roslyn: Nassau County Museum of Fine Art, 1985.

Roslyn 1985

American Prints of the 80’s. Exh. cat. London: Waddington Graphics, Ltd., 1985.

Waddington 1985

Waldman, Diane. Transformations in Sculpture: Four Decades of American and European Art. Exh. cat. New York: Solomon R. Guggenheim Museum, 1985: 31-35, 152-154. [Preface by Thomas M. Messer]

Waldman 1985

Cummings, Paul. Drawing Acquisitions 1981-1985. Exh. cat. New York: Whitney Museum of American Art, 1985: 55.

Whitney 1985

1986

Bell, Tiffany, Dore Ashton et al. After Matisse. Exh. cat. New York: Independent Curators Inc., 1986: 38, 44, 63.

Bell and Ashton 1986

B.[elz], C.[arl] Selected 20th-Century Paintings. Exh. cat. Waltham, Massachusetts: Rose Art Museum, 1983.

Belz 1983

Ellsworth Kelly: Paintings and Sculptures. Exh. cat. New York: Blum Helman Gallery, 1986.

Blum Helman 1986

Bowlt, John. “The Zero of Forms.” Of Absence and Presence. Exh. cat. New York: Kent Fine Art, Inc., 1986: 1, 3-5, 40-43, 50-55.

Bowlt 1986

Forty Years of Modern Art, 1945-1985. Exh. cat. London: The Tate Gallery, 198. [Foreword by Alan Bowness and Introduction by Ronald Alley]

Bowness and Alley 1986

Definitive Statements: American Art 1964-66. Exh. cat. Providence: David Winton Bell Gallery, 1986. [Preface by Kermit S. Champa; essay by Christopher Campbell; also essays by Michael Plante, Megan Fox, Mitchell F. Merling, Jennifer Wells, Ima Ebong]

Campbell 1986

Cooke, Lynne. In Tandem: The Painter-Sculptor in the Twentieth Century. London: Whitechapel Art Gallery, 1986: 47-49, 120-121. [Foreword by Nicholas Serota]

Cooke 1986

Dabrowski, Magdalena. Contrastes de Forma – Abstraccion Geometrica, 1910-1980. Exh. cat. Madrid: Salas Pablo Ruiz Picasso, 1986: 176, 222, 242. [1985 edition in English; Introduction by Javier Solana Madariaga]

Dabrowski 1986

Delehanty, Suzanne. “The Artist’s Window.” The Window in Twentieth-Century Art. Exh. cat. Purchase: Neuberger Museum, 1986: 22, 28, 44-46.

Delehanty 1986

The 1950’s – American Artists in Paris Part III. Exh. cat. New York: Denise Cadé Gallery, 1986. [Text by Sidney Geist]

Geist 1986

Glaubinger, Jane. Paper Now: Bent, Molded, and Manipulated. Exh. cat. Cleveland Museum of Art, 1986.

Glaubinger 1986

Sculpture and Works in Relief. Exh. cat. San Francisco: John Berggruen Gallery, 1986. [Introduction by Henry T. Hopkins]

Hopkins 1986

An American Renaissance: Painting and Sculpture Since 1940. Exh. cat. Fort Lauderdale: Museum of Modern Art, 1986: 66-67, 83. [Introduction by Sam Hunter; essays by Malcolm R. Daniel, Harry F. Gaugh, Sam Hunter, Karen Koehler, Kim Levin, Robert C. Morgan and Richard Sarnoff]

Hunter 1986

Europa/Amerika. Exh. cat. Cologne: Museum Ludwig, 1986: 21, 300, 448. [Essay by Rafael Jalonka]

Jalonka 1986

Kline, Katy. Natural Forms and Forces. Exh. cat. Cambridge: MIT Committee on the Visual Arts, 1986: 19, 35-38. [Introduction by Kathy Halbreich; essay by Douglas Dreishpoon]

Kline 1986

Knight, Christopher. The Barry Lowen Collection. Exh. cat. Los Angeles: Museum of Contemporary Art, 1986.

Knight 1986

Laumeier Sculpture Park First Decade 1976-1986. Exh. cat. St. Louis: Laumeier Sculpture Park, 1986.

Laumeier 1986

Master Drawings 1918-1985. Exh. cat. Houston: Janie C. Lee Gallery, 1986.

Lee 1986

Lemoine, Serge. François Morellet. Zurich: Waser Verlag, 1986.

Lemoine 1986

Linker, Kate. “Abstraction: Form as Meaning.” Individuals – A Selected History of Contemporary Art, 1945-1986. Exh. cat. Los Angeles: Museum of Contemporary Art, 1986: 51-52, 94-95. [Other sssays by Richard Koshalek, Sherri Geldin, Julia Brown Turrell, Donald Kuspit, Hal Foster, Ronald J. Onorato, Germano Celant, Achille Bonito Oliva, John C. Welchman, Thomas Lawson]

Linker 1986

Boston Collects: Contemporary Painting & Sculpture. Exh. cat. Boston: Museum of Fine Arts, 1986: 62-63, 141. [Text by Theodore E. Stebbins, Jr.]

Stebbins 1986

The Spiritual in Art: Abstract Painting 1890-1985. Exh. cat. Los Angeles: Los Angeles County Museum of Art, 1986. [texts by Carel Blotkamp, John E. Bowlt, Donald Kuspit, Rose-Carol Washton Long, Maurice Tuchman, and chronology by Judi Freeman]

Tuchman 1986

Turrell, Julia Brown. Individuals: A Selected History of Contemporary Art: 1945-1986. Exh. cat. Los Angeles: Museum of Contemporary Art, 1986.

Turrell 1986

Reality Remade. Exh. cat. New York: Kent Fine Art, Inc., 1986: 20-23. [Introduction by Douglas Walla]

Walla 1986

1987

Fairbrother, Trevor J. Ellsworth Kelly: Seven Paintings (1952-55/1987). Exh. cat. Boston: Museum of Fine Arts, 1987.

Fairbrother 1987

Hughes, Robert. “The Spaces and Sculptures.” Barcelona Spaces and Sculptures (1982-1986). Exh. cat. Barcelona: Group 3, S.A., 1987: 27, 108, 128,

Hughes 1987

Kline, Katy. Ellsworth Kelly: Small Sculpture 1958-1987. Exh. cat. Cambridge: MIT List Visual Arts Center, 1987.

Kline 1987

Kutner, Janet. “Inside the Kelly Mystique.” The Dallas Morning News (September 12, 1987): C1, C2.

Kutner 1987

Ink Drawings 1890-1986. Exh. cat. Houston: Janie C. Lee Gallery, 1987.

Lee 1987

Eighteenth, Nineteenth and Twentieth Century Works of Art. Exh. cat. New York: Stephen Mazoh & Co., Inc., 1987.

Mazoh 1987

Miller, Lillian B. and Nancy A. Johnson. Portraits from the American Academy and Institute of Arts and Letters. Washington, D.C.: National Portrait Gallery, Smithsonian Institution, 1987. [Introduction by James Thomas Flexner]

Miller and Johnson 1987

Nasgaard, Roald. Selections from the Roger and Myra Davidson Collection. Exh. cat. Toronto: Art Gallery of Ontario, 1986.

Nasgaard 1986

O’Dell, Kathy. The Empire State Collection: Art for the Public. Albany: Empire State Plaza Art Commission and New York: Harry N. Abrams, Inc. 1987: 84-87.

O’Dell 1987

Rose, Barbara and Irving Sandler. 1967: At the Crossroads. Exh. cat. Philadelphia: Institute of Contemporary Art University of Pennsylvania, 1987: 32, 49, 71. [Other essays by Janet Kardon, Hal Foster and Lucy R. Lippard]

Rose and Sandler 1987

Rosenblum, Robert. “Between Apocalypses: Art After 1945.” A Century of Modern Sculpture – The Patsy and Raymond Nasher Collection. Exh. cat. Dallas: Dallas Museum of Art; and Washington, D.C.: National Gallery of Art, 1987: 99-132.

Rosenblum 1987

Russell, John. “Outdoor Abstractions – Ellsworth Kelly’s Pure Sculptures in the American Landscape.” House and Garden (February 1987): 182-185, 200, 202.

Russell 1987

Temin, Christine. “Interview: Ellsworth Kelly stresses the art, not the artist.” The Boston Globe (December 13, 1987): B29, B34.

Temin 1987

Tomkins, Calvin, Robert Pincus-Witten and Judith Goldman. Leo Castelli y sus artistas: XXX años de promocion del arte contemporaneo. Mexico City: Centro Cultural Arte Contemporaneo, A.C. y Fundación Cultural Televisa, A.C., 1987: 36, 50, 100, 145-146, 248-249, 277, 285.

Tomkins 1987

Upright, Diane. Ellsworth Kelly: Works on Paper. Exh. cat. Fort Worth: Modern Art Museum, 1987. [Introduction by Henry Geldzahler]

Upright 1987

van der Marck, Jan. “W. Hawkins Ferry: A Friend of Modern Art.” The W. Hawkins Ferry Collection. Exh. cat. Detroit: Detroit Institute of Arts, 1987: 14, 29. [Foreword by Samuel Sachs II; essay by W. Hawkins Ferry]

van der Marck 1987

1988

Abadie, Daniel. Les Années 50. Exh. cat. Paris: Musée National d’Arte Moderne, Centre Georges Pompidou, 1988: 177-178.

Abadie 1988

Anderson, Harry W. and Mary Margret Anderson. The Anderson Collection at Quadrus. Exh. cat. Menlo Park: Anderson Art Collection, 1988.

Anderson 1988

John Berggruen Gallery Works on Paper. Exh. cat. San Francisco: John Berggruen Gallery, 1988.

Berggruen 1988

Besset, Maurice, Thomas McEvilley and Thierry de Duve. La Couleur Seule, l’Expérience du Monochrome. Exh. cat. Lyon: Musée Saint-Pierre Art Contemporain, 1988.

Besset 1988

Bonetti, David. “The Importance of Being Ellsworth.” The Boston Phoenix (January 8, 1988): 1, 4.

Bonetti 1988

1988: The World of Art Today. Exh. cat. Milwaukee: Milwaukee Art Museum, 1988: 9, 79, 126. [Introduction by Russell Bowman]

Bowman 1988

Regard d’un collectionneur. Exh. cat. Yonne: Centre d’Art Contemporain. 1988: 104-105, 145. [Preface by Dominique Bozo]

Bozo 1988

Bürgi, Bernhard. “Who’s Afraid of Red, Yellow and Blue?” Rot Gelb Blau: Die Primärfarben in der Kunst des 20. Jahrhunderts. Exh. cat. Stuttgart: Gerd Hatje, 1988: 101-102, 110, 114, 128-129, 182. [With essays by Felix Thürlemann, and Veit Loers]

Bürgi 1988

Castelli Graphics 1969-1988. Exh. cat. New York: Castelli Graphics, 1988.

Castelli 1988

Dorsey, John. “The World as Color and Shape.” The Baltimore Sun (May 29, 1988): P1, P3.

Dorsey 1988

Goldman, Judith. “Hombre de la Hora, Hombre de Los Años.” Colección Leo Castelli. Exh. cat. Madrid: Fundacion Juan March, 1988: 48-65.

Goldman 1988

Des Americans à Paris 1950/1965. Exh. cat. Cases de Pene: Fondation Chateau de Jau, 1988. [E.C. Goossen text from Derriere le Miroir, 1958]

Goossen 1958

Hoffman, Donald. “Artist Erases the Line Between Object, Image.” The Kansas City Star (October 23, 1988): D1, D6.

Hoffman 1988

American Art of the 20th Century- Residence of the American Embassy Moscow. Exh. cat. Washington, D.C.: U.S. Department of State Art in Embassies Program, 1988. [Introduction by Henry Hopkins]

Hopkins 1988

Hunter, Sam. Black & White. Exh. cat. New York: Marisa del Rey Gallery, 1988.

Hunter 1988

McDaniel, Robert. Master Drawings 1877-1987. Exh. cat. Houston: Janie C. Lee Gallery, 1988.

Lee 1988

Selections: Fall 1988. Exh. cat. New York: Barbara Mathes Gallery, 1988.

Mathes 1988

Nito, Jean-Luc. Collection du Abbe Museum d’Eindhoven. Exh. cat. Nîmes: Musée d’Art Contemporain, 1988.

Nito 1988

Phillips, Lisa. Vital Signs – Organic Abstraction from the Permanent Collection. Exh. cat. New York: Whitney Museum of American Art, 1988: 10, 47.

Phillips 1988

Rose, Barbara. Autocritique: Essays on Art and Anti-Art, 1963-1987. New York: Weidenfeld & Nicolson, 1988.

Rose 1988

Rose, Barbara. “Homenaje A Toiny Castelli, Con Afecto.” Colección Leo Castelli. Exh. cat. Madrid: Fundacion Juan March, 1988: 78-113.

Rose 1988

Rosenblum, Robert. “Entre Apocalipsis: El arte posterior a 1945.” La Coleccion de Patsy y Raymond Nasher – Un Siglio de Escultura Moderna. Exh. cat. Madrid: Centro de Arte Reina Sofía, 1988: 125, 129, 162, 200. [Bio written by Lauren A. Coyle]

Rosenblum 1988

Rudenstine, Angelica Zander. Modern Painting, Drawing and Sculpture Collected by Emily and Joseph Pulitzer, Jr. Vol. IV. Cambridge, Massachusetts: Harvard University Art Museums, 1988.

Rudenstine 1988

Schjeldahl, Peter. Contemporary American Art. Exh. cat. Suomi: Sara Hildén Art Museum, 1988: 10-13, 17, 19, 23, 25, 42-47, 98-99, 103-104.

Schjeldahl 1988

Shapiro, Michael Edward. Modern Art From The Pulitzer Collection: 50 Years of Connoisseurship. Exh. cat. St. Louis: The Saint Louis Art Museum, 1988.

Shapiro 1988

Sims, Patterson. Twentieth Century American Art – Highlights of the Permanent Collection of the Whitney Museum of American Art. Exh. cat. New York: Whitney Museum of American Art, 1988: 9, 34.

Sims 1988

Storr, Robert. “Kelly Now.” Ellsworth Kelly: New Work. Exh. cat. New York: Blum Helman Gallery, 1988.

Storr 1988

Daniel Templon FIAC 1988 Paris. Exh. cat. Paris: Galerie Daniel Templon, 1988.

Templon 1988

Tomkins, Calvin. “Perfiles, Buen OJO Y Buen Oido.” Colección Leo Castelli. Exh. cat. Madrid: Fundacion Juan March, 1988: 10-47.

Tomkins 1988

Tuchman, Phyllis. Three Decades: The Oliver-Hoffmann Collection. Exh. cat. Chicago: Museum of Contemporary Art, 1988: 17-18, 35.

Tuchman 1988

Twentieth-Century Painting and Sculpture – Selections for the Tenth Anniversary of the East Building. Exh. brochure. Washington, D.C.: National Gallery of Art, 1988.

Washington 1988

1989

Armstrong, Tom and Susan C. Larsen.“Minimalism and Reductive Abstraction.” Art in Place – Fifteen Years of Acquisitions. Exh. cat. New York: Whitney Museum of American Art, 1989: 154-155, 211.

Armstrong 1989

Auping, Michael. Abstraction-Geometry-Painting: Selected Geometric Abstract Painting in America Since 1945. Exh. cat. Buffalo: Albright-Knox Art Gallery, 1989: 18, 20, 23, 55-59, 73, 85, 135-141. [Introduction and essay by Michael Auping; Foreword by Douglas G. Schultz]

Auping 1989

Brougher, Kerry. “Art in Dialogue the Beatrice and Philip Gersh Collection.” Selections from the Beatrice and Philip Gersh Collection. Los Angeles, 1989.

Brougher 1989

Bürgi, Bernhard. 256 Farben & Basics of Form. Exh. cat. Zürich: Stiftung für konstruktive und konkrete Kunst, 1989: 46-47, 52-53, 105. [Essay by Ellsworth Kelly]

Bürgi 1989, Kelly 1989

Cameron, Dan. Selections from the Collections of Marc and Livia Straus. Exh. cat. Ridgefield: Aldrich Museum of Contemporary Art, 1989: 5, 8, 12. [Foreword by Larry Aldrich; Introduction by Ellen M. O’Donnell]

Cameron 1989

Now Then Again – Contemporary Art in Dallas 1949-1989. Exh. cat. Dallas: Dallas Museum of Art, 1989: 38, 73.

Dallas 1989

Donohue, Marlena. “Interview: Ellsworth Kelly.” The Christian Science Monitor (July 10, 1989): 16-17.

Donohue 1989

Selected Works II. Exh. cat. New York: André Emmerich Gallery, 1989.

Emmerich 1989

Fine, Ruth E. The 1980s: Prints from the Collection of Joshua P. Smith. Exh. cat. Washington, D.C.: National Gallery of Art, 1989.

Fine 1989

Gohr, Siegfried. Bilderstreit: Widerspruch, Einheit und Fragment in der Kunst Seit 1960. Exh. cat. Köln: Museum Ludwig, 1989.

Gohr 1989

Master Drawings 1859-1989. Exh. cat. New York: Janie C. Lee, 1989.

Lee 1989

McGuire, Sheila and Elizabeth Armstrong. First Impressions: Early Prints by Forty-Six Contemporary Artists. Exh. cat. Minneapolis: Walker Arts Center, 1989: 13.

McGuire 1989

Rose, Barbara. “Ellsworth Kelly’s New Paintings: The Search for Reasonable Order.” Ellsworth Kelly: Curves / Rectangles. Exh. cat. New York: Blum Helman Gallery, 1989.

Rose 1989

American Prints from the Sixties. Exh. cat. New York: Susan Sheehan Gallery, 1989.

Sheehan 1989

American Painting in the 1950s and 1960s. Exh. cat. Shiga: The Museum of Modern Art, 1989.

Shiga 1989

Strick, Jeremy. Twentieth-Century Painting and Sculpture – Selections for the Tenth Anniversary of the East Building. Exh. cat. Washington, D.C.: National Gallery of Art, 1989.

Strick 1989

Szeemann, Harald. Einleuchten: Will, Vorstel Und Simul In HH. Exh. cat. Hamburg: Deichtorhallen Hamburg, 1989: 65, 67. [Essays by Heinz Liesbrock and Christoph Schenker]

Szeemann 1989

Ellsworth Kelly. Exh. cat. Paris: Galerie Daniel Templon, 1989.

Templon 1989

Musée Temporaire: Exposition Inaugurale. Exh. cat. Fréjus: Fondation Daniel Templon, 1989.

Templon 1989

The Vanguard of the Collection of The Stedelijk Museum Amsterdam. Exh. cat. Tokyo: Toyko Museum of Contemporary Art, 1989.

Tokyo 1989

Upright, Diane and Liz Savage. Ellsworth Kelly. Exh. brochure in English and Dutch. Amsterdam: Museum Overholland and Fort Worth: Fort Worth Art Museum, 1989.

Upright and Savage 1989

von Ziegesar, Peter. “Ellsworth Kelly.” The Journal of Art vol. 1, no. 2 (January 1989): 3–6. [Also published in “How Chance Operations Guide Work – An Interview with Ellsworth Kelly.” Forum vol. 14, nos. 2 & 3 (June/July 1989): 25-27.

von Ziegesar 1989

Walker, Barry. Projects and Portfolios – The 25th National Print Exhibition. Exh. cat. New York: The Brooklyn Museum, 1989.

Walker 1989

Weiermaier, Peter. Prospect ’89. Exh. cat. Frankfurt: Frankfurter Kunstverein Schirn Kunsthalle, 1989: 10-11, 115.

Weiermaier 1989

1990

Ellsworth Kelly. Recent Painting & Sculpture. Exh. cat. New York: 65 Thompson Street, 1990.

65Thompson 1990

Hindry, Ann. “Ellsworth Kelly: une investigation phénoménologique sur pans de couleur.” Artstudio 16 (Spring 1990): 90-97.

Hindry 1990

Presencias dos mil / Minimal Art. Exh. cat. Madrid: Theospacio, 1990. [Text by Fernando Huici]

Huici 1990

Hunter, Sam. American Masters of the 60’s. Exh. cat. New York: Tony Shafrazi Gallery, 1990: 20-21.

Hunter 1990

19th and 20th Century European and American Prints from the Collection of the Honolulu Academy of Arts. Exh. cat. Fukuoka City: Fukuoka Prefectural Museum of Art, 1990. [Text by James Jensen]

Jensen 1990

Kelly, Ellsworth. Artist’s Choice Ellsworth Kelly: Fragmentation and the Single Form. Exh. brochure. New York: The Museum of Modern Art, 1990. [Reprinted as “Fragmentation et forme unique,” trans. Marie-France de Paloméra. (Paris) Art Press (March, 1992): 19-24.]

Kelly 1990

Kelly, Ellsworth. Artist’s Choice – Ellsworth Kelly: Fragmentation and the Single Form. Exh. brochure. New York: The Museum of Modern Art, 1990.

Kelly 1990

Kelly, Ellsworth. “Fragmentation and the Single Form.” Artist’s Choice. Exh. brochure. New York: The Museum of Modern Art, 1990. [Reprinted in Kelly, Ellsworth [trans. by Marie-France de Paloméra]. “Fragmentation et forme unique.” Art Press (Paris) (March 1992): 19-24.]

Kelly 1990a

Kelly, Ellsworth. “Antoni Gaudí: Trencadis.” Artforum vol. 28, no. 10 (Summer 1990): 140-143.

Kelly 1990b

Kiehl, David. 11th British International Print Biennale. Exh. cat. Bradford Art Galleries and Museums, 1990: 9, 229.

Kiehl 1990

Monod-Fontaine, Isabelle and Michel Lacotte. Polyptiques – Le Tableau multiple du moyen âge au vingtième siècle. Exh. cat. Paris: Musée du Louvre, Réunion des musées nationaux, 1990: 14, 272-274.

Monod-Fontaine and Lacotte 1990

Leo Castelli’s Artists. Exh. cat. Tokyo: Galerie Nichido, 1990.

Nichido 1990

Onorato, Ronald J. Selections from the Permanent Collection of the San Diego Museum of Contemporary Art. Exh. cat. San Diego Museum of Contemporary Art, 1990: 17. [Preface by Hugh Davies; catalogue entries by Sarah E. Bremser, Lynda Forsha, Madeleine Grynsztejn and Ronald J. Onorato]

Onorato 1990

Ellsworth Kelly – 11 Painted Wall Sculptures. Exh. cat. Osaka: Gallery Kasahara, 1990: 3-26. [with extract from “Ellsworth Kelly at Gemini 1979-1982” by Carter Ratcliff, 1982.]

Osaka 1990a

Two Decades of American Art: The 60s & 70s. Exh. cat. New York: Nassau County Museum of Art, 1990. [Foreword by Arnold A. Saltzman; text by Constance Schwartz; curated by Leo Castelli]

Schwartz 1990

Sheehan, Susan. Ellsworth Kelly Prints: 1949-1989. Exh. brochure. New York: Susan Sheehan Gallery, 1990.

Sheehan 1990

Slavin, Kathleen. Prints in PARTS since 1970. Exh. checklist. New York: Tatyana Grosman Gallery, 1990.

Slavin 1990

Wilson, Beth. Geometries of Color: American Post-Painterly Abstraction. Exh. cat. New York: Stux Gallery, 1990.

Wilson 1990

1991

Large Scale Works on Paper. Exh. cat. San Francisco: John Berggruen Gallery, 1991.

Berggruen 1991

Bernstein, Roberta. Ellsworth Kelly: At Right Angles, 1964 – 1966. Exh. cat. Los Angeles: Margo Leavin Gallery; San Francisco: John Berggruen Gallery; New York: Paula Cooper Gallery, 1991.

Bernstein 1991

Castleman, Riva. For 25 Years Gemini G.E.L. Exh. brochure. New York: The Museum of Modern Art and Tatyana Grosman Gallery, 1991.

Castleman 1991

Collins, Tricia and Richard Milazzo. Who Framed Modern Art or the Quantitative Life of Roger Rabbit. Exh. cat. New York: Sidney Janis Gallery, 1991.

Collins and Milazzo 1991

Cummings, Paul. “Interview: Ellsworth Kelly talks with Paul Cummings.” Drawing XIII (September–October 1991): 56-61.

Cummings 1991

Kelly, Ellsworth and Charles Hagen. “The Shape of Seeing: Ellsworth Kelly’s Photographs.” Aperture: The Encompassing Eye: Photography as Drawing no. 125 Autumn, 1991): 42-47.

Kelly and Hagen 1991

Master Drawings 1520-1990. Exh. cat. New York: Janie C. Lee Gallery and London: Kate Ganz Ltd, 1991.

Lee 1991

Die Hand des Künstlers. Exh. cat. Cologne: Museum Ludwig, 1991.

Ludwig 1991

Marshall, Richard. 1991 Biennial Exhibition. Exh. cat. New York: Whitney Museum of American Art, 1991: 8-10, 134-137, 379, 386. [Foreword by David A. Ross; also essays by Richard Armstrong and Lisa Phillips]

Marshall 1991

Nygren, Edward J. Smith Collects: Contemporary. Exh. cat. Northampton, Massachusetts: Smith College Museum of Art, 1991: 41.

Nygren 1991

Ratcliff, Carter. “The Fate of an Orthodoxy: Notes on Recent American Sculpture.” La sculpture contemporaine après 1970. Exh. cat. in French and English. Fréjus: Fondation Daniel Templon and Musée Temporaire, 1991.

Ratcliff 1991

Reynolds, Jack. American Abstraction at the Addison. Exh. cat. Andover: The Addison Gallery of American Art, 1991: 54.

Reynolds 1991

Simmen, Jeannot. Schwerelos – Der Traum vom Fliegen in der Kunst der Moderne. Exh. cat. Stuttgart: Edition Cantz, 1991: 83, 85, 208-209.

Simmen 1991

Taylor, Paul. “Ellsworth Kelly: Talking to America’s Most Colorful Artist.” Interview vol. 21, no. 6 (June 1991): 98-103. [Reprinted in Taylor, Paul [trans. by Marie-France de Paloméra]. “Ellsworth Kelly: Interview.” Artstudio 24 (Spring 1992): 148-153, 154-157].

Taylor 1991

Tepfer, Ellen. Constructing American Identity. Exh. cat. New York: Whitney Museum of American Art, 1991: 5, 19.

Tepfer 1991

Art for the Nation – Gifts in Honor of the 50th Anniversary of the National Gallery of Art. Exh. cat. Washington, D.C.: National Gallery of Art Board of Trustees, 1991: 506-507.

Washington 1991

Wilmes, Ulrich and Ellsworth Kelly. [trans. by Elisabeth Jappe] “Ellsworth Kelly – Die Realität der Wahrnehmung.” Künstler – Kritisches Lexikon der Gegenwartskunst Ausgabe 14. Munich: Weltkunst und Bruckmann, 1991.

Wilmes 1991, Kelly 1969

1992

Ashbery, John. Ellsworth Kelly: Plant Drawings. Exh. cat. New York: Matthew Marks Gallery, 1992.

Ashbery 1992

Bernstein, Roberta. “Ellsworth Kelly: multipanelled paintings.” Artstudio 24 (Spring 1992, special issue devoted to Ellsworth Kelly): 86-90. The text also appears in French.

Bernstein 1992

Boehm, Gottfried. “Form und Grund / Form and Ground.” Ellsworth Kelly Yellow Curve. Frankfurt am Main: Portikus and Edition Cantz, 1992. [Foreword by Kasper König]

Boehm 1992

Bois, Yve-Alain. “Ellsworth Kelly in France: Anti-Composition in Its Many Guises.” Ellsworth Kelly: The Years in France, 1948-1954. Exh. cat. Washington, D.C.: National Gallery of Art, 1992: 9-36. [The text is also published in French in the catalogue of the Paris venue of this exhibition and in German in the catalogue of the Münster venue].

Bois 1992a

Bois, Yve-Alain, Jack Cowart, and Alfred Pacquement. Ellsworth Kelly: Die Jahre in Frankreich, 1948-1954. Exh. cat. Münster: Westfälisches Landesmuseum, 1992.

Bois 1992a Pacquement 1992 Cowart 1992

Bois, Yve-Alain, Jack Cowart, and Alfred Pacquement. Ellsworth Kelly: The Years in France, 1948-1954. Exh. cat. Washington, D.C.: National Gallery of Art, 1992.

Bois 1992a Pacquement 1992 Cowart 1992

Bois, Yve-Alain, Jack Cowart, and Alfred Pacquement. Ellsworth Kelly: les années françaises, 1948-1954. Exh. cat. Paris: Galerie du Jeu de Paume, 1992.

Bois 1992a Pacquement 1992 Cowart 1992

Bois, Yve-Alain. “Vertical/horizontal, peinture/sculpture.” Artstudio 24 (Spring 1992, special issue devoted to Ellsworth Kelly): 52-71.

Bois 1992b

Brunet, Nathalie. “Chronology, 1943-1954.” Ellsworth Kelly: The Years in France, 1948-1954. Exh. cat. Washington, D.C.: National Gallery of Art, 1992: 177-194. [The text is also published in French in the catalogue of the Paris venue of this exhibition and in German in the catalogue of the Münster venue.]

Brunet 1992

Cembalest, Robin. “Ellsworth Kelly: Everything Becomes Abstract.” Artnews vol. 91, no. 10 (December 1992): 98-103.

Cembalest 1992

Cotter, Holland. “An American in Paris.” Art in America vol. 80, no. 12 (December 1992): 74-81, 130.

Cotter 1992

Cowart, Jack. “Method and Motif: Ellsworth Kelly’s “Chance” Grids and His Development of Color Panel Paintings, 1948-1951.” Ellsworth Kelly: The Years in France, 1948-1954. Exh. cat. Washington, D.C.: National Gallery of Art, 1992: 37-45. [The text is also published in French in the catalogue of the Paris venue of this exhibition and in German in the catalogue of the Münster venue.]

Cowart 1992

de Corral, María. Collection Exhibition. Exh. cat. Madrid: Museo Nactional Centro de Arte Reina Sofia, 1992: 150-151.

de Corral 1992

de Maistre, Agnès. “Le mouvement Madi.” Art d’Amérique Latine. Exh. cat. Paris: Musée National d’Art Moderne, 1992.

de Maistre 1992

Geldzahler, Henry. “An Interview with Ellsworth Kelly.” Ellsworth Kelly The Paris Prints 1964-1965. Exh. cat. New York: Susan Sheehan Gallery, 1992.

Geldzahler 1963

Goossen, Eugene C. “Some Notes on Ellsworth Kelly.” Forum International (Antwerp) vol. 3, no. 13 (May – August 1992): 54-60.

Goossen 1992

Götz, Stephan. “Ellsworth Kelly.” American Artists in Their New York Studios: Conversations About the Creation of Contemporary Art. Cambridge, Massachusetts: Center for Conservation and Technical Studies, Harvard University Art Museums and Stuttgart: Daco-Verlag Gunter Bläse, 1992: 78-82.

Götz 1992

Hindry, Ann. “Conversation with Ellsworth Kelly.” Artstudio 24 (Spring 1992, special issue devoted to Ellsworth Kelly): 22-37. The text also appears in French.

Hindry 1992a

Hindry, Ann, ed. “Special Edition – Ellsworth Kelly.” Artstudio 24 (Spring 1992).

Hindry 1992a

The 20th Anniversary Exhibition. Exh. cat. Osaka, Japan: Gallery Kasahara, 1992.

Kasahara 1992

Documenta IX. Volumes 1, 2 and 3. Stuttgart: Edition Cantz and Kassel: Museum Fridericianum Veranstaltung GmbH, 1992.

Kassel 1992

Kertess, Klaus. Ellsworth Kelly. Exh. cat. New York: Blum Helman Gallery, 1992.

Kertess 1992

Liebmann, Lisa. “Pure Abstraction.” Harper’s Bazaar (October 1992): 166-169.

Liebmann 1992a

Liebmann, Lisa and Ellsworth Kelly. “Documenting Documenta.” Interview (June 1992): 46.

Liebmann 1992b

The Revenge of the Dead Indians: In Memoriam John Cage. Interview with Ellsworth Kelly (October 16, 1992). Directed by Henning Lohner, 1993.

Lohner Kelly 1992

Meyer, Franz and Gottfried Boehm. Transform: Bild-Objekt-Skulptur im 20. Jahrhundert. Exh. cat. Kunstmuseum and Kunsthalle Basel, 1992: 135-138, 220.

Meyer and Boehm 1992

Oxenaar, Rudi. “Om het voorbij komen van een engel.” (Paolo Conte, ed.). Una giornata al mare. Exh. cat. Otterlo: Rijksmuseum Kröller-Müller, 1992.

Oxenaar 1992

Pacquement, Alfred. “Jours de fête.” Ellsworth Kelly, The Years in France, 1948-1954. Exh. cat. Washington, D.C.: National Gallery of Art, 1992: 47-57. [The text is also published in French in the catalogue of the Paris venue of this exhibition and in German in the catalogue of the Münster venue.]

Pacquement 1992

Schwarz, Dieter. Star Don’t Stand Still in the Sky – Hommage à Stéphane Mallarmé. Exh. brochure. Kunstmuseum Winterthur, 1992.

Schwartz 1992

Innovation in Collaborative Printmaking: Kenneth Tyler 1963-1992. Exh. cat. Japan: The Yomiuri Shimbun, The Japan Association of Art Museums, 1992.

Shimbun 1992

Storr, Robert. “Ellsworth Kelly: Rencontres à Paris.” Art Press 167 (March 1992): 10-24. [trans. Marie-France de Paloméra.]

Storr 1992

Stoullig, Claire. “Paris 1948-1954: les années Kelly.” Artstudio 24 (Spring 1992, special issue devoted to Ellsworth Kelly): 38-51.

Stoullig 1992

1993

Drawing the Line Against Aids. Exh. cat. New York: American Foundation for Aids Research (AMFAR), 1993.

AMFAR 1993

The Return of The Cadavre Exquis. New York: The Drawing Center, 1993. [texts by Mary Ann Caws, Elizabeth Finch, Ingrid Schaffner, and Charles Simic]

Caws 1993

Heads and Portraits: Drawings from Piero de Cosimo to Jasper Johns. Exh. cat. London and New York: Kate Ganz Ltd, 1993.

Ganz 1993

Glimcher, Mildred. Indiana, Kelly, Martin, Rosenquist, Youngerman at Coenties Slip. Exh. cat. New York: The Pace Gallery, 1993.

Glimcher 1993

Gohr, Siegfried. Pflanzenwelten Blütenträume. Exh. cat. Bahnhof Rolandseck, 1993.

Gohr 1993

Hurst, Sheldon W. “Imagination’s Diversity.” Art of the Twentieth Century – Selections from the Permanent Collection: The Murray Collection. Exh. cat. Glens Falls, New York: The Hyde Collection, 1993: 39-45.

Hurst 1993

Joachimides, Christos M., Norman Rosenthal et al. Amerikanische Kunst im 20. Jahrhundert – Malerei und Plastik 1913-1993. Exh. cat. London: Royal Academy of Art, Berlin: Zeitgeist Gesellschaft e.V. and Munich: Prestel Verlag, 1993.

Joachimedes 1993

Kelly, Ellsworth. [Statement.] in “Matisse: A Symposium.” Art in America 81, no. 5 (May 1993): 74-87.

Kelly 1993

Koehler, Karen. “Art, Life and the Gap In Between.” Art of the Twentieth Century – Selections from the Permanent Collection: The Murray Collection. Exh. cat. Glens Falls, New York: The Hyde Collection, 1993: 11-38.

Koehler 1993

Master Drawings 1907-1993. Exh. cat. New York: Janie C. Lee, 1993.

Lee 1993

Leymarie, Jean and Bernard Ceysson. “Le XXe siècle, de l’interprétation à la transgression.” Copier Créer de Turner à Picasso: 300 oeuvres inspirées pas le maîtres du Louvre. Exh. cat. Paris: Musée du Louvre, 1993.

Leymarie and Ceysson 1993

Collection de la Fondation Maeght 1909 – 1995. Exh. cat. Saint Paul de Vence: Fondation Maeght, 1993.

Maeght 1993

Martin, Anna Beth. A Selective Eye – Paintings and Sculpture from the Collection of Susan Morse Hilles. Exh. cat. New Haven: Yale University Art Gallery 1993. [Foreword by Mary Gardner Neill]

Martin 1993

Mejias, Jordan. “Der Künstler ist ein Forscher: Ellsworth Kelly.” Frankfurter Allgemeine Magazin 673 (January 22, 1993): cover, 8-16.

Mejias 1993

Prat, Jean-Louis. Collection de la Fondation Maeght – un choix de 150 oeuvres. Exh. cat. Saint Paul de Vence: Fondation Maeght, 1993: 9, 130-131.

Prat 1993

Rosenthal, Mark. “Ellsworth Kelly.” Artists at Gemini G.E.L.: Celebrating the 25th Year. Newport Beach, California: Newport Harbor Art Museum, 1993.

Rosenthal 1993

Rothschild, Hannah. “The Best of America: Favourite Works from the Art Show of the Season.” Interview with Ellsworth Kelly on Willem de Kooning’s Woman VI. Telegraph Magazine (September 11, 1993): 33.

Rothschild 1993

Selz, Peter. American Art in the 20th Century: Painting and Sculpture 1913-1993 / Amerikanische Kunst im 20. Jahrhundert: Malerei und Plastik 1913–1993. Exh. cat. London: Royal Academy of Art; Berlin: Martin-Gropius-Bau, 1993: 182-183, 318-322, 456. [Other essays by David Anfam, Richard Armstrong, Arthur C. Danto, Donald Kuspit, and Carter Ratcliff]

Selz 1993

Wismer, Beat. “ Des amerikanische Beitrag.” Equilbre: Gleichgewicht, Aquivalenz und Harmoine in der Kunst des 20. Jahrhunderts. Exh. cat. Baden: Verlag Lars Müller, 1993: 197, 189-191, 200. [Foreword by Lars Müller]

Wismer 1993

1994

View of the 20th century masterpieces of the Stedelijk Van Abbemuseum, Eindhoven. Tokyo: Odakyu Museum; Eindoven: Stedelijk Van Abbemuseum, 1994.

Abbemuseum 1994

Thomas Bill, Angela. Line + Movement. London: Annely Juda Fine Art, 1994.

Bill 1994

Boehm, Gottfried. Dream of the Absolute. Exh. cat. Basel: Galerie Beyeler, 1994: 6, 12, 58-59.

Boehm 1994

Bois, Yve-Alain. “The Summons.” Spencertown: Recent Paintings by Ellsworth Kelly. Exh. cat. London: Anthony d’Offay Gallery and New York: Matthew Marks Gallery, 1994: 7-85.

Bois 1994

Bois, Yve-Alain and photoessay by Jack Shear. Spencertown: Recent Paintings by Ellsworth Kelly. Exh. cat. London: Anthony d’Offay Gallery and New York: Matthew Marks Gallery, 1994.

Bois 1994, Shear 1994

Castleman, Riva. A Century of Artists Books. New York: The Museum of Modern Art, 1994.

Castleman 1994

de Chassey, Éric. “Kelly et Matisse – Une Filiation Inavouée.” Les Cahiers du Musée National d’Art Moderne 49 (Autumn 1994): 40-57.

de Chassey 1994

Diamonstein, Barbaralee. “Ellsworth Kelly.” Inside the Artworld: Conversations with Barbara Diamonstein. New York: Rizzoli, 1994: 121-124.

Diamonstein 1994

Eimert, Dorothea. Paper Art 5 / 5. Internationale Biennale der Papierkunst 1994. Exh. cat. Cologne: Wienand Verlag, 1994: 99-101.

Eimert 1994

Flam, Jack and Daniel Shapiro. Western Artists / African Art. Exh. cat. New York: Museum of African Art, 1994: cover, 42-45.

Flam and Shapiro 1994

Johnson, Ken. Democratic vistas: 150 years of American art from regional collections. Exh. cat. Albany: University Art Museum, 1994.

Johnson 1994

Nordgren, Sune. Till Brancusi / Malmö Konsthall. Exh. cat. Malmö, 1994: 3, 5, 16-23, 55.

Nordgren 1994

Ritchie, Charles. Gemini G.E.L. Recent Prints and Sculpture. Exh. cat. Washington, D.C.: National Gallery of Art, 1994: 28-30, 75.

Ritchie 1994

Shapiro, Daniel and Catherine Saalfield Gund. “Ellsworth Kelly – Interview with Daniel Shapiro for Western Artists / African Art: Artists Speak.” Film. The Museum for African Art, 1994. Aired March 27, 1994.

Shapiro 1994

20th Century Masters. Exh. cat. New York: Sidney Janis Gallery, 1994.

Janis 1994

Storr, Robert. The Map Room: A Visitor’s Guide. Exh. cat. New York: The Museum of Modern Art, 1994.

Storr 1994

1995

Armstrong, Richard and Charles Wylie. “Art After World War II.” Made in America: Ten Centuries of American Art. Exh cat. New York: Hudson Hills Press, Inc., 1995.

Armstrong and Wylie 1995

XXV Years. Exh. cat. San Francisco: John Berggruen Gallery, 1995: 17, 36-37, 68. [Text by John Berggruen]

Berggruen 1995

Brown, Robert. “Oral History Interview with Ralph Coburn, May 25-June 23 1995.” Archives of American Art, Smithsonian Institution. Transcript, np. http://www.aaa.si.edu/collections/interviews/oral-history-interview-ralph-coburn-13209

Coburn 1995

Craig-Martin, Michael. Drawing the Line: Reappraising drawing past and present. Exh. cat. London: South Bank Centre, 1995.

Craig-Martin 1995

Sculpture. Exh. cat. London: Anthony d’Offay Gallery, 1995.

d’Offay 1995

Ellsworth Kelly: The Process of Seeing. Exh. brochure. Minneapolis: Walker Art Center, 1995. [Introduction by Siri Engberg]

Engberg 1995

Fuchs, Rudi and Adam D. Weinberg. Views from Abroad: European Perspectives on American Art 1 / Amerikaanse Perspectieven: Europese Visies op Amerikaanse Kunst 1. Exh. cat. New York: Whitney Museum of American Art, 1995.

Fuchs and Weinberg 1995

“Graphic Vision: Kenneth Tyler Retrospective Exhibition: Thirty Years of Contemporary American Prints.” Center for Contemporary Graphic Art and Tyler Graphics Archive Collection. Exh. cat. Fukushima, Japan, 1995: 5, 28, 30.

Fukushima 1995

Gould, Claudia and Ann Bremner. Revolution: Art of the Sixties from Warhol to Beuys. Exh. cat. Tokyo: Museum of Contemporary Art, 1995: 42, 172-173.

Gould and Bremner 1995

Color in Space – Pictorialism in Contemporary Sculpture. Exh. cat. Providence: List Art Center, Brown University, David Winton Bell Gallery, 1995: 3-4, 8-9, 14-15. [Introduction by George Hofmann; Disscussion by Ruth Hardinger, Oliver Herring, Wendy Lehman, Jessica Stockholder, Bruce Yonemoto and co-curators George Hofmann and Diana L. Johnson]

Hofmann 1995

Kiehl, David. Ellsworth Kelly: Colored Paper Images 1976-1977: The Creative Process. Exh. cat. New York: Susan Sheehan Gallery, 1995.

Kiehl 1995

Krzisnik, Zoran. “Portfolio: 55 exponents of constructed art.” 21st International Graphics Biennial. Ljubljana, 1995: 147-150.

Krzisnik 1995

Mattison, Robert Saltonstall. “Ellsworth Kelly.” Masterworks in the Robert and Jane Meyerhoff Collection. New York: Hudson Hills Press, 1995.

Mattison 1995

Pagé, Suzanne. Passions Privées: Particulières d’art Moderne et Contemporain en France. Paris: Musée d’art moderne de la ville de Paris, 1995: 656-657.

Pagé 1995

Plante, Michael. “Things to Cover Walls – Ellsworth Kelly’s Paris Paintings and the Tradition of Mural Decoration.”American Art vol. 9, no. 1 (Spring 1995): 37-53.

Plante 1995

Rosenthal, Mark. Contemporary Drawing: Exploring the Territory. Exh. cat. Aspen, Colorado: Aspen Art Museum, 1995.

Rosenthal 1995

Stainton, Elaine M., ed. Printmaking in America – Collaborative Prints and Presses 1960-1990. Chicago: Mary and Leigh Black Gallery, Northwestern University, 1995.

Stainton 1995

Who’s Afraid of Red…? / Wer hat Angst vor Rot…? Exh. cat. Basel: Galerie Beyeler, 1995: 56. [Introduction by Robert Th. Stoll, Translated from German by Isabel Feder]

Stoll 1995

1996

Ammann, Jean-Christophe and Adam D. Weinberg. Views from Abroad: European Perspectives on American Art 2 / Die Entdeckung des anderen: Ein europäischer Blick auf die amerikansche Kunst 2. Exh. cat. New York: Whitney Museum of American Art, 1996.

Ammann and Weinberg 1996

Bell, Clare. “At Play with Vision: Ellsworth Kelly’s ‘Line, Form and Color.’” Ellsworth Kelly – A Retrospective. Exh. cat. New York: Solomon R. Guggenheim Museum, 1996: 66-79.

Bell 1996

Bernadac, Marie-Laure. Dessins: Acquisitions 1992-1996. Exh. cat. Paris: Centre Georges Pompidou, 1996: 49.

Bernadac 1996

Bernstein, Roberta. “Ellsworth Kelly’s Multipanel Paintings.” Ellsworth Kelly – A Retrospective. Exh. cat. New York: Solomon R. Guggenheim Museum, 1996: 40-55.

Bernstein 1996

Aus Saarlaendischen Privatsammlungen II – Konkret Konstruktiv – Arbeiten auf Papier. Exh. cat. St. Ingbert: Albert Weisgerber Stiftung and Museum Sankt Ingbert, 1996. [Text by Gottfried Boehm, Eugen Gomringer]

Boehm and Gomringer 1996

Carpenter, Charles. “The Odyssey of a Collector.” Charles H. Carpenter, Jr. The Odyssey of a Collector. Pittsburgh: The Carnegie Museum of Art, 1996: 11-141. [Foreword by Phillip M. Johnston]

Carpenter 1996

Cotter, Holland. “A Giant of the New Surveys His Rich Past.” The New York Times (October 13, 1996): H43.

Cotter 1996

Diehl, Carol. “Birds, Beads and Bannerstones.” Artnews vol. 95, no. 7 (Summer 1996): 76-84.

Diehl 1996

Fuchs, R. Prospettiva del passato. Da Van Gogh ai contemporanei neele raccolte dello Stedelijk Museum di Amsterdam. Exh. cat. Napoli: Palazzo di Capodimonte, 1996: 57.

Fuchs 1996

Larson, Kay. “On the Track of the Real: A Pursuit in Six Parts.” Charles H. Carpenter, Jr. The Odyssey of a Collector. Pittsburgh: The Carnegie Museum of Art, 1996: 142-159.

Larson 1996

Lemoine, Serge. François Morellet. Paris: Flammarion, 1996.

Lemoine 1996

Macel, Christine. “Ellsworth Kelly.” État des lieux: Commandes publiques en France, 1990-1996. Paris: Centre national des arts plastiques et Éditions du Regard, 1996: 74-75.

Macel 1996

Open Secrets: Seventy Pictures on Paper, 1815 to the Present. Exh. cat. New York: Matthew Marks Gallery and San Francisco: Fraenkel Gallery, 1996. [Introduction by Matthew Marks and Jeffrey Fraenkel]

Marks and Fraenkel 1996

On Paper / Sobre Papel. Exh. cat. New York: Marlborough Gallery, 1996: 32-33.

Marlborough 1996

McCarthy, Mary. “1945-1960 An Age of Optimism.” City of Ambition. Exh. cat. New York: Whitney Museum of American Art, 1996: 115, 133.

McCarthy 1996

I Love Yellow. Exh. cat. Zürich: Galerie Beyeler, 1996: 41, 57. [Text by Annemarie Monteil]

Monteil 1996

Mundy, Jennifer and Jeremy Lewison. Brancusi to Beuys: Works from the Ted Power Collection. London: Tate Gallery Publishing, 1996: 10, 17-18, 21, 23, 40-41.

Mundy and Lewison 1996

Ratcliff, Carter. “Ellsworth Kelly’s Curves.” Ellsworth Kelly- A Retrospective. Exh. cat. New York: Solomon R. Guggenheim Museum, 1996: 56-61.

Ratcliff 1996

Rosenthal, Mark. “Experiencing Presence.” Ellsworth Kelly- A Retrospective. Exh. cat. New York: Solomon R. Guggenheim Museum, 1996: 62-65.

Rosenthal 1996a

Rosenthal, Mark. Abstraction in the Twentieth Century: Total Risk, Freedom, Discipline. Exh. cat. New York: Solomon R. Guggenheim Foundation, 1996: 3, 149-150, 152-160, 163-164, 183, 284.

Rosenthal 1996b

Rosenthal, Mark. The Robert and Jane Meyerhoff Collection 1945 to 1995. Exh. cat. Washington, D.C.: National Gallery of Art, 1996: 94-105, 245-246. [Other essays by David Anfam, Harry Cooper, Molly Donovan, Ruth E. Fine, Jane Meyerhoff, Marla Prather, Charles Ritchie, and Jeffrey Weiss]

Rosenthal 1996c

Ink on Paper: The Quad/Collection, 1971-1996. Exh. cat. Milwaukee Art Museum, 1996: 79. [Introduction by Joseph Ruzicka]

Ruzicka 1996

Sandler, Irving. “Capítulo VI: La escuela ed Nueva York.” Pintura Estadounidense Expresionismo Abstracto. Mexico City: Centro Cultural Arte Contemporaneo, 1996: 91, 254-255, 398-399.

Sandler 1996

Shapley, Robert. “Art and Perception of nature: Illusory contours in the paintings of Ellsworth Kelly.” Perception (1996) Volume 25(11): Guest Editorial, np.

Shapley 1996

Beyond Print – Masterworks from the Ken Tyler Collection. Exh. cat. Singapore: LaSalle-SIA College of the Arts, 1996. [Text by Kenneth Tyler, Sanjot Kaur Sekhon, Dr. Elizabeth McDonald]

Tyler 1996

Waldman, Diane, Claire Bell, Roberta Bernstein et al. “Ellsworth Kelly.” Ellsworth Kelly – A Retrospective. Exh. cat. New York: Solomon R. Guggenheim Foundation, 1996. [The catalogue is also published in a second English edition for the London venue and a German edition for the Munich venue of the exhibition.]

Waldman 1996a

Waldman, Diane. “Chronology.” Ellsworth Kelly – A Retrospective. Exh. cat. New York: Solomon R. Guggenheim Museum, 1996: 314-319.

Waldman 1996b

1997

Adams, Brooks. “Wie Rauch – Duchamps Hinterlassenschaft.” Die Epoche der Moderne Kunst im 20. Jahrhundert. Exh. cat. Stuttgart: Verlag Gerd Hatje and Berlin: Zeitgeist Gesellschaft e.V., 1997: 307, 310-311.

Adams 1997

Beyeler, Ernst. Joie de vivre. Exh. cat. Basel: Galerie Beyeler and Zurich: ProLitteris, 1997: 72. [Translated to English by Isabel Feder]

Beyeler 1997

Celant, Germano. Art / Fashion. Exh. cat. for Guggenheim Museum SoHo. Milan: Skira editore, 1997: 23, 25, 160-161.

Celant 1997

Crook, Jo and Tom Learner. Interview with Ellsworth Kelly at the Tate Gallery, June 9, 1997. Unpublished transcript, np.

Crook and Learner 1997

Düchting, Hajo. “Künstlerbiographien.” Die Epoche der Moderne Kunst im 20. Jahrhundert. Exh. cat. Stuttgart: Verlag Gerd Hatje and Berlin: Zeitgeist Gesellschaft e.V., 1997: 607, 610-611.

Düchting 1997

Finckh, Gerhard. “Die Maler und ihre Skulpturen – Beobachtungen zu Grenzgängen und Seitensprüngen.” Die Maler und ihre Skulpturen: von Edgar Degas bis Gerhard Richter. Exh. cat. Köln: Dumont, 1997: 8-20.

Finckh 1997

Fuchs, R. Arte del XX secolo: dalla collezione dello Stedelijk Museum di Amsterdam / Art of the 20th century: from the collection of the Stedelijk Museum of Amsterdam. Exh. cat. Catania: Castello Ursino, 1997: 22, 36, 108.

Fuchs 1997

Gayford, Martin and Ellsworth Kelly. “Interview: Where the Eye Leads.” Modern Painters vol. 10, no. 2 (Summer 1997): 60-65.

Gayford 1997

Contemporary Art in Transition – from the Collection of Ho-Am Art Museum. Exh. cat. Seoul: Ho-Am Art Museum, 1997: 68-69, 169. [Translated to English by Jaeyung Roe]

Ho-Am 1997

Jäger, Joachim. “Ellsworth Kelly.” Die Maler und ihre Skulpturen: von Edgar Degas bis Gerhard Richter. Exh. cat. Köln: Dumont, 1997: 242-245.

Jäger 1997

Lee, Pamela and Christine Mehring. Drawing is another kind of language: Recent American Drawings from a New York Private Collection. Exh. cat. Cambridge: Harvard University Art Museums, 1997: 98-103.

Lee and Mehring 1997

Memory and Mourning – Shared Cultural Experience. Exh. cat. Albany, New York: University Art Museum, 1997. [Text by Harold Lohner]

Lohner 1997

Moszynska, Anna. “Ellsworth Kelly.” Apollo (October 1997): 50.

Moszynska 1997a

Moszynska, Anna. “Reinheit und Glaube – Die Lockung der Abstraktion.” Die Epoche der Moderne Kunst im 20. Jahrhundert. Exh. cat. Stuttgart: Verlag Gerd Hatje and Berlin: Zeitgeist Gesellschaft e.V., 1997.

Moszynska 1997b

Nochlin, Linda. “Kelly: Making Abstraction Anew.” Art in America vol. 85, no. 3 (March 1997): 68-79.

Nochlin 1997

Parsons, Fatima. “Voyeur der Wirklichkeit.” Elle (October 1997): 102-105.

Parsons 1997

Rosenthal, Mark. “Ellsworth Kelly: A Retrospective.” The Contemporary (Winter 1997): cover, 6-8.

Rosenthal 1997

Rosenthal, Norman. Über-Blick. Exh. cat. Munich: Galerie Daniel Blau, 1997.

Rosenthal N 1997

Schama, Simon. “Adventures in Space.” Independent on Sunday (June 1, 1997): cover, 3, 14-16.

Schama 1997

Schipprack, Annette and Ellsworth Kelly. “’Interview: Ich bin kein Rockstar.’ – Der US Maler Ellsworth Kelly verrät, wie er mit seiner abstrakten Kunst weltweit Karriere machte.” Focus (October 13, 1997): 208-209.

Schipprack 1997

Spies, Werner. “La Collection du Centre Georges Pompidou: les Chefs-d’oeuvre du MNAM.” Exh. cat. Tokyo: Musée d’art contemporain de Tokyo, 1997: 145.

Spies 1997

Zweite, Armin. “Ellsworth Kelly.” Köln Skulptur 1. Exh. cat. Köln: Wienand Verlag, 1997: 74-77.

Zweite 1997

1998

Axsom, Richard H. “In-Between Percerptions: Ellsworth Kelly’s Recent Prints.” Ellsworth Kelly: Recent Prints. Exh. cat. Boston: Boston University Art Gallery; Seattle and London: University of Washington Press, 1998: 8-17.

Axsom 1998

Blistène, Bernard. Rendezvous: Masterpieces from the Centre Georges Pompidou and the Guggenheim Museums. Exh. cat. New York: Solomon R. Guggenheim Museum and Paris: Centre Georges Pompidou, 1998: 569, 571, 649. [texts also by Yve-Alain Bois, Stanley Cavell, Jean-Louis Cohen, Lisa Dennison, and Mark C. Taylor]

Blistène 1998

Cohn, Marjorie B. and Clare I. Rogan. Touchstone: 200 Years of Artists’ Lithographs. Exh. cat. Cambridge, Massachusetts: Harvard University Art Museums, 1998: 76, 87.

Cohn and Rogan 1998

Freeman, Marina. “Celebrating Lithography at 200.” Graphic Abstraction in America – A View from the First Century. Exh. cat. University Art Museum, California State University, Long Beach, 1998: 8-10.

Freeman 1998

Ganem, Mark. “Kelly’s Peak.” W vol. 27 no. 5 (May 1998): 210-215, 234-235.

Ganem 1998

Glenn, Constance W. “The Reductive Impulse.” Graphic Abstraction in America – A View from the First Century. Exh. cat. University Art Museum, California State University, Long Beach, 1998: 17-19.

Glenn 1998

Gohr, Siegfried and Gunda Luyken. Die Kunst des Zerreissens. Exh. cat. Rolandseck: Stiftung Hans Arp und Sophie Taeuber-Arp e.V., 1998.

Gohr and Luyken 1998

American Artists in the American Ambassador’s Residence in Paris. Exh. cat. New York: Jeanne Greenberg Art Advisory, 1998: cover, 5, 8-9 color repr., 21, 40-41, 55.

Greenberg 1998

Gross, Jennifer R. and Susan Harris. Drawing A Conclusion. Exh. cat. New York: Dorsky Gallery, 1998.

Gross 1998

Hayt, Elizabeth. “Brash American Intruders Amid l’Élégance.” The New York Times (January 25, 1998): AR41, AR46.

Hayt 1998

Hickey, Dave. “Ellsworth Kelly’s Oratorical Silence.” Ellsworth Kelly New Paintings. Exh. cat. New York: Matthew Marks Gallery, 1998.

Hickey 1998

Kaplan, Ilee. “Sculptors on Paper.” Graphic Abstraction in America – A View from the First Century. Exh. cat. University Art Museum, California State University, Long Beach, 1998: 20-24.

Kaplan 1998

Drach McInnes, Mary. “Kelly and Mallarmé: A Collaboration Across a Century.” Ellsworth Kelly: Recent Prints. Exh. cat. Boston: Boston University Art Gallery; Seattle and London: University of Washington Press, 1998: 18-48.

Mcinnes 1998

Meyer, James. “Art for the City: Sculpture for a Large Wall, 1957.” Ellsworth Kelly Sculpture for a Large Wall, 1957. Exh. cat. New York: Matthew Marks Gallery, 1998.

Meyer 1998

Master Drawings of the Twentieth Century. Exh. cat. New York: Mitchell-Innes & Nash, 1998. [Text by Lucy Mitchell-Innes]

Mitchell-Innes 1998

Rosenthal, Mark. “An Interview with Ellsworth Kelly.” Mark Rothko. Exh. cat. Washington, D.C.: National Gallery of Art, 1998: 355-357.

Rosenthal 1998

Rosenthal, Nan. Ellsworth Kelly: On the Roof. Exh. brochure. New York: The Metropolitan Museum of Art, 1998.

Rosenthal N 1998

Alexander Calder. [Interview with Ellsworth Kelly]. Directed by Roger Sherman. American Masters and Florentine Films/Sherman Pictures LCC, 1998. DVD. [57 minutes, color]

Sherman 1998

Steck, Stuart Y. “Coming Full Circle: Ellsworth Kelly and Boston, Then and Now.” Ellsworth Kelly: Recent Prints. Exh. cat. Boston: Boston University Art Gallery, 1998: 49-54.

Steck 1998

Tomkins, Calvin. Spreading the Word. Exh. brochure. The Geldzahler Portfolio, 1998.

Tomkins 1998

Tosatto, Guy. “Au fil du trait de Matisse à Basquiat.” Oeuvres sur papier du Centre Georges Pompidou, Musée naional d’art moderne. Exh. cat. Paris: Centre Georges Pompidou, 1998: 23, 155.

Tosatto 1998

Waldman, Diane. Ellsworth Kelly Masterworks – Two-panel Paintings. Exh. cat. New York: Joseph Helman Gallery, 1998.

Waldman 1998

Yau, John, Marc Straus and Livia Straus. Inner Eye: Contemporary Art from the Marc and Livia Straus Collection. Exh. cat. University of Florida Harn Museum of Art, 1998: 3-4, 7, 9-10, 12, 14, 32.

Yau and Straus 1998

1999

TroubleSpot Painting. Exh. cat. in Dutch & English. Antwerp: NICC & Museum van Hedendaagse Kunst Antwerpen, 1999: 70-71.

Antwerp 1999

Les Années de Combat Le renouveau des arts vu de Paris 1951-1962 Revue Cimaise. Exh. cat. Paris: Galerie Arnaud, 1999.

Arnaud 1999

Batchelor, David. “The Spectrum, and Other Colors.” Ellsworth Kelly: Spectrums, 1953-1972. Exh. cat. New York: Mitchell-Innes & Nash, 1999.

Batchelor 1999

Boehm, Gottfried. Paul Cézanne und die Moderne. Exh. cat. Basel: Fondation Beyeler and Ostfildern: Hatje Cantz Verlag, 1999.

Boehm 1999

Bois, Yve-Alain. “Kelly’s Trouvailles: Findings in France.” Ellsworth Kelly: The Early Drawings, 1948-1955. Exh. cat. Cambridge, Massachusetts: Harvard University Art Museums; Switzerland: Kunstmuseum Winterthur, 1999: 12-35. [The text translation by Hubertus von Gemmingen is also published in German.]

Bois 1999

Cooper, Harry. “An Intense Detachment: Ellsworth Kelly’s Line Form Color.” Ellsworth Kelly, Line Form Color. Cambridge: Harvard University Art Museums, 1999: 3-23.

Cooper 1999

Cotter, Holland. “Following the Paper Trail: Ellsworth Kelly’s Adventure.” The New York Times (April 30, 1999): E40.

Cotter 1999

d’Orgéval, Martin. “Ellsworth Kelly.” Abstractions Américaines 1940-1960. Exh. cat. Montpellier, France: Musée Fabre, 1999: 126-131.

d’Orgeval 1999

D.[onovan], M.[olly] “Ellsworth Kelly.” Twentieth-century American Art: The Ebsworth Collection. Exh. cat. Washington: National Gallery of Art, 1999: 152-154.

Donovan 1999

Fairbrother, Trevor. The Virginia and Bagley Wright Collection. Exh. cat. Seattle: Seattle Art Museum, 1999: 29, 42, 108-109, 170, 184.

Fairbrother 1999

Fer, Briony, Thomas Kellein, Simon Maurer, and David Rimanelli. “Ellsworth Kelly.” The Parkett Series with Contemporary Artists / Die Parkett-Reihe mit Gegenwartskünstlern 56, 1999: 13-75. [In English and German].

Fer 1999, Kellein 1999, Maurer 1999, Rimanelli 1999

Kelly, Ellsworth. “Project for a Book: Line, Form and Color.” Ellsworth Kelly Line Form Color. Cambridge: Harvard University Art Museums, 1999.

Kelly 1951

Nochlin, Linda. Ellsworth Kelly Drawings 1960-1962. Exh. cat. New York: Matthew Marks Gallery, 1999.

Nochlin 1999

Radical Past: Contemporary Art & Music in Pasadena, 1960-1974. Exh. cat. Pasadena: Armory Center for the Arts and Art Center College of Design, 1999: 92, 109. [Artist biography by Linda Centell]

Pasadena 1999

Perrott, Jeff. “The Way of Seeing.” Ellsworth Kelly Plant Lithographs 1973-1997. Exh. cat. New York: Susan Sheehan Gallery, 1999.

Perrott 1999

Philbin, Ann. Drawn from Artists’ Collections. Exh. cat. New York: The Drawing Center, 1999.

Philbin 1999

Phillips, Lisa. The American Century: Art and Culture 1950-2000. Exh. cat. New York: Whitney Museum of American Art, 1999.

Phillips 1999

“Ellsworth Kelly in Conversation with Marla Prather.” Audio podcast at National Gallery of Art, April 21, 1999: http://www.nga.gov/podcasts/

Prather 1999

Robertson, Bruce. “The Ebsworth Collection: Histories of American Modern Art.” Twentieth-century American Art: The Ebsworth Collection. Exh. cat. Washington: National Gallery of Art, 1999: 11-37.

Robertson 1999

Sharp, Lewis I. Twentieth Century American Sculpture at The White House Exhibition VIII. Washington: The White House, 1999.

Sharp 1999

Storr, Robert and Ellsworth Kelly. “Interview with Ellsworth Kelly.” MoMA vol. 2, no. 5 (June 1999): 2-7.

Storr 1999

2000

Celebrating Modern Art: The Anderson Collection. Exh. cat. San Francisco: San Francisco Museum of Modern Art, 2000. [Foreword by David A. Ross; introduction by Gary Garrels; essays by Michael Auping, Neal Benezra, T. J. Clark, John Elderfield, and Jack Flam]

Anderson 2000

Breuer, Karen. An American Focus: The Anderson Graphic Arts Collection. Exh. cat. San Francisco: Fine Arts Museums of San Francisco, 2000.

Breuer 2000

Brüderlin, Markus. “Vom Gemalten Licht Zum Malen Mit Licht.” Farbe > Licht. Exh. cat. in German and English. Fondation Beyeler, 2000. [“From Painted Light to Painting with Light from Rothko to Flavin” with translations by Isabel Feder, Michael Foste]

Brüderlin 2000

de Duve, Thierry. Voici, 100 ans d’ art contemporain. Exh. cat. Ludion: Grand-Amsterdam, 2000.

de Duve 2000

Donovan, Molly. “Ellsworth Kelly.” Art for the Nation: Collecting for a New Century. Exh. cat. Washington: National Gallery of Art, 2000: 110-111.

Donovan 2000

Foster, Carter E. Master Drawings from the Cleveland Museum of Art. Exh. cat. Cleveland, Ohio: The Cleveland Museum of Art, 2000: 278-279.

Foster 2000

Jensner, Magnus. “Whiteness as Form.” Oskuldens Arhundrade- Den Vita Monokromens Historia / A Century of Innocence: The History of the White Monochrome. Exh. cat. Malmö: Rooseum Center for Contemporary Art and Stockholm: Leljevalchs Konsthall, 2000: 82-90.

Jensner 2000

Kertess, Klaus. 00: Drawings 2000 at Barbara Gladstone Gallery. Exh. cat. New York: Barbara Gladstone Gallery, 2000: 50.

Kertess 2000

Kirili, Alain. “L’annonce faite au XXIe siècle.” La Sculpture Contemporaine au Jardin des Tuileries. Exh. cat. Paris: La domaine national des Tuileries, le Centre des monuments nationaux, 2000. [Foreword by Catherine Tasca and texts by Alain Kirili and Robert Storr]

Kirili 2000, Storr 2000

Pasted Pictures: Collage and Abstraction in the Twentieth Century. Exh. cat. New York: Knoedler & Company. 2000.

Knoedler 2000a

The Collector as Patron in the Twentieth Century. Exh. cat. New York: Knoedler & Company, 2000: 52.

Knoedler 2000b

Krauss, Rosalind. “Madness of the Day.” Andy Warhol, Diamond Dust Shadow Paintings. Exh. cat. New York: Gagosian Gallery, 2000: 5-34.

Krauss 2000

Art concret. Exh. cat. Mouans-Sartoux: Espace de l’Art Concret and Lyon: Réunion des musées nationaux, 2000: 13, 34-35, 97, 224, 232, 236, 257, 273, 276-278. [Essays by Serge Lemoine, Marc Ducourant, Vincent Baby, Evelyne de Monatudouin, Claudia Rajlich, Leonor Cuahonte, Martin d’Orgeval]

Lemoine 2000

Liesbrock, Heinz. “Das schwierige Sichtbare Perspektiven des Wirklichen in Fotografie und Malerei.” How you look at it. Fotografien des 20. Jahrhunderts. Exh. cat. Hannover: Landeshauptstadt, Oberbürgermeister, Sprengel Museum and Köln: Oktagon, 2000: 38-59, 338-339.

Liesbrock 2000

Galassi, Peter, Robert Storr, and Anne Umland. Making Choices: 1929, 1939, 1948, 1955. Exh. cat. New York: The Museum of Modern Art, 2000: 326-327.

MOMA 2000

“Le Temps, Vite.” Vite Magazine. Exh. cat. Paris: Centre Georges Pompidou, 2000.

Pompidou 2000

Umberg, Günter. Body of Painting – Günter Umberg mit Bildern aus Kölner Sammlungen- Body of Painting. Exh. cat. Cologne: Museum Ludwig, 2000.

Umberg 2000

van den Bosch, Paula. The Collection Visser at the Kröller-Müller Museum. Otterlo, The Netherlands : Stichting Kröller-Müller Museum, 2000.

van den Bosch 2000

van Keuren, Philip. On Drawing: A Conversation with Werner H. Kramarsky, Connie Butler, and Harry Cooper (February 5, 2000). Exh. cat. Dallas: Meadows School of the Arts Pollock Gallery, Southern Methodist University, 2000.

van Keuren 2000

Venn, Beth. Correspondences: Isamu Noguchi and Ellsworth Kelly. Exh. brochure. New York: Whitney Museum of American Art, 2000.

Venn 2000

Ellsworth Kelly: The Early Drawings 1948-1955. Exh. brochure. Switzerland: Kunstmuseum Winterthur, 2000.

Winterthur 2000

2001

Brodie, Judith and Andrew Robison, eds. A Century of Drawing: Works on Paper from Degas to LeWitt. Exh. cat. Washington, D.C.: National Gallery of Art, 2001.

Brodie and Robison 2001

Brüderlin, Markus. “Introduction: Ornament and Abstraction.” Ornament and Abstraction. Exh. cat. Basel: Fondation Beyeler, 2001: 16-29.

Brüderlin 2001a

Brüderlin, Markus. “The Ornamentalisation of Modernism – Painting in the Eighties and Nineties.” Ornament and Abstraction. Exh. cat. Basel: Fondation Beyeler, 2001: 204-217.

Brüderlin 2001b

Burkhard, Lene and Karsten Ohrt. Patterns: Between Object and Arabesque. Exh. cat. Odense: Kunsthallen Brandts Klaedefabrik, 2001.

Burkhard and Ohrt 2001

Büttner, Philippe. “Ornament and Paradise or The Triumph of the Surface.” Ornament and Abstraction. Exh. cat. Basel: Fondation Beyeler, 2001: 152-167.

Büttner 2001

Curtis, William J.R. Abstractions in Space: Tadao Ando, Ellsworth Kelly, Richard Serra. St. Louis: The Pulitzer Foundation for the Arts, 2001: 46-53.

Curtis 2001

Düchting, Hajo. “Color and Technique: Monet and His Influence on Abstract Painting.” Monet and Modernism. Exh. cat. Munich: Kunsthalle der Hypo Kulturstiftung, 2001: 142-152. [Translated from German by John William Gabriel]

Düchting 2001

“Ellsworth Kelly.” Monet and Modernism. Exh. cat. Munich: Kunsthalle der Hypo Kulturstiftung, 2001: 212-213. [Translated from German by John William Gabriel]

Eaton 2001

Franz, Rainald. “The Picture Becomes Ornament – Frank Stella and the Ornament from the 15th to the 18th Century.” Ornament and Abstraction. Exh. cat. Basel: Fondation Beyeler, 2001: 190-203.

Franz 2001

Garrels, Gary. New to the Modern: Recent Acquisitions from the Department of Drawings. Exh. brochure. New York: The Museum of Modern Art, 2001.

Garrels 2001

Gibson, Ann. “Things in the World: Color in the Work of U.S. Painters During and After the Monet Revival.” Monet and Modernism. Exh. cat. Munich, London, New York: Prestel and Kunsthalle der Hypo Kulturstiftung, 2001: 110-141. [Translated from German by John William Gabriel]

Gibson 2001

Hickey, Dave and Louis Grachos. Beau Monde: Toward a Redeemed Cosmopolitanism Site Santa Fe’s Fourth International Biennial. Exh. cat. Site Santa Fe, 2001: 41-43, 103.

Hickey and Grachos 2001

Hunter, Sam. “A Personal Memoir of the Founding of The Rose Art Museum.” A Defining Generation: Then and Now, 1961 and 2001. Massachuetts: The Rose Art Museum, Brandeis University, 2001: 10-36.

Hunter 2001

Eaton, Nicole D., Sam Hunter and Joseph Ketner et al. “A Conversation with Sam Hunter and Joseph D. Ketner.” A Defining Generation: Then and Now, 1961 and 2001. Waltham, Massachuetts: The Rose Art Museum, Brandeis University, 2001: 61-72.

Hunter and Ketner 2001

Kelly, Ellsworth. [Untitled statement.] Monet and Modernism. Exh. cat. Munich: Kunsthalle der Hypo Kulturstiftung, 2001: 214-217. [Translated from German by John William Gabriel]

Kelly 2001

Die Sammlung Ingrid und Willi Kemp: Fokus Farbe: informel – konkret – figurativ. Exh. cat. Düsseldorf: Museum Kunst Palast, 2001: 314-319. [Interview with Willi Kemp and Christoph Staude]

Kemp and Staude 2001

Ketner, Joseph D. “A Defining Generation.” A Defining Generation: Then and Now, 1961 and 2001. Massachuetts: The Rose Art Museum, Brandeis University, 2001: 37-60.

Ketner 2001

100 Drawings and Photographs. Exh. cat. New York: Matthew Marks Gallery, 2001.

Marks 2001

McClintic, Miranda. Modernism & Abstraction: Treasures from the Smithsonian American Art Museum. Exh. cat. New York: Smithsonian American Art Museum. 2001: 6-109.

McCintic 2001

Meyer, James. Minimalism – Art and Polemics in the Sixties. New Haven, Connecticut: Yale University Press, 2001.

Meyer 2001

M.[üllerschön], N.[icola] “Ellsworth Kelly: Red Yellow Blue White, 1952.” Monets Vermächtnis. Serie – Ordnung und Obsession. Exh. cat. Hamburg: Hamburger Kunsthalle, 2001: 114-115, 182.

Müllerschön 2001

Space, Abstraction and Freedom – 20th-Century Art from the Collection of Mary and Jim Patton. Exh. cat. Chapel Hill: University of North Carolina Ackland Art Museum, 2001.

Patton 2001

Rapaport, Brooke Kamin. “The Great Mystery of Things – Aspects of Vital Forms in American Art.” Vital Forms: American Art and Design in the Atomic Age 1940-1960. Exh. cat. New York: Brooklyn Museum of Art, 2001: 118-119.

Rapaport 2001

Rich, Sarah. “Attention! Ellsworth Kelly’s Reliefs.” Ellsworth Kelly: Relief Paintings 1954 – 2001. Exh. cat. New York: Matthew Marks Gallery, 2001.

Rich 2001

Rosenblum, Robert. Green on Greene. Exh. cat. New York: Sperone Westwater, 2001.

Rosenblum 2001

Sagner-Düchting, Karin. “Monet’s Late Work from the Vantage Point of Moderism.” Monet and Modernism. Exh. cat. Munich: Kunsthalle der Hypo Kulturstiftung, 2001: 18-33. [Translated from German by John William Gabriel]

Sagner-Düchting 2001

Silver, Kenneth E. Making Paradise: Art Modernity and the Myth of the French Riviera. Exh. cat. New York: AXA Gallery; Cambridge, Massachusetts: MIT Press, 2001: 167-169.

Silver 2001

Spector, Nancy, ed. Guggenheim Museum Collection: A to Z. Revised, second edition. New York: Solomon R. Guggenheim Museum, 2001: 162-163, 359, 381-382.

Spector 2001

Weingartner, Rudolph H. and Starr Figura. Prints by Sculptors. Exh. cat. Chicago: Mary and Leigh Block Museum of Art, Northwestern University, 2001: 10, 19, 36 (fig. 21), 52 (checklist no. 28.), 80 (plate 27).

Weingartner and Figura 2001

Wye, Deborah and Susan Tallman. Parkett Collaborations & Editions Since 1984: A Small, Medium & Large Library of Contemporary Art. Zürich and New York: Parkett Publishers, 2001: 138-139.

Wye and Tallman 2001

Zabalbeascoa, Anatxu and Javier Rodriguez Marco. minimalismos, un signo de los tiempos. Exh. cat. in Spanish and English. Madrid: Museo Nacional Centro de Arte Reina Sofia Aldeasa, 2001: 43.

Zabalbeascoa and Marco 2001

2002

American Beauty. Exh. cat. London: Annely Juda Fine Art, 2002.

Annely Juda 2002

Auping, Michael. Modern Art Museum of Fort Worth 110. Exh. cat. Fort Worth: The Board of Trustees, Forth Worth Art Association, 2002: 89, 252.

Auping 2002

Bernstein, Roberta. “Red Green Blue: Distillations of Memory in Ellsworth Kelly’s Art.” Ellsworth Kelly: Red Green Blue. Paintings and Studies 1958-1965. Exh. cat. La Jolla: Museum of Contemporary Art San Diego, 2002: 20-25.

Bernstein 2002

Boehm, Gottfried. “In-Between Spaces: Painting, Relief, and Sculpture in the Work of Ellsworth Kelly.” Ellsworth Kelly In-Between Spaces, Works 1956-2002. Exh. cat. Basel/Riehen: Fondation Beyeler, 2002: 16-45. [Text in German and English]

Boehm 2002

Boehm, Gottfried, Ellsworth Kelly and Viola Weigel. Ellsworth Kelly In-Between Spaces, Works 1956-2002. Exh. cat. Basel/Riehen: Fondation Beyeler, 2002: 16-45.

Boehm 2002, Kelly 1969, Weigel 2002

Bois, Yve-Alain. “Pichenette.” Ellsworth Kelly Tablet 1948-1973. Exh. cat. New York: The Drawing Center, 2002: 198-201. [Introduction by Catherine de Zegher and Yves Aupetitallot]

Bois 2002

Bürgi, Bernhard Mendes and Thierry de Duve. “A Century of Contemporary Painting.” Painting on the Move. Exh. cat. Basel: Öffentliche Kunstsammlung Basel, 2002.

Bürgi 2002

Caldwell, Susan Havens. Art of the Sixties. Exh. cat. Norman, OK: Fred Jones Jr. Museum of Art, University of Oklahoma, 2002.

Caldwell 2002

d’Orgeval, Martin. “Ellsworth Kelly face à Jean Arp et Sophie Taeuber 1949-1963.” Les Cahiers du Musée National d’Art Moderne 79 (Spring 2002): 54-81.

d’Orgeval 2002

de Chassey, Éric. «Going with… » Henri Matisse – Ellsworth Kelly: Plant Drawings. Exh. cat. Berkeley: Gingko Press, Ltd. and Paris: Éditions du Centre Georges Pompidou, 2002: 51-79. [The text is also published in French in the catalogue of the Paris venue of this exhibition]

de Chassey 2002a

de Chassey, Éric. Paris: Capital of the Arts 1900-1968. Exh. cat. London: Royal Academy of Arts, 2002: 217, 320, 346-347, 351.

de Chassey 2002b

Ferus. Exh. cat. New York: Gagosian Gallery, 2002: 19, 22, 37, 40-41, 90-91, 133, 140. [Reprint 2009]

Gagosian 2002

Gerard, Philip. Secret Soldiers: The Story of World War II’s Heroic Army of Deception. New York: Penguin Putnam, 2002.

Gerard 2002

“Ellsworth Kelly: Blue.” White Cube – Volumes I & II. Göttingen: Steidl Publishers, 2002: 26-27.

Gillick 2002

Grynsztejn, Madeleine. “Clear-Cut: The Art of Ellsworth Kelly.” Ellsworth Kelly in San Francisco. Exh. cat. San Francisco: San Francisco Museum of Modern Art, 2002: 9-17. [Foreword by Neal Benezra]

Grynsztejn 2002

Hickey, Dave. “The Literal Prophesies of Ellsworth Kelly.” Ellsworth Kelly: Red Green Blue. Paintings and Studies 1958-1965. Exh. cat. La Jolla: Museum of Contemporary Art San Diego, 2002: 26-30.

Hickey 2002

Hitchings, Sinclair and Stephanie Mayer. The Visionary Decade: New Voices in Art in 1940s Boston. Exh. cat. Boston: Boston University Art Gallery, 2002.

Hitchings and Mayer 2002

Abstraction. Exh. cat. Edinburgh: The Ingleby Gallery, 2002: 13-16, 28.

Ingleby 2002

Kamps, Toby “Ellsworth Kelly: Red Green Blue.” Ellsworth Kelly: Red Green Blue. Paintings and Studies 1958-1965. Exh. cat. La Jolla: Museum of Contemporary Art San Diego, 2002: 14-19. [Preface by Hugh Davies]

Kamps 2002

Kelly, Ellsworth. “Notes on Sculpture.” Ellsworth Kelly In-Between Spaces, Works 1956-2002. Exh. cat. Basel/Riehen: Fondation Beyeler, 2002: 46-49. [Text in German and English]

Kelly 1969

Kramer, Hilton. “New Museum by Bay At Least Has Matisse and Ellsworth Kelly.” The New York Observer (November 25, 2002): 18.

Kramer 2002

Labrusse, Rémi. “The Desire of the Line.” Henri Matisse – Ellsworth Kelly: Plant Drawings. Exh. cat. Berkeley: Gingko Press, Ltd. and Paris: Éditions du Centre Georges Pompidou, 2002: 17-49. [The text is also published in French in the catalogue of the Paris venue of this exhibition]

Labrusse 2002

Leja, Michael. “The Monet Revival and New York School Abstraction.” Claude Monet… up to digital Impressionism. Exh. cat. Basel: Fondation Beyeler, 2002: 170-171, 174-175. [Foreword by Ernst Beyeler; also essays by Reinhold Hohl, Karin Sagner-Düchting, Hajo Düchting, Philippe Büttner, Michael Lüthy, Markus Brüderlin, Verena Formanek]

Leja 2002

Luyken, Gunda. “‘Painting alone remains full of adventure’: Matisse’s Cut-Outs as an inspiration for Nicolas de Staël, Ellsworth Kelly and Andy Warhol.” (Berggruen, Olivier and Max Hollein, eds.) Exh. cat. Henri Matisse: Drawing with Scissors – Masterpieces from the Late Years. Frankfurt: Schirn Kunsthalle, 2002: 155. The text is also published in a German edition of this catalogue.

Luyken 2002

Early and Late Work: Willem de Kooning, Tony Smith, Ellsworth Kelly, Brice Marden, Terry Winters. Exh. brochure. New York: Matthew Marks Gallery, 2002.

Marks 2002

Meyer-Büser, Susanne. Museum für Neue Kunst. ZKM / Karlsruhe. Karlsruhe: Museum für Neue Kunst, 2002: 41.

Meyer-Büse 2002

We Love Painting – The Contemporary Art Collection from Misumi Collection. Exh. cat. Tokyo: Museum of Contemporary Art, 2002: 112-114, 218.

Misumi 2002

Myers, Julian. “Short Essays.” Ellsworth Kelly in San Francisco. Exh. cat. San Francisco: San Francisco Museum of Modern Art, 2002: 20-77.

Myers 2002

Prather, Marla and Dana A. Miller. An American Legacy: A Gift to New York. Exh. cat. New York: Whitney Museum of American Art, 2002: 54-58.

Prather and Miller 2002

Rich, Sarah K. “Ellsworth Kelly’s Spectacular Painting Red Blue Green.” Ellsworth Kelly: Red Green Blue. Paintings and Studies 1958-1965. Exh. cat. La Jolla: Museum of Contemporary Art San Diego, 2002: 32-39.

Rich 2002

United Kingdom United States. Exh. cat. London: Waddington Galleries, 2002: 30-31, 53.

Waddington 2002

Weigel, Viola. “Folded Space: A New Sculpture by Ellsworth Kelly at the Fondation Beyeler.” Ellsworth Kelly In-Between Spaces, Works 1956-2002. Exh. cat. Basel/Riehen: Fondation Beyeler, 2002: 52-73. [Text in German and English]

Weigel 2002

Wolfskill, Phoebe. Drawings of Choice from a New York Collection. Champaign, IL: Board of Trustees of the University of Illinois, 2002: 76-79.

Wolfskill 2002

2003

Master Drawings from the Arkansas Arts Center Foundation Collection. Exh. cat. Japan: TG Concepts, Inc. (Taniguchi Jimusho), 2003: 75, 121, 131.

Arkansas Art Center 2003

Belcove, Julie L. “In Living Color.” W (May 2003): 176-183.

Belcove 2003

Blühm, Andreas, Jan Hein Sassen and Melanie Verhoven. goghmodern. Rotterdam: Van Gogh Museum and Stedelijk Museum, 2003.

Blühm 2003

Buchloh, Benjamin H.D. “Kelly’s Matrix: Administering Abstraction, Industrializing Color.” Ellsworth Kelly: Matrix. Exh. cat. New York: Matthew Marks Gallery, 2003.

Buchloh 2003

Cooper, Harry. Ellsworth Kelly: Self-Portrait Drawings 1944-1992. Exh. cat. New York: Matthew Marks Gallery, 2003.

Cooper 2003

Deecke, Thomas and Jean-Louis Prat. Südliche Kunst unter nordischem Himmel: zu Gast im Neuen Museum Weserburg Bremen die Fondation Maeght. Exh. cat. Bremen: Neues Museum Weserburg Bremen, 2003.

Deecke and Prat 2003

Elderfield, John. Visions of Modern Art. Painting and Sculpture from the Museum of Modern Art. Exh. cat. New York: The Museum of Modern Art, 2003: 17-18, 216, 232-233, 331, 342, 347-349, 362. [Text by Eugene Goossen from Ellsworth Kelly. New York: The Museum of Modern Art, 1973.]

Elderfield 2003, Goossen 1973

Foster, Carter E., Jeffrey D. Grove et al. Drawing Modern: Works from the Agnes Gund Collection. Exh. cat. Seattle: Cleveland Museum of Art, 2003: 12, 13, 66-71, 150.

Foster 2003, Grove 2003

Homes, A. M. “Ellsworth Kelly – An Encounter with Artist Ellsworth Kelly…” Vogue Hommes International (Spring/Summer, 2003): 136-144.

Homes 2003

Johnson, Ken. Form[ation] – Modern & Contemporary Works from the Feibes & Schmitt Collection. Exh. cat. Glens Falls, New York: The Hyde Collection, 2003: 4-127.

Johnson 2003

Joseph, Branden W. Random Order: Robert Rauschenberg and the Neo-avant-garde. Cambridge, Massachusetts: M.I.T Press, 2003.

Joseph 2003

Kastner, Jeffrey. “Ellsworth Kelly’s Journey, From All Angles.” The New York Times (May 4, 2003): Section 2: 42. [Also published in “Ellsworth Kelly inhabits a space between ‘isms’.” The International Herald Tribune (May 10-11, 2003)].

Kastner 2003

Kelly, Ellsworth. “Boston, Beckmann and After.” Max Beckmann [edited by Sean Rainbird]. Exh. Cat. London: Tate Modern, 2003: 237.

Kelly 2003

Monteil, Annemarie. “Das Geheimnis von Beginn und Ende > Weiss.” The Spirit of White. Exh. cat. Basel: Galerie Beyeler, 2003: 21, 23, 54-55.

Monteil 2003

Muschamp, Herbert. “Critic’s Notebook; One Vision: A Hill of Green at Ground Zero.” The New York Times (September 11, 2003): E1, E4.

Muschamp 2003

Nash, Steven A. Nasher Sculpture Center Handbook. Dallas: Nasher Sculpture Center, 2003: 81.

Nash 2003

Pakesch, Peter. Imagination Perception in Art. Exh. cat. Cologne: Walther König Buchhandlung and Kunsthaus Graz, 2003: 20, 56-57.

Pakesch 2003

Schmidt, Kim and Robert Fizek. Picasso to Warhol: Master Prints 1964-2003. New York: Marlborough Gallery and Poland: Fundacja Vox-Artis, Poznań, 2003.

Schmidt and Fizek 2003

Ellsworth Kelly: Paintings. Exh. cat. New York: Van de Weghe Fine Art, 2003. [Foreword by Christophe Van de Weghe]

Van de Weghe 2003

2004

Bashkoff, Tracey. “Ellsworth Kelly An Interview.” Guggenheim Magazine (Winter 2004): 14-19.

Bashkoff 2004

Bois, Yve-Alain. “Sanary, 1952.” Ellsworth Kelly in Dallas. Exh. cat. Dallas: Dallas Museum of Art, 2004: 10.

Bois 2004

Butin, Hubertus. “Gerhard Richter and the Reflection on Images.” Gerhard Richter Editions 1965-2004: Catalogue Raisonné. Ostfildern: Hatje Cantz Verlag, 2004.

Butin 2004

Chávez, Anja. Infinite Possibilities: Serial Imagery in 20th Century Drawings. Exh. cat. Wellesley, Massachusetts: Davis Museum and the Cultural Center, Wellesley College, 2004.

Chávez 2004

de Warren, Nicolas. “Ad Infinitum: Boredom and the Play of Imagination.” Infinite Possibilities: Serial Imagery in 20th Century Drawings. Exh. cat. Wellesley, MA: Davis Museum and the Cultural Center, Wellesley College, 2004: 1-14.

de Warren 2004

Dennison, Lisa and Nancy Spector. Singular Forms (Sometimes Repeated): Art from 1951 to the Present. Exh. cat. New York: The Solomon Guggenheim Foundation, 2004: 16, 86, 87, 163-164.

Dennison and Spector 2004

Elderfield, John. Das MoMA in Berlin – Meisterwerke aus dem Museum of Modern Art, New York. Exh. cat. Ostfildern-Ruit: Hatje Cantz Verlag and New York: The Museum of Modern Art, 2004: 17, 175, 207, 331.

Elderfield 2004

Fabre, Gladys. “Les Monochromes Lumiére Comme Espace-Temps Ou La Couleur Comme Devenir – Du suprématisme á l’unisme polonais, du groupe Zero á Opalka.” Le Monochrome de Malevich à aujourd’hui. Exh. cat. Paris: Edition du Regard, 2004: 89-117. [The text is also published in a Spanish edition for the Madrid venue of the exhibition.]

Fabre 2004

Gilmour, Pat and Sean Rainbird. Print Matters: The Kenneth Tyler Gift. Exh. cat. London: Tate Publishing, 2004: 11, 53.

Gilmour and Rainbird 2004

Ho, Christopher K. “Modernisme, Minimalisme et Monochrome – Avenir et passé du monochrome.” Le Monochrome de Malevich à aujourd’hui. Exh. cat. Paris: Edition du Regard, 2004: 119-141. [The text is also published in a Spanish edition for the Madrid venue of the exhibition.]

Ho 2004

Modernism in American Art: the 1950s, the 1960s and beyond. Exh. cat. Hokkaido, Japan: Hokkaido Obihiro Museum of Art, 2004: 24.

Hokkaido Obihiro 2004

Jones, Allen and David Hockney, eds. Royal Academy Illustrated 2004. London: Royal Academy of Arts, 2004.

Jones and Hockney 2004

Flowers as an Image – from Manet to Jeff Koons. Exh. cat. Humlebæk: Louisiana Museum of Modern Art, 2004.

Louisiana 2004

Modern Means – Continuity and Change in Art 1880 to the Present. Exh. cat. New York: The Museum of Modern Art, 2004.

MOMA 2004

Peiffer, Prudence. “One Day After Another: Seriality and the Stuttering Word.” Infinite Possibilities: Serial Imagery in 20th Century Drawings. Exh. cat. Wellesley, MA: Davis Museum and the Cultural Center, Wellesley College, 2004: 15-24.

Peiffer 2004

Prat, Jean-Louis. De l’écriture à la peinture. Exh. cat. Saint-Paul: Fondation Maeght, 2004: 199, 217, 218, 220.

Prat 2004

Exploring Ando’s Space: Art and the Spiritual. Exh. cat. The Pulitzer Foundation for the Arts: Michael Thede Design, 2004.

Pulitzer 2004

Roberdeau, Wood. “Untitled, 1982-1983.” Ellsworth Kelly in Dallas. Exh. cat. Dallas: Dallas Museum of Art, 2004: 42.

Roberdeau 2004

Rose, Barbara. “Les Significations Du Monochrome.” Le Monochrome de Malevich à aujourd’hui. Exh. cat. Paris: Edition du Regard, 2004: 21-87. [The text is also published in a Spanish edition for the Madrid venue of the exhibition.]

Rose 2004

Schama, Simon. “Dangerous Curves (Ellsworth Kelly).” Hang Ups – Essays on Painting (Mostly). London: BBC Books, 2004: 20, 211-217.

Shama 2004

Storr, Robert. “Up, Down, and Sideways.” Ellsworth Kelly in Dallas. Exh. cat. Dallas: Dallas Museum of Art, 2004: 22.

Storr 2004

Trione, Vincenzo. “Chroma – Passages à travers la couleur.” Le Monochrome de Malevich à aujourd’hui. Exh. cat. Paris: Edition du Regard, 2004: 177-221. [The text is also published in a Spanish edition for the Madrid venue of the exhibition.]

Tione 2004

Weisman, Billie Milam. The Eclectic Eye. Exh. cat. Los Angeles: Frederick R. Weisman Art Foundation, 2004: 9, 114-115.

Weisman 2004

Wesseling, Janneke. Het museum dat niet bestond. De Bezige Bij, 2004: 93-104, 108, 109, 111. [Translation by Ria Olsen].

Wesseling 2004

Wylie, Charles. “Ellsworth Kelly in Dallas.” Ellsworth Kelly in Dallas. Exh. cat. Dallas: Dallas Museum of Art, 2004: 8-9. [Foreword by John R. Lane]

Wylie 2004a

Wylie, Charles. “Waves.” Ellsworth Kelly in Dallas. Exh. cat. Dallas: Dallas Museum of Art, 2004: 14.

Wylie 2004b

Wylie, Charles. “Block Island II, 1960 and Green Blue Red, 1963.” Ellsworth Kelly in Dallas. Exh. cat. Dallas: Dallas Museum of Art, 2004: 18.

Wylie 2004c

Wylie, Charles. “Two Grays I, 1975.” Ellsworth Kelly in Dallas. Exh. cat. Dallas: Dallas Museum of Art, 2004: 28.

Wylie 2004d

Wylie, Charles. “Single Panel Paintings from the 1980s.” Ellsworth Kelly in Dallas. Exh. cat. Dallas: Dallas Museum of Art, 2004: 36.

Wylie 2004e

Wylie, Charles. “Two Totems and the Symphony Panels.” Ellsworth Kelly in Dallas. Exh. cat. Dallas: Dallas Museum of Art, 2004: 46.

Wylie 2004f

Wylie, Charles. “Portrait, Plants and Postcards.” Ellsworth Kelly in Dallas. Exh. cat. Dallas: Dallas Museum of Art, 2004: 50-53.

Wylie 2004g

Zelevansky, Lynn et al. Beyond Geometry: Experiments in Form, 1940s-70s. Exh. cat. Cambridge: MIT Press and Los Angeles: Los Angeles County Museum of Art, 2004.

Zelevansky 2004

2005

Axsom, Richard H. Drawn from Nature: The Plant Lithographs of Ellsworth Kelly. Exh. cat. Grand Rapids: Grand Rapids Art Museum, 2005.

Axsom 2005

Bookbinder, Judith. Boston Modern – Figurative Expressionism as Alternative Modernism. Hanover, New Hampshire: University of New Hampshire Press, 2005.

Bookbinder 2005

Braeuer, Susan. Ellsworth Kelly: Tablet. Exh. brochure. Houston: The Menil Collection, 2005.

Braeuer 2005

40 grafika opera prima. Exh. cat. Bratislava: Muzeum Milana Dobesa, 2005: 58-59. [Text by Jagoda Barczyńska, Umberto Eco, Umbro Apollonio and Ellsworth Kelly] [Translated by Beata Havelská]

Bratislava 2005, Kelly 2005

Chevrier, Jean-François. Art and Utopia: Limited Action. Barcelona: Museum of Contemporary Art, 2005.

Chevrier 2005

Douglas, Sarah. “The ArtInfo Interview: Ellsworth Kelly.” ArtInfo (November 10, 2005): [web: artinfo.com]

Douglas 2005

Enrici, Michel and Adrien Maeght. Les Ateliers de la modernité. Exh. cat. Saint-Paul de Vence: Fondation Aimé et Margueriet Maeght, 2005.

Enrici 2005, Maeght 2005

Garrels, Gary. Drawing from the Modern: 1945-1975. Volume 2. Exh. cat. New York: The Museum of Modern Art, 2005: 29, 86-89, 200, 218.

Garrels 2005

Grachos, Louis and Claire Schneider. Extreme Abstraction. Exh. cat. Buffalo: Albright-Knox Art Gallery, 2005.

Grachos and Schneider 2005

Theme and Variation: Twentieth Century Prints. Exh. brochure. New York: Hirschl and Adler Galleries, 2005.

Hirschl and Adler 2005

Janssen, Hans. De Omslag (The Switch): illusie en werkelijkheid in de kunst van de jaren ‘50 en ‘60 uit de Triton Foundation. Exh. cat. Gemeentemuseum Den Haag, 2005. [Translated by Sue McDonnell]

Janssen 2005

Küster, Ulf. Blumen Mythos von Vincent Van Gogh bis Jeff Koons / Flower Myth…. Exh. cat. Basel/Riehen: Fondation Beyeler, 2005. [Translated from German by John W. Gabriel]

Küster 2005

Perfect Painting 40 Jahre Galerie Hans Mayer. Exh. cat. Düsseldorf: Galerie Hans Mayer and Neuss: Langen Foundation, 2005.

Mayer 2005

Moos, David, ed. The Shape of Colour. Exh. cat. Toronto: Art Gallery of Ontario, 2005.

Moos 2005

In Private Hands. Exh. cat. Philadelphia: Pennsylvania Academy of the Fine Arts, 2005: 216-217.

Pennsylvania Academy 2005

Perl, Jed. New Art City – Manhattan at Mid-Century. New York: Alfred A. Knopf, 2005.

Perl 2005

“Monochrome.” Big Bang at the Musée National d’Art Moderne – Destruction and Creation in 20th Century Art. Exh. brochure. Paris: Centre Georges Pompidou, 2005.

Pompidou 2005

Minimalism and Beyond. Exh. cat. St. Louis: The Pulitzer Foundation for the Arts, 2005.

Pulitzer 2005

Rich, Sarah K. “Bridging the Generation Gaps in Barnett Newman’s Who’s Afraid of Red, Yellow and Blue?” American Art (Smithsonian American Art Museum) vol. 19, no. 3 (Fall 2005): 31-39.

Rich 2005

Royal Academy Illustrated 2005. Exh. cat. London: Royal Academy of Arts, 2005: 24-25.

Royal Academy 2005

2006

Bépoix, Michel. Cézanne mythe et pèlerins. Exh. cat. Aix-en-Provence: Actes Sud, 2006: 90-97.

Bépoix 2006

Homage to Chillida. Exh. cat. Bilbao: Guggenheim Museum, 2006: 210-211, 332-333. [Translated by Alison Hughes, Margaret Jull Costa]

Bilbao 2006

The Guggenheim Collection. Exh. cat. New York: Solomon R. Guggenheim Museum and Kunstmuseum Bonn, 2006. [Text by Anthony Calnek, Diane Waldman]

Calnek and Waldman 2006

Nothing and Everything. Exh. cat. New York: Fraenkel Gallery and Peter Freeman Inc., 2006.

Fraenkel and Freeman 2006

Gradowczyk, Mario H. Arte Abstracto cruzando líneas desde el Sur. Caseros, Buenos Aires: Universidad Nacional de Tres de Febrero, 2006.

Gradowczyk 2006

Grammont, Claudine. “La Raison du Peintre. Sur Matisse et Cézanne.” Cézanne mythe et pèlerins. Exh. cat. Aix-en-Provence: Actes Sud, 2006: 22-88.

Grammont 2006

New York New York Fifty Years of Art, Architecture, Cinema Performance, Photography and Video. Exh. cat. Monaco: Grimaldi Forum and Skira Editore, 2006: 302-305, 529, 539.

Grimaldi 2006

Le noir est une couleur – Hommage vivant à Aimé Maeght. Exh. cat. Saint Paul de Vence: Fondation Maeght, 2006.

Maeght 2006a

Centenaire Aimé Maeght – Dialogue avec le siècle. Exh. cat. Saint Paul de Vence: Fondation Maeght, 2006.

Maeght 2006b

Small Sculpture. Exh. cat. New York: Matthew Marks Gallery, 2006.

Marks 2006

Miller, Wallis. “Circling the Square.” O. M. Ungers: Cosmos of Architecture. Neue Nationalgalerie: Staatliche Museen zu Berlin, 2006: 104.

Miller 2006

Perez-Oramas, Luis. An Atlas of Drawings: Transforming Chronologies. Exh. cat. New York: The Museum of Modern Art, 2006.

Perez-Oramas 2006

Schwartz, Dieter. Plane/Figure: Amerikanische Kunst aus Schweizer Privatsammlungen und aus dem Kunstmuseum Winterthur. Exh. cat. Kunstmuseum Winterthur and Richter Verlag, 2006: 116-127.

Schwartz 2006

Joy Pop! Pop Art 1960’s – 2000’s From Lichtenstein, Warhol to the Current Generation. Exh. cat. Tokyo: Seiji Togo Memorial Japan Museum of Art, 2006.

Seiji Togo 2006

Shani, Annushka. Dark Matter. Exh. cat. London: White Cube, 2006: 14-15, 35, 44-45.

Shani 2006

Steiner, Rochelle. “Art for Architecture, Architecture for Art.” Ellsworth Kelly. Exh. cat. London: Serpentine Gallery, 2006: 18-29.

Steiner 2006

Varnedoe, Kirk. Pictures of Nothing: Abstract Art Since Pollock. Washington, D.C.: National Gallery of Art and Princeton: Princeton University Press, 2006.

Varnedoe 2006

Whitfield, Sarah “Shaping Memory.” Ellsworth Kelly. Exh. cat. London: Serpentine Gallery, 2006: 6-17. [Foreword by Julia Peyton-Jones]

Whitfield 2006

2007

Auping, Michael. 30 Years: Interviews and Outtakes. Fort Worth, Texas: Modern Art Museum, 2007: 179-181.

Auping 2007

Who’s Afraid of Red, Yellow and Blue? Positionen der Farbfeldmalerei. Exh. cat. Staatliche Kunsthalle Baden-Baden, 2007: 74-79.

Baden-Baden 2007

Boehm, Gottfried. The Other Collection: Homage to Ernst and Hildy Beyeler. Exh. cat. Basel/Riehen: Fondation Beyeler, 2007.

Boehm 2007

Fast Forward Contemporary Collections for the Dallas Museum of Art. Exh. cat. New Haven and London: Yale University Press and Dallas Museum of Art, 2007.

Dallas 2007

Americans in Paris: Abstract Paintings in the Fifties. Exh. cat. New York: Tibor de Nagy Gallery, 2007. [Isabelle Dervaux]

Dervaux 2007a

Drawing Connections: Baselitz, Kelly, Penone, Rockburne and the Old Masters. Exh. cat. New York: Morgan Library & Museum, 2007.

Dervaux 2007b

Ehrenworth, Andrew. Ellsworth Kelly: Monumental Prints. Exh. cat. New York: Susan Sheehan Gallery, 2007.

Ehrenworth 2007

Circuit: America – Europe – Masterpieces from the Art Collection of the Federal Reserve Board. Exh. cat. Frankfurt: European Central Bank, 2007: 17, 76-77, 101-103.

Federal Reserve 2007

Rosenthal, Mark and Terry Ann R. Neff et al. The Fisher Collection. San Francisco: Doris and Donald Fisher, 2007.

Fisher 2007

Gage, John. Colour in Art. London: Thames and Hudson, Ltd., 2007.

Gage 2007

George, Hardy S. Breaking the Mold: Selections from the Washington Gallery of Modern Art, 1961-1968. Exh. cat. Oklahoma City Museum of Art, 2007: cover, 9, 58, 124.

George 2007

Grunenberg, Christoph. “Modern Icons: The Contradictions of Ellsworth Kelly.” Ellsworth Kelly. Exh. cat. Tate St. Ives, 2007: 16-34, 56-57. [Introduction by Susan Daniel-McElroy]

Grunenberg 2007

Guilbaut, Serge et al. Be-Bomb: The Transatlantic War of Images and all that Jazz, 1946-1956. Exh. cat. Barcelona: Museu d’Art Contemporani de Barcelona, 2007.

Guilbaut 2007

Grand Gestures: the Gordon F. Hampton Collection. Exh. cat. California State University Long Beach Art Museum, 2007.

Hampton 2007

Hickey, Dave. “The Rivers, The Notepads, and the Accidental Fifties.” Ellsworth Kelly The Rivers. New York: Gemini G.E.L. at Joni Moisant Weyl, 2007.

Hickey 2007

Hillings, Valerie L. Guggenheim Collection 1940s to Now. Exh. cat. Melbourne: National Gallery of Victoria, 2007.

Hillings 2007

Houston, Joe et al. “The Lure of Giverny: Monet to Today.” In Monet’s Garden: Artists and the Lure of Giverny. Exh. cat. Columbus, Ohio: Columbus Museum of Art, 2007: 11-19. [The text is also published in a French edition of the Paris venue of this exhibition]

Houston 2007a

Houston, Joe. Optic Nerve: Perceptual Art of the 1960s. Exh. cat. London: Merrell in association with the Columbus Museum of Art, 2007: 7-208. [Introduction by Dave Hickey]

Houston 2007b, Hickey 2007

Kelly, Ellsworth. Ellsworth Kelly: 1954 Drawings on a Bus— Sketchbook 23. New York: Matthew Marks Gallery and Steidl, 2007.

Kelly 2007

Minami, Yusuke. “Quelques réflexions sur ‘la postérité de Monet.’” L’art de Monet et sa postérité. Exh. cat. Tokyo: The National Art Center, 2007: 252-256. [translated by Camille Ogawa]

Minami 2007

Pop Art: 1960’s-2000’s From Misumi Collection. Exh. cat. Tokyo: The Japan Association of Art Museum, The Yomiuri Shimbun, 2007: 55.

Misumi 2007

Water. Exh. cat. St. Louis: The Pulitzer Foundation for the Arts, 2007.

Pulitzer 2007

Rosenblum, Robert. Art in America – 300 Years of Innovation. Exh. cat. New York: The Solomon R. Guggenheim Museum, 2007. [The text is also published in a Spanish edition for the Bilbao venue of this exhibition]

Rosenblum 2007

Minimalism/postminimalism – Selections from the Collections of Jordan D. Schnitzer and his Family Foundation. Exh. brochure. Portland, Oregon: Portland Art Museum, 2007.

Schnitzer 2007

Storr, Robert. Think with the Senses, Feel with the Mind: Art in the Present Tense. La Biennale di Venezia: 52. Esposizione Internationale d’Arte. Venice: Fondazione La Biennale di Venezia, 2007.

Storr 2007

What is a Line? Drawings from the Collection. Exh. brochure. New Haven, CT: Yale University Art Gallery, 2007

Yale 2007

2008

Bernstein, Joanne. Moving Horizons: The UBS Art Collection: 1960s to the present day. Exh. cat. Beijing: National Art Museum of China, 2008.

Bernstein 2008

Bois, Yve-Alain. “When Artwork Resist.” Glenstone – The Inaugural Exhibition. Exh. cat. Potomac, Maryland: Glenstone Foundation, 2008: 145-163. [Text also by Stephanie Rachum]

Bois 2008

Circa 1958 Breaking Ground in American Art. Exh. cat. Ackland Art Museum, The University of North Carolina at Chapel Hill, 2008.

Chapel Hill 2008

The American Evolution – A History Through Art. Exh. brochure. Washington: Corcoran Gallery of Art, 2008.

Corcoran 2008

Face to Face – The Daros Collections. Exh. cat. Zurich: Daros Services AG and Ostfildern: Hatje Cantz, 2008.

Daros 2008

Attention to Detail. Exh. cat. New York: Flag Art Foundation, 2008: 52, 60.

FLAG 2008

Franz, Erich. Orte der Sehnsucht- Mit Künstlern auf Reisen. Exh. cat. Münster: Westfälisches Landesmuseum, 2008.

Franz 2008

Govan, Michael and Lynn Zelevansky. The Broad Contemporary Art Museum at the Los Angeles County Museum of Art. Los Angeles County Museum of Art, 2008: 15, 38, 178.

Govan and Zelevansky 2008

xxste eeuw / 20th century. Exh. cat. Gemeentemuseum Den Haag, 2008.

Haag 2008

Hindry, Ann. “Modernité d’Ellsworth Kelly / Modernity of Ellsworth Kelly.” Correspondances: Ellsworth Kelly / Paul Cézanne. Exh. cat. in French and English. Paris: Musée d’Orsay, 2008: 4-25.

Hindry 2008a

Hindry, Ann, Ellsworth Kelly, and Marie-Pierre Salé. Correspondances: Ellsworth Kelly / Paul Cézanne. Exh. cat. Paris: Musée d’Orsay, 2008.

Hindry 2008a, Hindry 2008b, Salé 2008

Hindry, Ann. “Interview with Ellsworth Kelly.” Correspondances: Ellsworth Kelly / Paul Cézanne. Exh. cat. in French and English. Paris: Musée d’Orsay, 2008: 28-49.

Hindry 2008b

Katz, Jonathan D. “Report from Barcelona: Cold War and Hot Art.” Art in America vol. 96, no. 6 (June/July 2008): 82-88.

Katz 2008

Kelly, Ellsworth. [Untitled statement.] Fernand Léger: Paris-New York. Exh. cat. Basel/Riehen: Fondation Beyeler, 2008: 147-148.

Kelly 2008

Milla, Martina. “American Modern. Works from the Corcoran Gallery of Art.” Modernitat Americana: Obres de la Corcoran Gallery of Art. Exh. cat. La Corcoran Gallery of Art, 2008: 33, 148-149, 169.

Milla 2008

This Is Not To Be Looked At: Highlights from the Permanent Collection of the Museum of Contemporary Art Los Angeles. Exh. cat. Los Angeles: Museum of Contemporary Art, 2008: 20, 152-153.

MOCA Los Angeles 2008

Artist’s Choice + Vik Muniz = Rebus. Exh. brochure. New York: The Museum of Modern Art, 2008.

MOMA 2008

Schmidt, Heinrich and Sabine Trieloff. “Matthew Marks Gallery Art Basel 39 – Interview with Ellsworth Kelly.” Vernissage TV (June 4, 2008): 10:38.

Schmidt and Trieloff 2008

A Searching Line: The Plant Lithographs of Ellsworth Kelly. Exh. brochure. New York: Susan Sheehan Gallery, 2008.

Sheehan 2008

Smith, Roberta. “Focus: Ellsworth Kelly.” The New York Times (January 4, 2008): E31.

Smith 2008

Temkin, Ann. Color Chart: Reinventing Color, 1950 to Today. Exh. cat. New York: The Museum of Modern Art, 2008.

Temkin 2008

Art is for the Spirit: Works from the UBS Art Collection. Exh. cat. Tokyo: Mori Art Museum, 2008: 23, 230-231.

UBS 2008

Art of our Time – Praemium Imperiale 20. Exh. cat. Tokyo: The Japan Art Association and the Ueno Royal Museum, 2008.

Ueno Royal 2008

Lines, Grids, Stains, Words – Minimal Art Drawings from the Collection of the Museum of Modern Art, New York. Exh. cat. Museum Wiesbaden and Museu de Arte Contemporanea de Serralves, Porto, 2008.

Wiesbaden 2008

Ziegler, Erdmann Ulf and Cornelius Tittel. “Ellsworth Kelly.” Monopol 5 (May 2008): 74-93.

Ziegler and Tittel 2008

2009

Ackermann, Marion. Drei: Das Triptychon in der Moderne. Exh. cat. Stuttgart: Kunstmuseum Stuttgart, 2009.

Ackermann 2009

The Anarchy of Silence – John Cage and Experimental Art. Exh. cat. Barcelona: Museu d’art contemporani de Barcelona, 2009.

Barcelona 2009

Bois, Yve-Alain Bois. “Chance Encounters: Kelly, Morellet, Cage.” The Anarchy of Silence – John Cage and Experimental Art. Exh. cat. Barcelona: Museu d’art contemporani, 2009: 188-203.

Bois 2009

Burton, Johanna. “Ellsworth Kelly: Changing Parameters.” Ellsworth Kelly Diagonal. Exh. cat. New York: Matthew Marks Gallery, 2009.

Burton 2009

Daur, Jörg. arte povera bis minimal – Einblicke in die Sammlung Lafrenz. Exh. cat. Wiesbaden, Germany: Museum Wiesbaden, 2009: 15-16, 19, 46-49, 60.

Daur 2009

de Chassey, Éric. “The Matisse effect: abstraction and decoration.” Ils ont regardé Matisse – Une reception abstraite États-Unis / Europe 1948-1968. Exh. cat. Le Cateau Cambrésis: Musée departmental Matisse, Montreuil: Gourcuff Gradenigo, 2009: 66-98. [translation by John Tittensor]

de Chassey 2009

de Chassey, Éric and Yve-Alain Bois. “Matisse in American art – Discussion between Yve-Alain Bois and Éric de Chassey.” Ils ont regardé Matisse – Une reception abstraite États-Unis / Europe 1948-1968. Exh. cat. Le Cateau Cambrésis: Musée departmental Matisse, Montreuil: Gourcuff Gradenigo, 2009: 120-141. [translation by Barbara Mellor]

de Chassey and Bois 2009

D.[ervaux], I.[sabelle] “Ellsworth Kelly: White Curve (Radius: 12′).” The Thaw Collection of Master Drawings – Acquisitions Since 2002. Exh. cat. New York: The Morgan Library & Museum, 2009: 162-163.

Dervaux 2009

Encrevé, Lucile. “Chronology 1948-1968: Matisse: Abstract Perceptions United States/ Europe.” Ils ont regardé Matisse – Une reception abstraite États-Unis / Europe 1948-1968. Exh. cat. Le Cateau Cambrésis: Musée departmental Matisse, Montreuil: Gourcuff Gradenigo, 2009: 14-62.

Encrevé 2009

Garrels, Gary et al. Interview with Ellsworth Kelly at San Francisco Museum of Modern Art, May 7, 2009. Audiofile transcript, np.

Garrels 2009

Garrels, Gary and Sarah Roberts. San Francisco Museum of Modern Art: 75 Years of Looking Forward. Exh. cat. San Francisco Museum of Modern Art, 2009: 174, 177.

Garrels and Roberts 2009

Goodyear, Anne Collins. Reflections/Refractions. Self-Portraiture in the Twentieth Century. Washington, D.C.: Smithsonian Institution, 2009: 160-161.

Goodyear 2009

Grunenberg, Christoph. “Sixty Years at Full Intensity.” Tate Etc. no. 16 (Summer 2009): 65-67.

Grunenberg 2009

Hudson, Suzanne P. Robert Ryman – Used Paint. Cambridge, Massachusetts: MIT Press, 2009.

Hudson 2009

Malone, Meredith. Chance Aesthetics. Exh. cat. St. Louis: Mildred Lane Kemper Art Museum, 2009.

Malone 2009

Classic Contemporary: Lichtenstein, Warhol & Friends. Exh. cat. Museum of Contemporary Art San Diego, 2009.

MOCA San Diego 2009

Morellet, François. “65, 38, 21, 4, 72…” Tate Etc. no. 16 (Summer 2009): 72-73.

Morellet 2009

Obrist, Hans Ulrich and Ellsworth Kelly. Ellsworth Kelly – Thumbing through the Folder: A Dialogue on Art and Architecture with Hans Ulrich Obrist. Cologne: Verlag der Buchhandlung Walther König, 2009.

Obrist 2009

Paik, Tricia. “A Palpable Vision: Ellsworth Kelly in New York, 1954-1969.” Ph.D. dissertation. New York University, 2009.

Paik 2009

Rattemeyer, Christian. Compass in Hand: Selections from the Judith Rothschild Foundation Contemporary Drawings Collection. Exh. cat. New York: The Museum of Modern Art, 2009: 15-29, 80-81.

Rattemeyer 2009

Sachs, Katherine. “Cézanne and Kelly: Painting Form through Color.” Cézanne and Beyond. Exh. cat. Philadelphia Museum of Art, 2009: 432-461, 559-560. [Essays by Joseph Rishel, Katherine Sachs, Roberta Bernstein, Yve-Alain Bois, John Elderfield, Carolyn Lanchner, Richard Shiff, and Robert Storr.]

Sachs 2009

New York New Drawings 1946-2007. Exh. cat. Segovia: Museo de Arte Contemporaneo Esteban Vicente, 2009: 146-147.

Segovia 2009

Semff, Michael , Andreas Strobl, and Frédéric Bussmann. Die Gegenwart der Linie – Ein Auswahl neuerer Erwerbungen des 20. und 21. Jahrhunderts. Exh. cat. Munich: Staatliche Graphische Sammlung, 2009.

Semff 2009

Gipfeltreffen der Moderne. Das Kunstmuseum Winterthur. Exh. cat. Bonn: Kunst- und Ausstellungshalle der Bundesrepublik Deutschland and Düsseldorf: Richter Verlag GmbH, 2009.

Winterthur 2009

2010

Arauz, Rachael. The Shape of Abstraction. Exh. cat. Boston University Art Gallery, 2010: 15-16, 30, 42, 51-52.

Arauz 2010

Butler, Cornelia H. “Walkaround Time: Dance and Drawing in the Twentieth Century.” On Line Drawing Through the Twentieth Century. Exh. cat. New York: The Museum of Modern Art, 2010: 146-147, 220.

Butler 2010

de Chassey, Éric and Carter Foster. Jean Auguste Dominique Ingres / Ellsworth Kelly. Exh. cat. in French, Italian and English. Rome: Académie de France à Rome – Villa Medici, 2010.

Chassey 2010

Di Monte, Maria Guiseppina. Ellsworth Kelly – La forma è il contenuto. Rome: de Luca Editori d’Arte, 2010: 7-182.

Di Monte 2010

Encrevé, Lucile. “Kite II.” Chefs-d’œuvre? Exh. cat. Metz, France: Centre Georges Pompidou-Metz, 2010: 252.

Encrevé 2010

Garrels, Gary. Calder to Warhol – Introducing the Fisher Collection. Exh. cat. San Francisco: San Francisco Museum of Modern Art, 2010. [foreword by Neal Benezra and Doris Fisher]

Garrels 2010

Glimcher, Arne. 50 Years at Pace. Exh. cat. New York: The Pace Gallery, 2010.

Glimcher 2010

Haldemann, Matthias. LINEA. Vom Umriss zur Aktion. Die Kunst der Linie zwischen Antike und Gegenwart. Exh. cat. Zug, Switzerland: Kunsthaus Zug, 2010: (n.119).

Haldemann 2010

Katz, Jonathan D. and David C. Ward. Hide/Seek: Difference and Desire in American Portraiture. Exh. cat. Washington, D.C.: National Portrait Gallery, 2010: 46.

Katz 2010

Kennedy, Christina. Post-War American Art – The Novak / O’Doherty Collection. Exh. cat. Dublin: Irish Museum of Modern Art, 2010: 100-101.

Kennedy 2010

Kornhauser, Elizabeth Mankin and Erin Monroe. American Moderns on Paper – Masterworks from the Wadsworth Atheneum Museum of Art. Exh. cat. Hartford, CT: Wadsworth Athenuem Museum, 2010: 199-201.

Kornhauser and Monroe 2010

Llorens, Tomàs and Boye Llorens. Da Braque a Kandinsky a Chagall. Aimé Maeght e I suoi artisti. Exh. cat. Ferrara Arte S.p.A., 2010: 110, 112-114.

Llorens 2010

O’Hare, Mary Kate. “Constructive Spirit: Abstract Art in South and North America, 1920s – 50s.” Constructive Spirit: Abstract Art in South and North America, 1920s–50s. Exh. cat. Newark: Newark Museum, 2010: 16-45.

O’Hare 2010

Alarcó, Paloma. Monet y la abstracción / Monet and Abstraction. Exh cat. Madrid: Museu Thyssen-Bornemisza Fundación Caja Madrid, 2010.

Paloma 2010

Raymond, Yasmil. Abstract Resistance. Exh. cat. Minneapolis: Walker Art Center, 2010: 43, 56, 90.

Raymond 2010

Rondeau, James. Contemporary Collecting: The Donna and Howard Stone Collection. Exh. cat. Chicago: The Art Institute of Chicago, 2010: 18, 76-77, 144.

Rondeau 2010

Roth, Richard. Local Self Portraits. Exh. cat. Hudson, New York: Hudson Opera House, 2010.

Roth 2010

United States Embassy London – Art in Embassies Exhibition. Exh. cat. London and Washington, D.C.: Art in Embassies Program, 2010: 5-6, 16-17. [Ambassador Louis B. and Mrs. Marjorie Susman]

Susman 2010

2011

Berry, Ian, and Jack Shear, eds. Twice Drawn – Modern and Contemporary Drawings in Context. Exh. cat. Saratoga Springs, New York: Tang Teaching Museum, Skidmore College, 2011: 73-74, 281, 291.

Berry and Shear 2011

Bois, Yve-Alain. “The Availability of Malevich.” Malevich and the American Legacy. Exh. cat. New York: Gagosian Gallery, 2011: 21-32, 98, 238.

Bois 2011

Breuer, Karin. “What’s LA Got to Do with it? – Artist as Printmakers in Los Angeles, 1960-1980.” Proof – The Rise of Printmaking in Southern California. Exh. cat. Pasadena: Norton Simon Art Foundation, 2011: 118-153.

Breuer 2011

Burlingham, Cynthia. “Reviving the Grand Tradition – Intaglio Printmaking in Los Angeles, 1960 to Now.” Proof – The Rise of Printmaking in Southern California. Exh. cat. Pasadena: Norton Simon Art Foundation, 2011: 154-179.

Burlingham 2011

iCON: Consuming the American Image. Exh. brochure. Ithaca, New York: Herbert F. Johnson Museum of Art, Cornell University, 2011: 29.

Cornell 2011

Daur, Jörg. “Symbol, Panel, and Object.” Ellsworth Kelly Black & White. Exh. cat. Munich: Haus der Kunst; Ostfildern: Hatje Cantz Verlag, 2011: 22-27. [The text is also published in a German edition of this catalogue.]

Daur 2011

Eleey, Peter. “A Lolly Pop / Two Branches.” September 11. Exh. cat. Long Island City, New York: MoMA PS1, 2011.

Eleey 2011

Foster, Carter E. “Stations of the Cross: Black, White, Light.” Ellsworth Kelly Black & White. Exh. cat. Munich: Haus der Kunst; Ostfildern: Hatje Cantz Verlag, 2011: 34-47. [The text is also published in a German edition of this catalogue.]

Foster 2011

Franz, Erich and Iris Possegger. Aufbruch – Malerei und realer Raum / A new departure – painting and concrete space. Exh. cat. Heidelberg: Verlag das Wunderhorn GmbH, 2011: 7-8, 10-11, 15-18, 106-107, 232-234, 258.

Franz and Possegger 2011

Herndon-Consagra, Francesca. Reflections of the Buddha. Exh. cat. St. Louis: The Pulitzer Foundation for the Arts, 2011: cover, 25, 43 (n.18).

Herndon-Consagra 2011

Hunter, Sam. “A Personal Memoir of The Founding of the Museum.” Art at the Origin: The Early 1960s. Exh. brochure. Rose Art Museum, 2011: 2-22. [Excerpt from A Defining Generation: Then and Now, 1961 and 2001. Exh. cat. Massachuetts: The Rose Art Museum, Brandeis University, 2001: 10-19.]

Hunter 2001

Kelly, Ellsworth. [Untitled statement.] Malevich and the American Legacy. Exh. cat. New York: Gagosian Gallery, 2011: 97.

Kelly 2011

Klar, Alexander. “The things I’m interested in have always been there.” Ellsworth Kelly Black & White. Exh. cat. Munich: Haus der Kunst; Ostfildern: Hatje Cantz Verlag, 2011: 28-33. [The text is also published in a German edition of this catalogue.]

Klar 2011

Loos, Ted. “Seeking Calligraphy in the Grain.” The New York Times (Novermber 27, 2011): AR26.

Loos 2011

Paltrow, Gwyneth, Christopher Bollen and Sebastian Kim. “Ellsworth Kelly.” Interview vol. 41, no. 8 (October 2011): 122-131.

Paltrow 2011

Pascale, Mark. Contemporary Drawings from the Irving Stenn Jr. Collection. Exh. cat. Chicago: The Art Institute of Chicago, 2011.

Pascale 2011

Perlein, Gilbert, Michele Brun and Rebecca Francois. “La couleur en avant.” L’art contemporain et la cote d’azur un territoire pour l’experimentation. Exh. cat. Nice: MAMAC, 2011: cover, 5-7, 26.

Perlein 2011, Brun 2011, Francois 2011

Prather, Marla. “Interview with Ellsworth Kelly, May 15, 2011, Spencertown, New York.” Ellsworth Kelly Plant Drawings. Munich: Schirmer/Mosel, 2011: 210-224. [The text is also published in a German edition of this book.]

Prather and Kelly 2011

Dreamscapes. Exh. cat. The Pulitzer Foundation for the Arts, 2011.

Pulitzer 2011

Richardson, Brenda. “Ellsworth Kelly’s Totems.” Ellsworth Kelly Wood Sculpture. Exh. cat. Boston: Museum of Fine Arts, 2011: 9-23. [Foreword by Malcolm Rogers]

Richardson 2011

Rondeau, James and Anne Rorimer. Contemporary Collecing – The Judith Neisser Collection. Exh. cat. Chicago: The Art Institute of Chicago, 2011: 74-76, 156.

Rondeau and Rorimer 2011

Semff, Michael. “‘Here I Am’ – Draw Me! Ellsworth Kelly: Plant Drawings 1948-2010.” Ellsworth Kelly Plant Drawings Munich: Schirmer/Mosel, 2011: 7-15. [trans. John W. Gabriel] [The text is also published in a German edition of this book.]

Semff 2011

Prather, Marla, Ellsworth Kelly, and Michael Semff. Ellsworth Kelly Plant Drawings. Munich: Schirmer/Mosel, 2011. [The text is also published in a German edition of this book.]

Semff 2011, Prather and Kelly 2011

Sobieski, Elizabeth “FAPE – The Art of Diplomacy.” The Art Economist vol. 1 Issue 7 (2011): 40-47.

Sobieski 2011

Storr, Robert. “Radicality and Refinement.” Ellsworth Kelly Reliefs 2009-2010. Exh. cat. New York: Matthew Marks Gallery, 2011: 4-15.

Storr 2011

Wilmes, Ulrich. “Black and White.” Ellsworth Kelly Black & White. Exh. cat. Munich: Haus der Kunst; Ostfildern: Hatje Cantz Verlag, 2011: 2-21. [Foreword by Okwui Enwezor and Alexander Klar; essays by Ulrich Wilmes, Jörg Daur, Alexander Klar, and Carter E. Foster; translated by Bronwen Saunders] [The text is also published in a German edition of this catalogue.]

Wilmes 2011, Klar 2011, Daur 2011, Foster 2011

2012

Masterworks from Degas to Rosenquist. Exh. cat. New York: Acquavella Galleries, 2012.

Acquavella 2012

Axsom, Richard H. The Prints of Ellsworth Kelly: A Catalogue Raisonné. Volumes I & II. Seattle: Marquand Books and Portland: Jordan Schnitzer Family Foundation, 2012.

Axsom 2012

Bois, Yve-Alain. “Shape as Encounter.” Cahiers d’Art (October 2012): 18-20. [The text is also published in a French edition of this book.]

Bois 2012a

Bois, Yve-Alain. “The Paris Years.” Cahiers d’Art (October 2012): 42. [The text is also published in a French edition of this book.]

Bois 2012b

Brennan, Maura. Paper Trail: 15th Anniversary Celebration of the Burt Chewnow Galleries. Exh. cat. Bridgeport: Housatonic Museum of Art, 2012.

Brennan 2012

Brugger, Ingried and Florian Steininger, eds. Sammlung Hubert Looser / Hubert Looser Collection. Exh. cat. Hattje Cantz Verlag, Ostfildern; Bank Austria Kunstforum, 2012. [Interview by Gerhard Mack with Hubert Looser; essays Corinna Thierolf, Florian Steininger, Evelyn Benesch, Heike Eipeldauer, Richard Shiff, Lisa Kreil]

Brugger and Steininger 2012

Duncan, Michael. “Ellsworth Kelly’s Welcome to LA.” Ellsworth Kelly: Los Angeles. Exh. cat. Matthew Marks Gallery, 2012.

Duncan 2012

Graw, Isabelle. “Ellsworth Kelly, Haus der Kunst, Munich.” Artforum vol. 50, no. 10 (Summer 2012): 310.

Graw 2012

Hindry, Ann. “The Eye’s Mind.” Cahiers d’Art (October, 2012): 41. [The text is also published in a French edition of this revue.]

Hindry 2012

Holthuis, Gabriele et al. Auf Augenhöhe: Meisterwerke aus Mittelalter und Moderne. Exh. cat. Ulm: Ulmer Muesum, 2012: 8, 90-91.

Holthuis 2012

Homes, A. M. “True to Form.” W (July, 2012): 74-79.

Homes 2012

Iovane, Giovanni. A window on the World, from Dürer to Mondrian and Beyond. Looking Though the Window of Art from the Renaissance to Today. Exh. cat. Museo Cantonale d’Arte e Museo d’Arte Lugano, 2012: 33, 185, 188, 190-195, 330.

Iovane 2012

Jones, Leslie, Isabelle Dervaux and Susan Laxton. Drawing Surrealism. Exh. cat. Los Angeles County Museum of Art, 2012: 58, 217, 220.

Jones Dervaux Laxton 2012

Kelly, Ellsworth. [Artist’s statement.] Cahiers d’Art (October 2012): 52-53. [The text is also published in a French edition of this book.]

Kelly 2012

Maertens, Marie. “Kelly, Icône de l’abstraction.” Connaissance des Arts no. 700 (January 2012): 62-67.

Maertens 2012

Müller-Schareck, Maria. Fresh Widow – The Window in Art since Matisse and Duchamp. Exh. cat. Düsseldorf: Kunstsammlung Nordrhein-Westfalen, 2012. [Introduction by Marion Ackermann; also essays by Rolf Selbmann, Elke Bippus, Erich Franz, Peter Kropmanns, Isabelle Manz, Heinz Liesbrock, Christoph Grunenberg, Melanie Vietmeier, Lisa Marei Schmidt, John Yau, Christian Müller, Stefan Gronert, Rune Gade, Hans Rudolf Reust, Doris Krystof, Ina Blom Caroline Káding] [The text is also published in a German edition of this catalogue.]

Müller-Schareck 2012

Neuburger, Susanne and Barbara Ruediger. Reflecting Fashion, Kunst und Mode seit der Moderne. Exh. cat. Vienna: Museum Moderner Kunst Stiftung Ludwig, 2012: 14-23, 42-43.

Neuburger and Rüdiger 2012

Obrist, Hans-Ulrich and Ellsworth Kelly. “Ellsworth Kelly in Conversation.” Cahiers d’Art (October 2012): 26-28. [The text is also published in a French edition of this book.]

Obrist 2012

Poggi, Christine. “Inflexions of the Times: Newspaper in the Era of Art.” Shock of the News. Exh. cat. Washington, D.C.: National Gallery of Art, 2012: 117.

Poggi 2012

Schelde, Jeanne Rank and Helle Crenzien. Self-Portrait. Exh. cat. Humlebæk: Louisiana Museum of Modern Art, 2012: 64, 124.

Schelde Crenzien 2012

Sibony, Gedi et al. In the Still Ephiphany. Exh. cat. St. Louis: The Pulitzer Foundation for the Arts, 2012: 16, 20-21, 46-49, 52, 58.

Sibony 2012

Temkin, Ann. Interview with Ellsworth Kelly, May 9 and May 23, 2012. Unpublished transcript, np.

Temkin 2012

Thierold, Corinna. “Private Passion – Public Wealth.” Sammlung Hubert Looser / Hubert Looser Collection. Exh. cat. Vienna: Bank Austria Kunstforum, 2012: 18-27.

Thierold 2012

Townsend, Richard F. “Bannerstones and Birdstones.” Cahiers d’Art (October 2012): 59. [The text is also published in a French edition of this book.]

Townsend 2012

Vogel, Carol. “True to his Abstraction.” The New York Times (January 22, 2012): 1, 23.

Vogel 2012

2013

Bedford, Christopher. “Social Extractions.” Ellsworth Kelly at Ninety. Exh. cat. New York: Matthew Marks Gallery, 2013: 34-37.

Bedford 2013

Bernasconi, Francesca, Marco Franciolli, Giovanni Iovane and Sylvie Wuhrmann. Fenêtres de la Renaissance à nos jours Dürer, Monet, Magritte… Exh. cat. Lausanne: Fondation de l’Hermitage, 2013: 30-31, 182, 193, 199, 200-203, 322.

Bernasconi 2013

Carmean, Jr., E. A. “The Road to Painterly Pasted Pictures: Braque and Arp to Stella and Kelly.” Painterly Pasted Pictures. Exh. cat. New York: Freedman Art Gallery, 2013: 3, 16-17.

Carmean 2013

Chou, Kimberly. “The Colors Only Get Brighter With Time.” The Wall Street Journal (May 20, 2013): A24.

Chou 2013

Criqui, Jean-Pierre. “Gang of Four.” Ellsworth Kelly at Ninety. Exh. cat. New York: Matthew Marks Gallery, 2013: 14-17.

Criqui 2013

Curley, John J. A Conspiracy of Images – Andy Warhol, Gerhard Richter and the Art of the Cold War. New Haven, Connecticut: Yale University Press, 2013.

Curley 2013

Dolkart, Judith F. “Meeting the Eye Direct.” Ellsworth Kelly: Sculpture on the Wall. Exh. cat. Philadelphia: The Barnes Foundation, 2013: 9-41. [Foreword by Derek Gillman]

Dolkart 2013

Gerstheimer, Christian J. Navigating Art Languages: The James M. Shelton, Jr. Collection. Exh. cat. El Paso, Texas: El Paso Art Museum, 2013: 18, 30.

Gerstheimer 2013

Karmel, Pepe. “Singular Forms.” Ellsworth Kelly: Singular Forms, 1966-2009. Exh. cat. New York: Mnuchin Gallery, 2013: 7-19.

Karmel 2013

Paik, Tricia Y. “Shaping Form Through Time.” Ellsworth Kelly at Ninety. Exh. cat. New York: Matthew Marks Gallery, 2013: 46-53.

Paik 2013

Sretenović, Vesela. “Color into Space: from surface to depth.” Ellsworth Kelly: Panel Paintings 2004-2009. Exh. cat. Washington, D.C.: The Phillips Collection, 2013: 6-17. [Foreword by Dorothy Kosinski]

Sretenović 2013a

Sretenović, Vesela and Ellsworth Kelly. “In Brief with Ellsworth Kelly.” Ellsworth Kelly: Panel Paintings 2004-2009. Exh. cat. Washington, D.C.: The Phillips Collection, 2013: 18-22.

Sretenović and Kelly 2013

Storr, Robert. “A Gift Beyond Measure.” Ellsworth Kelly at Ninety. Exh. cat. New York: Matthew Marks Gallery, 2013: 24-29.

Storr 2013

Temkin, Ann. “The Chatham Series.” Ellsworth Kelly: Chatham Series. Exh. cat. New York: The Museum of Modern Art, 2013: 8-29. [Foreword by Glenn D. Lowry]

Temkin 2013

“Artist Interview: Ellsworth Kelly with Mitchell Rales and Emily Wei Rales.” Produced by Glenstone. (Potomac, Maryland: Glenstone, March 21, 2013), DVD, 1:58:11.

Wei Rales 2013

American Idols. Exh. cat. Ulm: Kunsthalle Weishaupt, 2013: 1-95.

Weishaupt 2013

Wood, James N. “Ellsworth Kelly: The Chatham Series.” Ellsworth Kelly: Chatham Series. Exh. cat. New York: The Museum of Modern Art, 2013: 60-61. [Excerpt from a 1972 unpublished essay]

Wood 2013

2014

Adam-Couralet, Sandra. Formes Simples. Exh. cat. Paris: Centre Georges Pompidou-Metz, 2014: 128-129, 153, 160-161, 1983, 214, 258, 269.

Adam-Couralet 2014

Lees, Sara and Yve-Alain Bois. Monet / Kelly. Exh. cat. Williamstown, Massachusetts: Sterling and Francine Clark Art Institute; New Haven and London: Yale University Press, 2014.

Bois 2014

Cooper, Harry. “Hofmann’s Hints A Journey Through the Meyerhoff Collection.” Modernism from the National Gallery of Art – The Robert and Jane Meyerhoff Collection. Exh. cat. Washington: National Gallery of Art, 2014: 12-14, 19-22, 26, 124.

Cooper 2014

Cooper, Harry, David Breslin, and Matt Jolly. Make it New: Abstract Painting from the National Gallery of Art, 1950-1975. Exh. cat. Williamstown, Massachusetts: Sterling and Francine Clark Art Institute, 2014: 12, 118-119.

Cooper Breslin and Jolly 2014

Elliott, David. “A View from a Window.” Art From Elsewhere. Exh. cat. London: Hayward Gallery, 2014.

Elliott 2014

Frigeri, Flavia. “Tastebreakers of the 1950’s: A Chronolgy.” From the Guggenheim Collection International Abstraction, 1949-1960 to the Cobra Museum Amstelveen. Exh. cat. New York: The Solomon R. Guggenheim Foundation, 2014: 25, 120, 186.

Frigeri 2014

Harding, Allison. “Evocation.” Georgeous – What is Gorgeous? Seductive. Grotesque. Austere. Brazen. Exh. cat. San Francisco: Asian Art Museum of San Francisco, 2014: 46-51.

Harding 2014

Haskell, Caitlin. “Just Looking.” Georgeous – What is Gorgeous? Seductive. Grotesque. Austere. Brazen. Exh. cat. San Francisco: Asian Art Museum of San Francisco, 2014: 103-106.

Haskell 2014

Hindry, Ann. “Kelly, vivre l’espace de la couleur (Kelly, Living the Space of Color).” Ellsworth Kelly. Exh. cat. Paris: Fondation Louis Vuitton/Manuella Éditions, 2014: 57-71.

Hindry 2014

Hutton, Molly S. “The Campus Connection: The Anderson Family and Stanford Ties.” A Family Affair. Exh. cat. California: Prestel, 2014: 20, 25, 119.

Hutton 2014

Kelly. Ellsworth. “Artist’s statement.” Monet | Kelly. Exh. cat. Williamstown, Massachusetts: Sterling and Francine Clark Art Institute; New Haven and London: Yale University Press, 2014: 8-9.

Kelly 2014

Kelly, Ellsworth and Robert Storr. “Conversation.” Ellsworth Kelly. Exh. cat. Paris: Fondation Louis Vuitton/Manulla Éditions, 2014: 11-30. [Introduction by Suzanne Pagé]

Kelly and Storr 2014

Lees, Sarah. “Monet Places and Process.” Monet/Kelly. Exh. cat. Williamstown, Massachusetts: Sterling and Francine Clark Art Institute; New Haven and London: Yale University Press, 2014: 24-25.

Lees 2014

McGill, Forrest. “Gold.” Georgeous – What is Gorgeous? Seductive. Grotesque. Austere. Brazen. Exh. cat. San Francisco: Asian Art Museum of San Francisco, 2014: 32-33.

McGill 2014

Rose, Kerry. “Ellsworth Kelly.” Modernism from the National Gallery of Art – The Robert and Jane Meyerhoff Collection. Exh. cat. Washington: National Gallery of Art, 2014: 84-85.

Rose 2014

Saracino, Karen. “The Building of a Collection: A Chronology.” A Family Affair. California: Prestel, 2014: 221.

Saracino 2014

Shiff, Richard. “Make Your Own Chance.” Ellsworth Kelly: New York Drawings 1954-1962. Exh. cat. New York: Matthew Marks Gallery, 2014: 5-58.

Shiff 2014

Smith, Cary. “Ellsworth Kelly.” Fifty Years. Exh. cat. Ridgefield, The Aldrich Contemporary Art Museum, 2014.

Smith 2014

Storr, Robert. “Conversation: Ellsworth Kelly & Robert Storr.” Ellsworth Kelly. Exh. cat. Paris: Fondation Louis Vuitton/Manulla Éditions, 2014: 11-30.

Storr 2014

Susman, Marjorie. Letters From London- Tales from an Ambassador’s Wife. Marjorie Susman, 2014: 21, 32, 68, 186, 209, 235, 282, 290.

Susman 2014

Zu Salm-Salm, Marie-Amélie. “Manet, Cézanne, Van Gogh- aus aller Welt zu Gast (Translation by Gérard Gooddrow, “Manet, Cézanne, Van Gogh- Dialogues Between Masterpieces From Around the World.” Manet Cézanne Van Gogh aus aller Welt zu Gast. Exh. cat. Cologne: Wienand Verlag, 2014: 20-21, 56-57, 78, 80-81, 85.

Zu Salm-Salm 2014

2015

Beaupré, Rachel G. “Plant Lithographs by Ellsworth Kelly, 1964-1966: Introduction.” Matisse Drawings – Curated by Ellsworth Kelly from The Pierre and Tana Matisse Foundation Collection. South Hadley: Mount Holyoke College Art Museum, 2015: 123-143.

Beaupré 2015

Benezra, Neal. “Entretien Avec Doris et Donal Fisher” Icônes Américaines Chefs-D’Œuvre Du SFMOMA et de La Collection Fisher. Paris: Grand Palais, Aix-en-Provence: Musée Granet, 2015: 159.

Benezra 2015

Looking Back: 45 Years. Exh. cat. San Francisco: John Berggruen Gallery, 2015: 5-97. [Introduction by Gretchen and John Berggruen]

Berggruen 2015

Kono, Michiko, Flavia Mayer, Christina Müller, and Ilona Shulman-Spaar. Black Sun. Exh. cat. Basel/Riehen: Fondation Beyeler, 2015.

Beyeler 2015

Bois, Yve-Alain. Ellsworth Kelly: Catalogue Raisonné of Paintings, Reliefs and Sculpture, 1940-1953, vol. 1. Paris: Cahiers d’Art, 2015.

Bois 2015

Delahunty, Gavin. “Ellsworth Kelly.” Whitewall vol. 39 (Fall 2015): 114.

Delahunty 2015

Delahunty, Gavin. “Memory Recorded and Transferred.” Ellsworth Kelly. London: Phaidon, 2015: 182-187.

Delahunty 2015

Fer, Briony. “Outside In.” Ellsworth Kelly: Outside In. Exh. cat. New York: Matthew Marks Gallery, 2015.

Fer 2015

Garrels, Gary. “Visions Parallèles Art Américain Du SFMOMA et de La Collection Fisher.” Icônes Américaines Chefs-D’Œuvre Du SFMOMA et de La Collection Fisher. Paris: Grand Palais, Aix-en-Provence: Musée Granet, 2015: 14-15, 18-19 21 (n.12), 166, 172, 173.

Garrels 2015

Garrels, Gary. “Painting and Architecture.” Ellsworth Kelly. London: Phaidon, 2015: 322-329.

Garrels 2015

Heid, Birgitta. “Serien, Folgen und Ensembles.” Museumsglück. PIN. Erwerbungen für die Staatliche Graphische Sammlung seit 1991. Exh. cat. Munich: Staatliche Graphische Sammlung, 2015: 6, 10-59, 68.

Heid 2015

Holzhey, Magdalena. “Bildarchitektur/ Picture Architecture.” Show & Tell. Exh. cat. Kunstmuseum Krefeld, 2015: 97-98, 108. [translated Michael Wolfson]

Holzhey 2015

Madeline, Laurence and Jean Roch Bouiller. J’aime les panoramas. Exh. cat. Marseille: MuCEM and Geneva: Musées d’art et d’histoire de la ville de Genéve, 2015: 217, 224, 247.

Madeline and Bouiller 2015

Paik, Tricia Y. Ellsworth Kelly. London: Phaidon, 2015. [Monograph with additional essays by Gavin Delahunty, Gary Garrels, Richard Shiff, Robert Storr]

Paik 2015

Roberts, Sarah. “Ellsworth Kelly” Icônes Américaines Chefs-D’Œuvre Du SFMOMA Et De La Collection Fisher. Paris: Grand Palais, Aix-en-Provence: Musée Granet, 2015: 80-91.

Roberts 2015

Shiff, Richard. “That Will Be That.” Ellsworth Kelly. London: Phaidon, 2015: 188-195.

Shiff 2015

Stomberg, John R. “Ellsworth Kelly Interviewed by John R. Stomberg.” Matisse Drawings – Curated by Ellsworth Kelly from The Pierre and Tana Matisse Foundation Collection. South Hadley: Mount Holyoke College Art Museum, 2015: 11-18. [Introduction also by John R. Stomberg: 20-21.]

Stomberg 2015

Storr, Robert. “Starting Out – Starting Over.” Ellsworth Kelly. London: Phaidon, 2015: 88-103.

Storr 2015

Vervoordt, Axel and Luc Derycke. Proportio. Exh. cat. Venice: Axel & May Vervoordt Foundation, 2015.

Vervoodt and Derycke 2015

Wallner, Julia. “Hans Arp – Die Welt durch einen Nabel sehen.” Hans Arp – Der Nabel der Avantgarde. Exh. cat. Berlin: Georg Kolbe Museum, 2015: 12-15, 17-27. [Translated by ? ]

Wallner 2015

2016

Ackermann, Marion. Henkel – Die Kunst Sammlung. Exh. cat. Düsseldorf: Kunstsammlung Nordrhein-Westfalen, 2016: 1-31.

Ackermann 2016

Massimo Barbero, Luca. The Art of The Guggenheim Collections – From Kandinsky to Pollock. Exh. cat. New York: The Guggenheim Foundation, 2016.

Barbero 2016

Basualdo, Carlos. “A Contemporary Triumph – The Keith L. and Katherine Sachs Collection at the Philadelphia Museum of Art.” Embracing The Contemporary – The Keith L. and Katherine Sachs Collection. Exh. cat. Philadelphia Museum of Art, 2016: 13-18.

Basualdo 2016

Basualdo, Carlos. “A Conversation with Keith L. and Katherine Sachs.” Embracing The Contemporary – The Keith L. and Katherine Sachs Collection. Exh. cat. Philadelphia: Philadelphia Museum of Art, 2016: 20-41.

Basualdo and Sachs 2016

Boehm, Gottfried. “Ellsworth Kelly.” Anziehungshaft Farbe – Geist und Erinnerung. Exh. cat. Reutlingen: Gratianusstiftung, 2016: 14-16.

Boehm 2016

Fuchs, Rudi. “Ellsworth Kelly Anthology.” Ellsworth Kelly Anthology. Exh. cat. Wassenaar: Museum Voorlinden, 2016. [Foreword by Joop van Caldenborgh]

Fuchs 2016

Garrels, Gary. The Fisher Collection at the San Francisco Museum of Modern Art. Exh. cat. San Francisco Museum of Modern Art, 2016: 14-175.

Garrels 2016

Kelly, Ellsworth. [“The Shape of Seeing: Ellsworth Kelly’s Photographs.”] Ellsworth Kelly Photographs. Exh. cat. New York: Matthew Marks Gallery, 2016. [Artist’s statement excerpted from a conversation with Charles Hagen, August 1991, published in Aperture 125, Fall 1991: 42-45.]

Kelly and Hagen 1991

Lévy, Dominique. Drawing Then – Innovation and Influence in American Drawings of The Sixties. Exh. cat. New York: Dominique Lévy Gallery, 2016: 6-207.

Lévy 2016

Ramírez, Mari Carmen. “The Necessity of Concreteness: A View From The (Global?) South.” Postwar: Art Between The Pacific and The Atlantic. Exh. cat. London: Prestel Publishing Ltd., 2016: 490-495.

Ramirez 2016

Rishel, Joseph J. “Working with Kathy.” Embracing The Contemporary – The Keith L. and Katherine Sachs Collection. Exh. cat. Philadelphia: Philadelphia Museum of Art, 2016: 19.

Rishel 2016

Roberts, Sarah. San Francisco Museum of Modern Art: 360 Views on the Collection. Exh. cat. San Francisco Museum of Modern Art, 2016: 208-209.

Roberts 2016

Rosenthal, Mark. “Ellsworth Kelly.” Embracing The Contemporary – The Keith L. and Katherine Sachs Collection. Exh. cat. Philadelphia: Philadelphia Museum of Art, 2016: 150-159.

Rosenthal 2016

S.[chenkenberg], T.[amara H.] Ellipsis. Exh. cat. St. Louis: Pulitzer Art Foundation, 2016.

Schenkenberg 2016

Shiff, Richard. “0 To 1.” Postwar: Art Between The Pacific and The Atlantic. Exh. cat. London: Prestel Publishing Ltd., 2016: 232-237.

Shiff 2016

Stomberg, John R. Matisse Drawings. Exh. brochure. American Federation of Arts, 2016.

Stomberg 2016

2017

Etgar, Yuval. “The Ends of Collage.” The Ends of Collage. Exh. cat. London: Luxembourg & Dayan, 2017: 8-35.

Etgar 2017

Joseph, Branden W. and photoessay by Jack Shear. “Reciprocal Topography.” Ellsworth Kelly Last Paintings. New York: Matthew Marks Gallery, 2017.

Joseph 2017

Montana, Kelly. The Beginning of Everything: Drawings from the Janie C. Lee, Louisa Stude Sarofim, and David Whitney Collections. Exh. brochure. Houston: The Menil Collection, 2017.

Montana 2017

S.[tavisky], G.[ail] “Ellsworth Kelly.” Matisse and American Art. Exh. cat. New Jersey: Montclair Art Museum, 2017: 153-158.

Stavitsky 2017

White, Michelle. Between Land and Sea: Artists of the Coenties Slip. Exh. brochure. Houston: The Menil Collection, 2017.

White 2017

Calder to Kelly – Die Amerikanische Sammlung. Exh. brochure. Switzerland: Kunstmuseum Winterthur, 2017.

Winterthur 2017

2018

American Masters 1940–1980. Exh. cat. Australia: National Gallery of Australia, 2018. [Essays by Lucina Ward, Michael Lloyd, Michael Desmond]

Ward, Llyod and Desmond 2018

Calder | Kelly. Exh. Cat. New York: Lévy Gorvy, 2018. [Edited by Dominique Lévy and Amelia Brown; essays by Dan Chiasson, Forrest Gander, Robert Hopkins, Jed Perl, Veronica Roberts]

Lévy and Brown 2018

Ellsworth Kelly in the Hamptons. Exh. Brochure. New York: Guild Hall, 2018. [Curated and Text by Phyllis Tuchman]

Tuchman 2018

Ellsworth Kelly Plant Lithographs. Exh. cat. Massachusetts: Berskire Botanical Garden, 2018. [Text by Carter E. Foster]

Foster 2018

Form into Spirit – Ellsworth Kelly’s Austin. Exh. Brochure. Austin: The Blanton Museum of Art, 2018.

The Blanton Museum of Art 2018

I Still Believe in Miracles – Works from Selvaag Art Collection. Oslo: Astrup Fearnley Museet, 2018. [Text by Gunnar B. Kvaran]

Kvaran 2018

Ligne Forme Couleur – Ellsworth Kelly (1923-2015) dans les collections françaises. Exh. Cat. France: Collection Lambert en Avignon, 2018. [Essays by Éric de Chassey, Capucine Monfort, Nathalie Muller]

de Chassey 2018, Monfort 2018, Muller 2018a, Muller 2018b

Lost, Loose, and Loved Foreign Artists in Paris, 1944-1968. Exh. cat. Spain: Museo National Centro de Arte Reina Sofía, 2018. [Text by Serge Guilbaut] [The Text is also in Spanish; translation by Toni Crabb, Rachael McGill, Jethro Soutar, Philip Sutton]

Guilbaut 2018

MoMA at NGV: 130 Years of Modern and Contemporary Art. Exh. cat. New York: The Museum of Modern Art; Melbourne: National Gallery of Victoria, 2018. [Text by Samantha Friedman]

Friedman 2018

Nymphéas – Labstraction américaine et le dernier Monet. Paris: musée d’Orsay, 2018. [Essays by Éric de Chassey, Anne Montfort, Valérie Loth]

Loth 2018a, Loth 2018b, de Chassey 2018a, Montfort 2018

Ornament and Crime. Exh. Cat. New York: Eykyn Mclean, 2018. [Text by Meg O’Rourke]

O’Rourke 2018

Picasso – Gorky – Warhol Skulpturen und Arbeiten Auf Papier / Sculpture and Works on Paper Collection Hubert Looser. Exh. cat. Austria: Kunsthalle Krems, 2018. [Text by Florian Steininger]

Steininger 2018

Reds. New York: Mnuchin Gallery LLC, 2018. [Text by Clayton Press]

Press 2018

Shape of Light – 100 Years of Photography and Abstract Art. Exh. cat. London: Tate Enterprises Ltd., 2018. [Text by Shoair Mavlian]

Mavlian 2018

The FLAG Art Foundation: 2008–2018. New York: The FLAG Foundation and Gregory R. Miller & Co., 2018. [Essays by Louis Grachos, Jack Shear, Sarah Douglas, Glenn Furman, Stephanie Roach, Chuck Close]

Shear 2018

Up, Down & Other Opposites with Ellsworth Kelly. Phaidon Press Inc., 2018. [Text by Cecily Kaiser]

Kaiser 2018

2019

Abstraction: Aspects of Contemporary Art. Exh. cat. Osaka: The National Museum of Art, 2019. [Text by Ayumi Ikeda]

Ikeda 2019

Claremont McKenna College Public Art Project Gould Center for Humanistic Studies: Ellsworth Kelly Totem (For Claremont). Claremont, California: Gould Center for Humanistic Studies, 2019. [Text by Yve-Alain Bois]

Bois 2019b

Drawing is Everything: Founding Gifts of the Menil Drawing Institute. Texas: Menil Foundation, Inc., 2019. [Essays by John Elderfield, Richard Shiff, Terry Winters, Edouard Kopp]

Elderfield 2019, Shiff 2019, Winters 2019, Kopp 2019

Ellsworth Kelly Color Panels for a Large Wall. Exh. cat. New York: Matthew Marks Gallery, 2019. [Text by Mehring, Christine]

Mehring 2019

Ellsworth Kelly: Fenêtres/Windows. Exh. cat. Paris: Éditions Cahiers d’Art and Éditions du Centre Pompidou, 2019. [Forewords by Serge Lasvignes and Bernard Blistène; essays by Jean-Pierre Criqui, Yve-Alain Bois, Staffan Ahrenberg] [The Text is also in French]

Lasvignes 2019, Blistène 2019, Criqui 2019, Bois 2019a, Ahrenberg 2019

Ellsworth Kelly – Austin. Texas: Blanton Museum of Art, 2019. [Essays by Simone J. Wicha, Carter E. Foster]

Wicha and Foster 2019

One Hundred Drawings. Exh. cat. New York: Matthew Marks Gallery, 2019. [Essays by Katie Howse, Beau Rutland]

Howse and Rutland 2019

2020

Gray Collection | Pure Drawing. Exh. cat. Chicago: The Art Institute of Chicago, 2020. [Essays by Kevin Salatino, Suzanne Folds McCullagh]

Salatino and McCullagh 2020

Masterworks From Cézanne to Thiebaud. Exh. cat. New York: Acquavella Galleries, 2020.

Acquavella 2020

2021

Ellsworth Kelly: Catalogue Raisonné of Paintings, Reliefs and Sculptures, 1954-1958. Vol. 2. Paris: Cahiers d’Art, 2021 [Text by Yve-Alain Bois]

Bois 2021

Ellsworth Kelly: Rijksmuseum. Exh. cat. Amsterdam: Rijksmuseum, 2021. [Essays by Alfred Pacquement, Carel Blotkamp]

Blotkamp 2021

Ellsworth Kelly Postcards. Exh. cat. New York: The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College; DelMonico Books, 2021. [Foreword by Ian Berry; essays by Jessica Eisenthal, Ellsworth Kelly, Lynda Klich, Tricia Y. Paik]

Berry 2021, Eisenthal 2021, Paik 2021, Lich 2021, Kelly 1990

2022

Americans in Paris: Artists Working in Postwar France, 1946–1962. Exh. cat. New York: Grey Art Gallery, New York University; Munich: Hirmer Publishers, 2022. [Edited by Debra Bricker Balken, Lynn Gumpert; essays by Elisa Capdevila, Rashida K. Braggs, J. English Cook, Billy klüver, Julie Martin, Melissa Rachleff]

Grumpert and Bricker Balken 2022

2023 [upcoming]

Ellsworth Kelly: Portrait Drawings. Exh. cat. Chicago: The Art Institute of Chicago, 2023. [Edited by Kevin Salatino, Emily Vokt Ziemba; foreword by James Rondeau; essays by Jordan Carter, Richard Meyer, Susan Tallman, Jack Shear]

Salatino 2023, Tallman 2023, Meyer 2023, Carter 2023, Salatino, Vokt Ziemba, Pacale and Shear 2023

Ellsworth Kelly Glenstone Exhibition Catalogue

 

© ELLSWORTH KELLY FOUNDATION

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